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Girlblogging: Cléo from 5 to 7
This post is part of a series, Girlblogging. Read the introduction here. In the music video for The Verve’s “Bitter Sweet Symphony,” (1997), lead singer Richard Ashcroft walks down a blue-gray London street, bumping into passersby, bowling over the girls and pissing off the guys. When you’re famous and beautiful on film, these are things you can get away with. Ashcroft represents a thoroughly contemporary creature—the 20th-century star, who, on a small screen today, looks more or less like the 21st; the detached, ambivalent, self-involved face of the modern urban world; the flâneur with somewhere to go, or something to […]
by Matilda Lin Berke on Sep 12, 2023 -
“Forgetfulness is Fought with Words”: Lina Soualem on Her TIFF-Premiering Doc, Bye Bye Tiberias
“I wonder if we can find ourselves fully in a world we invented,” the French-Palestinian-Algerian filmmaker and actor Lina Soualem eloquently ponders in the role of ever-questioning narrator of Bye Bye Tiberias, her extraordinary, multigenerational, female-focused family portrait. Seen through contemporary footage and 90s home movies — expertly interwoven with material from historical archives — the women include not only Soualem’s conservative, customs-observing grandmother and great-grandmother, who never left the Palestinian village their entire community had been forcibly displaced to, but also her mother, Hiam Abbass, a rebellious dreamer set on becoming an international actress. And now, 30 years on […]
by Lauren Wissot on Sep 11, 2023 -
“We Think of Trump as the First Meme to Hold Office in the White House”: A Conversation with Hello Dankness Creators Soda Jerk
For over 20 years, the Australian video artists Soda Jerk have been making work that samples film, music and other various forms of pop culture. Their films are kaleidoscopic and psychedelic, irreverent and constantly surprising. Their newest film, Hello Dankness, is no different. Set in a fictional suburbia populated by Tom Hanks, Annette Bening, Bruce Dern, and Wayne and Garth from Wayne’s World, Dankness is a response to–and a film about–the 2016 election and its aftermath. After all, an era of American history and politics that so ferociously shred away societal norms and imbued daily life with a lasting weirdness […]
by Conor Williams on Sep 9, 2023 -
TIFF 2023: Evil Does Not Exist, I Don’t Know Who You Are
Ryusuke Hamaguchi‘s Evil Does Not Exist begins by removing every element that might be reasonably expected from his work by now. Instead of long group dialogue sessions and theatrical/ therapeutic role-play, Evil starts with a generously prolonged, people-free dolly shot through a forest, the camera pointed straight up at the sky as it’s broken up by branches passing overhead. With a higher-resolution camera and some fancy post work, the forest could be a formalist spectacle—tree limbs overlapping and dissolving, the lattices created in the process, etc. But visual high definition has never been one of Hamaguchi’s priorities, as his movies remain oddly […]
by Vadim Rizov on Sep 9, 2023 -
The Gotham Announces 2023 Variety Gotham Week
The Gotham Film and Media Institute, Filmmaker‘s publisher, announced today the programming for its 2023 Variety Gotham Week, taking place October 2 – 5th in New York City. In addition to three screenings and filmmaker conversations, the event will include The Expo, “a thought leadership program hosted by The Gotham’s Expanding Communities partner organizations specifically covering the topics of advocacy and career advancement for film & media creators.” From the press release: The Expo will launch with a panel taking an in-depth look at The Inclusion List hosted by the USC Annenberg Inclusion Initiative in collaboration with Adobe Foundation. Organizations […]
by Filmmaker Staff on Sep 7, 2023 -
21 Films to Watch During TIFF 2023
The Toronto International Film Festival is fully underway beginning today, and while the vibe will certainly be different without as many Hollywood stars on the red carpet — a number of films have qualified for SAG-AFTRA interim agreements while probably at least as many either were not able to or decided not to try — there’s as always a strong lineup of films to look forward to. Below, Filmmaker‘s editors have compiled a list of 20 films to watch out for, many of which ones that have premiered at other festivals along with several world premieres we are hearing particularly […]
by Natalia Keogan on Sep 7, 2023 -
Vu One: Vu’s New All-in-One Virtual Production Studio
Vu just announced a new product that aims to make virtual production a lot more accessible: the Vu One. It’s two parts. One part turnkey virtual production studio in a (very, very, big) box. One part Vu’s Virtual Studio, a software platform that makes creating and running virtual scenes a lot easier. Let’s break down both parts. Complete Virtual Production Setup Vu One offers a complete, configurable VP setup, which includes: LED Wall by Unilumin, with sizing starting at 13×9 ft Media Server by Puget Systems LED Processor by Megapixel Stereoscopic camera tracker (more on that below) Optional camera tracker […]
by Joey Daoud on Sep 6, 2023 -
Film at Lincoln Center Announces 2023 Artists and Critics Academy Participants
Film at Lincoln Center announces exclusively via Filmmaker this year’s participants for both the Artists Academy and Critics Academy, which will take place during the 61st annual New York Film Festival. Led by filmmaker Stacey Marbrey, the 2023 Artists Academy will entail a three-day workshop that will feature insight from working filmmakers, industry professionals and Artist Academy alumni. Specifically, some of the 2023 Academy mentors are film executive and former president of IFC Films Arianna Bocco and Emmy Award-winning producer Liz Nord. Per a press release, this year’s Artists Academy will include “panels, case studies, roundtable discussions, and networking opportunities […]
by Natalia Keogan on Sep 6, 2023 -
Venice Film Festival 2023: Poor Things
Initially, Poor Things seems like it might be a Yorgos Lanthimos provocation about the value of provocation, a suspicion prompted when medical student Max McCandless (Ramy Youssef) first sees Bella Baxter (Emma Stone) and, awestruck, describes her as a “very pretty retard.” Given the film’s steampunk trappings, the 19th-century setting doesn’t offer “period verisimilitude” as a cover for vocabulary that feels suspiciously like a Red Scare shout-out. Bella is seen naked for the first time while unconscious; depending on how you want to take this visual language, the viewer could be aligned with a non-consensual gaze. Learning through transgression turns out to […]
by Vadim Rizov on Sep 1, 2023 -
“I Felt an Enormous Amount of Pressure to Deliver Something That Wasn’t Just a Music Doc”: Matthew Heineman on His Telluride-Premiering Jon Batiste Doc, American Symphony
“I literally finished the film at three in the morning last night,” director Matthew Heineman says on a video call with Filmmaker on Tuesday, just past the airport security on his way to the 50th Telluride Film Festival. “I’m barely alive right now.” Thankfully, Heineman is alive and well, and at the height of his powers as a documentarian with sharp instincts and artistic finesse with American Symphony, which marks the second time a feature of his world premieres at the annual Colorado gathering. The first was last year’s stunning Oscar-shortlisted Retrograde, on the US withdrawal from Afghanistan. In a […]
by Tomris Laffly on Sep 1, 2023
