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“I Was Drawn to Harlem as a Character and How Gentrification Was Also an Antagonist”: DP Eric Yue on A Thousand and One
A.V. Rockwell’s feature debut A Thousand and One begins with Inez (Teyana Taylor) migrating between shelters during an intensely hot summer in ’90s-era New York City. Her 6-year-old son Terry is in foster care, and she makes the bold decision to kidnap him and discreetly live together again in Harlem. Years pass, and Terry (Josiah Cross) has grown into a shy but precocious teenager. However, the secret that the Inez has kept for a decade threatens to be revealed, meaning that the life she has built with her son could crumble at any moment. Cinematographer Eric Yue talks about how […]
by Filmmaker Staff on Feb 2, 2023 -
“From the Beginning I Knew This Film Was About Performance”: DP Frederic Van Zandycke on When It Melts
The feature film debut from actress Veerle Baetens, When It Melts follows Eva (Charlotte De Bruyne) as she returns to her hometown for a childhood friend’s funeral with an ice block stashed in the back of her car. As the bitter winter rages on (and the ice block slowly begins to shrink) Eva recalls via flashback a sweltering summer from her adolescence that forever altered her life and identity. Cinematographer Frederic Van Zandycke discusses his previous collaboration with Baetens, working with the young actors of When It Melts and the film’s most emotionally challenging scene to shoot. See all responses […]
by Filmmaker Staff on Feb 2, 2023 -
“Post-it Notes Always Are a Huge Help”: Editor Thomas Pooters on When It Melts
Actress Veerle Baetens’s feature debut When It Melts, adapted from Lize Spit’s novel The Melting, follows Eva (Charlotte De Bruyne) as she returns to her hometown for a funeral with an ice block packed in the back of her car. While she waits out this frigid winter (and as the ice block slowly shrinks), she recalls a scorching summer during her adolescence that forever altered the course of her life. Editor Thomas Pooters shares his experience cutting Baetens’s film, a process that entailed many Post-it notes and enlightening conversations about gender. See all responses to our annual Sundance editor interviews […]
by Filmmaker Staff on Feb 2, 2023 -
“Choosing the Perfect Lens for Us Was the Bigger Challenge”: DP André Jäger on The Persian Version
When Leila’s (Layla Mohammadi) Iranian-American family gathers in New York City for her father’s heart transplant surgery, a secret that she’s been keeping is unceremoniously spilled. What she wasn’t expecting, however, is learning how much her own life parallels that of her mother Shireen (Niousha Noor) decades ago, causing Leila to further appreciate the nuances of her dual identity. Set between two distinct countries and eras, Maryam Keshavarz’s sophomore film The Persian Version comes from a deeply personal place. Cinematographer André Jäger discusses how he got involved in the shoot and the difficulty he and Keshavarz faced when it came […]
by Filmmaker Staff on Feb 1, 2023 -
“Nothing Is Wasted in the Process of Documentary Editing”: Editor Jean Rheem on Bad Press
When the 2015 Free Press Act is repealed, Angel Ellis and her colleagues at Mvskoke Media in Okmulgee, Oklahoma begin a long battle to offer transparent journalism for Muscogee Nation readers. Bad Press, directed by Rebecca Landsberry-Baker and Joe Peeler, chronicles this quest for government accountability and the right to report honest news. Editor Jean Rheem discusses cutting the project, including how “incredibly difficult and humbling” documentary editing often is. See all responses to our annual Sundance editor interviews here. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes that […]
by Filmmaker Staff on Feb 1, 2023 -
“The Storm, the Fog, the Humidity” | Christopher Murray, Sorcery
Every production faces unexpected obstructions that require creative solutions and conceptual rethinking. What was an unforeseen obstacle, crisis, or simply unpredictable event you had to respond to, and how did this event impact or cause you to rethink your film? I think our obstruction was the unpredictable weather of Chiloe Island at the very south of Chile. The storm, the fog, the humidity. But really, more than an obstruction, I think it was just an intense force to relate to while shooting. In a way, the weather also directed us and the film, as a kind of atmospheric spell. It […]
by Filmmaker Staff on Feb 1, 2023 -
“A Family Drama and a Whodunnit at the Same Time”: Editor Robert Grigsby Wilson on Fancy Dance
Jax (Lily Gladstone) has been taking care of her niece Roki (Isabel Deroy-Olson) ever since her sister’s recent disappearance in Fancy Dance, the feature debut from Indigenous filmmaker Erica Tremblay. When two weeks pass without word from her, CPS shows up at Jax’s door and insists that she’s not a fit guardian for the young girl. As a last resort, she jets off with Roki to attend a powwow she’s long been anticipating—with the lingering hope that her mother might just show up there, as well. Editor Robert Grigsby Wilson talks about cutting the film, touching upon his previous collaboration […]
by Filmmaker Staff on Feb 1, 2023 -
“The Textures, Colors and Feeling of Muscogee Nation Permeate the Screen”: DP Tyler Graim on Bad Press
When the Muscogee Nation begins censoring its free press, reporter Angel Ellis and her colleagues at Mvskoke Media engage in a dogged quest for transparency and government accountability on the behalf its readers and the community at large. This is the fight that unfolds in the documentary Bad Press, from co-directors Rebecca Landsberry-Baker and Joe Peeler, which follows the ramifications of the 2015 Free Press Act’s repeal. Cinematographer Tyler Graim discusses how he approached shooting a documentary full of twists and turns and the influence of “slow cinema” on the film’s visual style. See all responses to our annual Sundance […]
by Filmmaker Staff on Feb 1, 2023 -
“Our Goal Was To Show the Region as We Appalachians See It, As a Place Full of Complexity and Grandeur”: DP Curren Sheldon on King Coal
In Sundance NEXT selection King Coal, Elaine McMillion Sheldon employs a hybrid approach, blending contemporary imagery with archival material and poetic voiceover to explore the impact that coal — the substance and the industry — has had on Central Appalachia. Below, DP Curren Sheldon discusses his collaboration with Sheldon on the picture. See all responses to our annual Sundance cinematographer interviews here. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being hired for this job? Sheldon: King Coal’s director, Elaine McMillion Sheldon, and I have collaborated […]
by Filmmaker Staff on Feb 1, 2023 -
“We Initially Imagined It as a Rectangle That From the Left Starts Off Dark, Gray and Gloomy”: Editor Iva Radivojevic on King Coal
In Sundance NEXT selection King Coal, Elaine McMillion Sheldon employs a hybrid approach, blending contemporary imagery with archival material and poetic voiceover to explore the impact that coal — the substance and the industry — has had on Central Appalachia. Below, editor Iva Radivojevic, herself a filmmaker, discusses her collaboration with Sheldon on the picture. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes that led to your being hired for this job? Radivojevic: Elaine and I had known each other for about a decade prior to making this […]
by Filmmaker Staff on Feb 1, 2023
