Sundance has a rich tradition of premiering great on-screen romances, as far back as Linklater’s Before Sunrise in 1995, and more recently with Like Crazy, last year’s Grand Jury Prize winner. Carrying this torch into the 2012 Festival is The First Time, the sophomore effort from director Jonathan Kasdan (In the Land of Women). A meditation on the excitement, anticipation, and unavoidable angst of young love, First Time stars Dylan O’Brien and Britt Robertson as star-crossed high school students drawn together over a single weekend. Filmmaker: What were your creative goals when you first conceived of this project? Were there […]
A model hybrid of seemingly effortless form and true-to-life action is the astonishing Miss Bala, by 42-year-old Mexican director Gerardo Naranjo. His earlier, teen-focused works, Drama/Mex and I’m Gonna Explode, while they are expertly crafted (and especially alluring for those with a penchant for handheld camera and super-8), were a tad heavy-fisted for the subject matter, as if they were laden with an extra injection of testosterone. Could it be that in making Miss Bala (bala means bullet, and is a pun on Baja) about grown-ups and placing a 23-year-old woman (and her POV) front and center, he has, in the best way, […]
Directors Joshua Marston (The Forgiveness of Blood) and Braden King (Here) discuss the making of their very different pictures through the prism of their shared experience — making an independent film in Eastern Europe.
Financial writer (Snap Judgement), documentary film producer (The Burger and the King) and Athens Biennial artist David Adler just returned from Greece, and files a report on the Frieze blog. He opens, “‘Athens is the new Berlin.’ This hopeful phrase, constantly repeated by visitors to the 3rd Athens Biennale, and by the artists who have moved to Athens to take advantage of the cheap rents and cultural climate, may or may not be true. There are many contenders for the title – Buenos Aires, even Warsaw – but what is indisputable is that Athens is the leader in EU econ-disaster […]
Big-time professional wrestling has long been a lucrative business, but for the men of Lincolnton, North Carolina’s Millenium Wrestling Federation, the social cohesion and outlet for their imagination the sport provides is their primary compensation. As chronicled in director Robert Greene’s fantastic new documentary Fake It So Real, wrestling has never seemed as intense and physically costly. Yet Greene is not interested in mining the sport for tales of snake-bitten men reaching for a glory that will never come; this isn’t a doc version of The Wrestler. Woebegone men are few and far between in this world, despite the fact […]
1 Webdocs With the official partnership of entities as ahead-of-the-curve as IDFA DocLab and Power to the Pixel, among a dozen others, Belgian director Matthieu Lietaert (whose own online project We R Democracy nabbed the BIPS at Sunny Side of the Doc 2010) has put together an offline guide to navigating the field of Web-based documentaries. Titled Webdocs, it covers everything from crowd sourcing to storytelling in a format that includes interviews with 30 cross-media makers and producers, as well as in-depth analysis of six highly successful webdocs. The book is jam-packed with practical information and advice from those on […]
Less than three hours before this departing journalist had to hail his morning airport shuttle, he’s rumored to have been onstage at a five-star Moroccan hotel nightclub, loosened by too many free scotch whiskeys, guest performing a White Stripes song (supported by a mostly Canadian gig band with scantily clad, former cheerleaders as backup dancers) for an audience best described as “the 1 percent.” Cannes may have its prestigious world premieres and swingin’ Riviera yacht parties, but who knew that the height of film fest luxury — and if you seek it, decadence — lies in the North African desert, […]
The New Year can be as much a time to reflect as it can be to project into the future. Some see the act of looking back as an integral part of moving forward. But on a brisk afternoon in Cambridge the day before New Year’s Eve, Frederick Wiseman resists this notion. The legendary documentary filmmaker has been making roughly one film a year since 1967, only taking breaks when funding difficulties, or in this case critical recognition, require him to do so. Tomorrow night Wiseman is receiving the Legacy Award at the annual Cinema Eye Honors for his debut […]
The problem with so many horror films today is that you feel like you’ve seen them before. I’m not talking about their plots or characters because ghosts, vampires and serial killers have been and will be dramatized again and again. No, I’m talking about the feeling of watching these films, the internal clock that prepares you for this jolt by minute three, that one by minute 10 and a final shocker just before, or after, the closing credits. Among the many excellent qualities of writer-director Ti West’s filmmaking is its refusal to be straitjacketed by the more programmatic notions of […]
They moved me. Often deeply, in ways I failed to articulate to myself until much later. That is, of course, the whole reason I go to the movies, to have some sort of visceral, emotional (or intellectual) response, be it laughter or sadness or pain or empathy or disgust or profound understanding. Why else do it? Nothing, beside having those emotions, meets the criteria of entertainment, at least for me. See, I’m one of those lucky few that gets to travel the world just to see films. Crazy, I know, especially in this era of not so cheap oil, but it’s […]