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14 Films We’re Recommending You See at the 2022 Toronto International Film Festival
The Toronto Film Festival is underway, the first purely in-person edition since before the COVID-19 pandemic. There are high profile premieres, including Ryan Johnson’s Knives Out sequel, Glass Onion, a number of films traveling on their awards march from Telluride and/or Venice (Florian Zeller’s The Son, Laura Poitras’s All the Beauty and the Bloodshed), as well as smaller acquisition titles that are always in danger of being overlooked amidst the galas. Below are a number of films, most but not all TIFF premieres, that we’re recommending you check out, whether that recommendation is based on pre-screening or just our knowledge […]
by Scott Macaulay on Sep 9, 2022 -
“I Believe in a Holistic Approach to World Building”: Sophie Jarvis on her TIFF-Debuting Psychological Drama Until Branches Bend
Veteran production designer Sophie Jarvis’s assured feature debut Until Branches Bend is one smartly executed, unexpected gem. Premiering in the Discovery section of this year’s TIFF, the psychological drama (really a contemporary horror film) follows a cannery worker named Robin (2016 TIFF Rising Star Grace Glowicki) whose life is upended after discovering a creepy bug in a peach while (conveniently) alone at break time. Unable to get her boss to take the very real threat of a catastrophic invasion seriously — and perhaps risk a factory shutdown — she decides to go public with her unappetizing finding, which entails sounding […]
by Lauren Wissot on Sep 9, 2022 -
Doc Society Climate Story Fund Awards $645,000 in Grants to Nine New Projects
The Doc Society Climate Story Fund announced today nine new creative projects from around the globe that will receive a combined $645,000 in grants, with each work demonstrating a concerted effort to advance climate justice and protect biodiversity. This is the second cohort to receive the Climate Story Fund, which supports work from a wide array of storytelling mediums, including musical dramas, podcasts and documentaries. The fund prioritizes storytellers from underrepresented communities on the front lines of the global climate crisis, with the intent of providing much-needed support from production to impact campaigns. There is special emphasis on projects that […]
by Filmmaker Staff on Sep 8, 2022 -
“Cops and Prosecutors Truly Work the Same Side”: Ingrid Raphaël and Melissa Gira Grant on Their FOV Doc They Won’t Call It Murder
When 16-year-old Julius Tate, Jr. was killed during a SWAT raid by undercover Columbus police officers in December of 2018, citizens swiftly gathered to protest the unjust killing of a child. One year later, during an anniversary vigil mourning Tate’s loss, Ingrid Raphaël, co-creator of No Evil Eye and Film Futura, and Melissa Gira Grant, a New York-based reporter covering police brutality, came together to co-direct and collaborate on They Won’t Call It Murder, a documentary short from Field of Vision that captures the enduring grief and activism that surviving families of police violence undertake. The film, embedded above, makes […]
by Natalia Keogan on Sep 7, 2022 -
Eugene Hernandez Joins Sundance Institute as Festival Director and Head of Public Programming
Sundance Institute CEO Joana Vicente announced today that Eugene Hernandez will join the nonprofit as the new Festival Director and head of public programming of the Sundance Film Festival. His first festival leading as Director will be in 2024, while the forthcoming 2023 edition will be led by Vicente in collaboration with Director of Programming Kim Yutani and the Institute’s broader leadership team. Hernandez is the fourth Festival Director in the Sundance Film Festival’s history, succeeding Tabitha Jackson, who served for two years. He will join the Institute’s core leadership team beginning in November, reporting to Vicente and being based […]
by Filmmaker Staff on Sep 7, 2022 -
Trailer Watch: Lukas Dhont’s Close
A24 has released a trailer for Belgian director Lukas Dhont’s second feature, the melancholy coming of age story Close. The film won the Grand Prix (shared with Claire Denis‘s Stars at Noon) at Cannes, four years after Dhont’s debut feature Girl won the Caméra d’Or and Queer Palm in 2018. Close follows two 13-year-old best friends, Léo and Rémi (Eden Dambrine and Gustav de Waele) who spent an idyllic summer strengthening their unique bond. When they arrive back at school, however, the two are harassed by classmates over the nature of their relationship. Embarrassed by these insults and accusations, Léo […]
by Filmmaker Staff on Sep 7, 2022 -
Trailer Watch: James Gray’s Armageddon Time
The first trailer has arrived for James Gray’s Armageddon Time, the 1980-set film that’s loosely based on the director’s own experience growing up Jewish in Flushing, Queens. After premiering at Cannes earlier this year and screening at Telluride and the NYFF, the film will hit U.S. theaters via Focus Features on October 28. Armageddon Time follows 12-year-old Paul Graff (Banks Repeta, Gray’s young avatar), who forms a budding friendship with a Black peer named Johnny (Jaylin Webb). When the two are caught toking in their public school’s bathroom, Paul is immediately enrolled in a private (and almost entirely white) school by […]
by Filmmaker Staff on Sep 6, 2022 -
“The Fear Was Real”: John Christopher Jones on Returning to Set with Advanced Parkinson’s (Back to One, Episode 219)
Esteemed veteran actor John Christopher Jones returns to the podcast (his first time was episode 13) to talk about conquering the “real fear” he had of going back to work, in a guest starring role on the television series New Amsterdam, while dealing with the unpredictable and often debilitating effects of worsening Parkinson’s. Then he takes us on a brief tour of the various directors that worked well for him over the years, and others that, sometimes hilariously, fell a little short, like José Quintero and his maddening direction in the 1985 production of The Iceman Cometh with Jason Robards. […]
by Peter Rinaldi on Sep 6, 2022 -
Duration and Velocity: An Interview with Larry Gottheim
Despite making decades of fascinating film work and playing a pivotal role at Binghamton by founding the film department and bringing Ken Jacobs onboard, Larry Gottheim remains an under-celebrated figure in the American avant-garde. With Fog Line (1970)—an 11 minute single-take of fog slowly rising in a meadow, trees asymmetrically clustered, framed by telephone wire—he found a semblance of universal acclaim in the underground. The “first period” of Gottheim’s work (of which Fog Line is a crucial part) takes an approach largely inspired by the stoic film observations of Andy Warhol, a rubric of silence and static framing which trains […]
by Ruairí McCann and Maximilien Luc Proctor on Sep 6, 2022 -
“We Were Filming at a Time When Putin Was Arresting Opposition”: Sarah McCarthy on Her Telluride-Premiering Doc Short Anastasia
Sarah McCarthy is no stranger to navigating the myriad challenges posed by authoritarian states. Indeed, the Australian doc-maker has shot in precarious political places throughout the world, from the Philippines, to Saudi Arabia to Russia—where she’s returned time and time again. Nor is she a stranger to the Toronto International Film Festival, where following on the heels of feature-length works (The Sound of Mumbai, The Dark Matter of Love) she now debuts her latest short Anastasia; and the innocuous title, much like the film’s titular character, belies one powerful punch. Anastasia Shevchenko is a Russian civil rights advocate who’s been arrested […]
by Lauren Wissot on Sep 3, 2022
