One year after releasing The Souvenir: Part II, the final chapter of her meditative meta-memoir project, British filmmaker Joanna Hogg returns with her sixth feature film, The Eternal Daughter. The mysterious and captivating trailer for the forthcoming A24 title was released today. The film stars Tilda Swinton, one of Hogg’s Souvenir collaborators, who occupies an intriguing dual role as an artist and her elderly mother who spend some time visiting an old family property. Though it used to be a sprawling mansion, it now exists as a modestly-sized hotel that the duo check into for an extended stay. While the […]
Renowned as “a one-woman global village,” Sarah Jones is a Tony Award-winning solo performer, writer, comedian and activist. Her directorial debut, Sell/Buy/Date, is a hybrid documentary/meta film which features Jones and four of her characters (all played by her) on a journey across the country to listen to real people telling personal stories about their experiences that land them on both sides of various aspects of the complex topic of sex work in America. On this episode, she talks about overcoming the many obstacles and controversies to bring this important film to life, how trusting in collaborators like cinematographer Joshua […]
Probably as a consequence of reading Viennale 60. On Film Festivals during my long train ride back to Berlin, a few of the films I saw at this year’s Viennale became emblematic of my four days there and of the festival as a whole. Published on the occasion of the 60th anniversary, the book collects essays by and conversations between two dozen experts: current and former directors of Europe’s major fests (Cannes’ Thierry Frémaux is conspicuously absent), programmers, curators, critics and scholars, as well as one filmmaker, festival fixture Denis Côté. Spread over some 200 pages, these combine into a […]
Sean Baker’s debut feature was 2000’s Four Letter Words, but it was his second (following his work on TV’s Greg the Bunny), Take Out, directed with Shih-Ching Tsou, that is the most clear antecedent to the neorealist-inflected work he practices today. When I interviewed Baker in 2012 about his Starlet, we began with his origin story, which included this section on Take Out: I was a bit discouraged. I was seeing these filmmakers I’d gone to school with — Todd Phillips, Marc Forster — start to make waves. Their careers were taking off. I wanted to get back to my […]
With “Halloweekend” upon us, Filmmaker recommends 13 horror films perfectly catered to the season. As the site’s newly-minted Web Editor, I wanted to infuse the list with long-time personal favorites of my own and recent genre standouts. It also felt important to highlight our existing coverage of these films/filmmakers, while also ensuring that each title is readily available to stream for all those who’re interested in checking them out. Due to these self-imposed restrictions, a number of horror highlights (at least in this writer’s opinion) were regretfully omitted in the end: Álex de la Iglesia’s Day of the Beast (1999), […]
Director and producer Eileen Yaghoobian followed the release of her 2008 documentary about underground poster design, Died Young, Stayed Pretty, with a number of surprising projects, including Exit the Labyrinth, a short film produced with the Guardian about Berlin’s Labyrinth, and Send Me Your Sexts, an online service that creates short films out of user-submitted erotic chats. She’s now made a short — “a sports action horror film” — that is as well a pitch for a feature. Check out the teaser above, and look for the short on the Skater Zombies YouTube channel on Halloween. Yaghoobian sent the following […]
Today, the Sundance Institute and Sandbox Films announced the 10 projects selected as this year’s cohort for the Sundance Institute | Sandbox Fund. Geared toward supporting nonfiction films that explore the link between science and culture, the fund offers grants from development through post-production and engagement events. The 10 projects selected for the latest edition of the fund will receive a total of $300,000 in non-recoupable grants alongside individually tailored film support, meaningful networking connections and the opportunity join Sundance’s year-round artistic community. “Since its inception five years ago, the Sundance Institute | Sandbox Fund has vitally enriched the Documentary […]
Watch the trailer for the urgent Ukrainian documentary Mariupol. Unlost Hope ahead of its NYC screening at the Scandinavia House on Tuesday, November 1. The film utilizes audio recordings of eyewitness testimony—from two men and three women—who were living in the Ukrainian city of Mariupol when the Russians invaded on February 24, 2022. The film also features Mariupol-based journalist Nadezhda Sukhorukova, who recounts her experiences in the wake of the war directly to the camera. Of the film, Sukhorukova stated in a press release, “I want people to understand the absurdity of the situation and feel that thousands are dying […]
If you’ve begun watching The Midnight Club on Netflix, you may have noticed the tag “Part of the Flanaverse” affixed to the new series. Though the individual entries in said universe aren’t particularly interconnected, the sheer breadth of writer/director Mike Flanagan’s output for the streamer certainly justifies the “Flanaverse” moniker. The Midnight Club marks Flanagan’s fourth Netflix series, in addition to the four Flanagan-directed movies currently residing on the platform. Based on the young adult novel by Christopher Pike, Flanagan’s newest show follows a group of terminally ill teens at a remote cliffside hospice facility who meet in secret each […]
Nominations for the 2022 Gotham Awards were announced this morning, with Todd Fields’s TÁR topping the list with five nominations, including Best Picture, Outstanding Lead Performance (Cate Blanchett) and two Outstanding Performer noms (Noémie Merlant and Nina Hoss). But perhaps the biggest surprise is in the composition of the Best Feature category, which omitted a number of presumed awards-season heavyweights in favor of a trio of excellent, smaller-budgeted, pure independent films acquired at festivals. Along with TÁR and the Daniels’ Everything Everywhere All at Once, Best Feature nominees are Charlotte Wells’s delicately allusive memory piece, Aftersun, an A24 acquisition out […]