If you have a film at SXSW and would like to send short reports on the festival, your film, and your experience there for Filmmaker blog posting consideration, you can email me at editor.filmmakermagazine AT gmail.com. We have a number of feature interviews going up throughout the festival, and we’ll be posting from the ground, but Filmmaker always welcomes first-person pieces from those involved with the films themselves. And, if you are attending, stop by my panel on Sunday at 1:00pm. (Why does the SXSW calendar function keep auto-syncing it do my calendar at 2:00pm?) It’s entitled “Self-Distribution: Not All […]
If there were to be a mumblecore parade, Joe Swanberg would be the man in the shiny red convertible, waving to onlookers and trailing a team of baton twirlers in his wake. His films – LOL, Hannah Takes the Stairs, Nights & Weekends – have helped to define a genre that was never supposed to be a genre at all. Alexander the Last, his latest, was executive produced by Noah Baumbach and stars Jess Weixler (Teeth), Barlow Jacobs (Great World of Sound, Shotgun Stories), Amy Seimetz and Justin Rice (Mutual Appreciation), as well as Jane Adams and Josh Hamilton. It’s […]
Originally posted in our SXSW 2009 coverage, Breaking Upwards opens in select theaters this Friday. In Breaking Upwards, Daryl Wein and Zoe Lister-Jones play a young New York couple named Daryl and Zoe. The film was written by the two of them, plus Peter Duchan, directed by Wein, and produced by all three. Zoe plays an actress, starring in an Off-Broadway play; Julie White plays Daryl’s mother, and was cast after appearing in an Off-Broadway play with Lister-Jones. To say that this film is autobiographical is, to be brief, an understatement. It’s a romantic comedy that borrows its hyper-articulate, hyper-intellectual […]
Ry Russo-Young’s You Won’t Miss Me was one of our favorite films at Sundance this year. It is a free-wheeling, lyrical but sometimes jarring depiction of a few months in the life of young and struggling New York actress navigating both harsh auditions and her own chaotic emotional relationships. The film has a deceptively casual feel as it avoids obvious plot points and melodramatic narrative contrivances. By its conclusion, however, it feels full — an honest portrait of character we haven’t quite seen on screen before at a very specific moment in her life. Following its Sundance premiere, the film […]
As I sit here editing the interviews and short reports we’ll be posting in our SXSW section beginning Thursday night/Friday morning, I’m wondering what level of SXSW reporting rises to the level of the impactful meaningfulness we aspire to on this blog. There is less industry news at SXSW, and fewer (try no) eight-figure acquisitions… but does that mean that we should be promoting a contest in which all you aspiring filmmakers create a music video for Double D’s “South By Girls”? From the site: It all started as a joke. On a Twitter challenge from a record-industry friend, Eston […]
Former publicist Reid Rosefelt resurfaces today with the launch of SpeedCine, a site that acts as a database for legal film viewing and downloading on the web. It’s a clever idea. You scan through the titles listed on the site, click one, and you’re sent to a page with links to the various viewing options on the ‘net. For example, say I want to watch Jeff Lipsky’s Flannel Pajamas. One click and I see that I can instantly watch it on Amazon VOD or, if I have a subscription, via Netflix. I can also download to rent from Jaman or […]
Tonight the Sundance Institute announced the appointment of John Cooper as the new director of the Sundance Film Festival. Cooper has been with Sundance for 20 years and now, following Geoff Gilmore’s departure to Tribeca Enterprises, steps into the leadership position. When Holly Willis interviewed him for this magazine three years ago she wrote, “Funny, self-deprecating and entirely approachable, Cooper is known to thousands of American filmmakers as the guy who calls with really excellent news. For the festival, he’s integral, the armature that supports everything.” We congratulate Cooper on the appointment and look forward to talking with him in […]
Today Jonathan Demme‘s Rachel Getting Married and Charlie Kaufman‘s Synecdoche, New York are released on DVD and Blu-Ray. We’re giving away 1 DVD & Blu-Ray disc of each film to the first people to e-mail us the correct answers to the designated questions below. The answers can be found in our stories on the films in the Fall, 2008 issue. E-mail your answer to editor.filmmakermagazine AT gmail.com. (In subject line put in the film title and either “DVD” or “Blu-Ray” so we know what question you’re answering. Please only answer 1 question.) The winners will be notified and mailed the […]
While we wait for a resolution to the problems facing the New York Film and Television Tax Credit program, pressures mount on the filmmaking community here in New York as more productions contemplate moving out of the State. The latest is the HBO series In Treatment. From Roger Kimpton in the New York Post: The executive producer of HBO’s In Treatment series said he will yank the show and its 70 jobs from the Big Apple if Gov. Paterson doesn’t fund the state’s 30 percent tax credit for TV and movie production. The producer, Warren Leight, said the four episodes […]
A bit late to the Dance Party USA, David Denby discovers mumblecore in this week’s New Yorker, devoting his entire film column to the genre. From the piece: You’re about twenty-five years old, and you’re no more than, shall we say, intermittently employed, so you spend a great deal of time talking with friends about trivial things or about love affairs that ended or never quite happened; and sometimes, if you’re lucky, you fall into bed, or almost fall into bed and just enjoy the flirtation, with someone in the group. This chatty sitting around, with sex occasionally added, is […]