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“They Live and Breathe Video, So We Just Completely Fit in with the Fixtures”: Hrafnhildur Gunnarsdóttir on her DOC NYC-debuting The Vasulka Effect
As a New Yorker who has long prided my ability to namecheck most of the experimental art pioneers of the 1960s, I’m embarrassed to say I’d never heard of Steina and Woody Vasulka before watching Hrafnhildur Gunnarsdóttir’s The Vasulka Effect. Sure, I knew of The Kitchen, the legendary performance space the couple founded in 1971. And of course I was familiar with the work of the sound and visual visionaries that the Soho (now West Chelsea) institution provided a platform for — from Philip Glass and Laurie Anderson to Nam June Paik and Bill Viola. I’d just never connected a […]
by Lauren Wissot on Nov 11, 2020 -
“It Feels like this Case was a Warning Sign for the Future”: Ursula Liang on Her DOC NYC Feature, Down a Dark Stairwell
On November 20, 2014, 28-year-old Akai Gurley was killed by an NYPD officer’s bullet in the stairwell of a Brooklyn housing project. Another unarmed Black man dead at the hands of the police; another surge of street protests and demands for justice. But this one was different: the officer, Peter Liang, was Chinese American. Liang claimed the shooting was entirely accidental. When he was indicted, many wondered if he was being scapegoated for the shortcomings of a justice system that had only recently failed to bring charges against the white policemen who killed Michael Brown and Eric Garner. After Liang […]
by Nelson Kim on Nov 11, 2020 -
Five WTF Must-Sees at the 2020 DOC NYC
Festival
If there’s one thing we can all agree on in these polarized times it’s that 2020 will inevitably go down in history as one WTF year. And since I generally tend to adore batshit insane films — and especially batshit insane cinematic nonfiction — I was pleased to discover a wealth of WTF treasure buried inside this year’s (a bit overwhelming at 108 features and 92 shorts!) virtual DOC NYC lineup, which begins today. So in honor of this global topsy-turvy moment, here’s just a handful of my favorite gems that, humbly and with little fanfare, screwed with my mind […]
by Lauren Wissot on Nov 11, 2020 -
“Women of Blumhouse: Shaping Genre Storytelling at the Iconic House of Horror” at the 2020 SCAD Savannah Film Festival
Appropriately presented the day before Halloween, the SCAD Savannah Film Festival’s “Women of Blumhouse: Shaping Genre Storytelling at the Iconic House of Horror” provided an intriguing peek inside the multifaceted production house from a female POV. Moderated by Variety’s Deputy Awards and Features Editor Jenelle Riley, the three executives Zooming in included Blumhouse Television’s head of physical production, Lisa Niedenthal; Blumhouse Productions’ executive vice president of development for feature films, Bea Sequeira; and Blumhouse Productions’ head of casting, Terri Taylor. There’s “so much emerging talent in this genre,” Niedenthal enthused when asked about working in today’s scary movie world. Though Niedenthal […]
by Lauren Wissot on Nov 10, 2020 -
Back to One, Episode 132: Ruth Wilson
With mesmerizing performances in such series as Luther, Mrs. Wilson, and The Affair, Ruth Wilson has established herself as one of our great actors. Her latest is the deliciously sinister Marisa Coulter on the hit fantasy series His Dark Materials. In this episode she explains the fascinating way she’s been able to build the multi-dimensional aspects of that character, and the challenge of hitting the proper balance when playing such a larger-than-life villain. She talks about the meditative aspect to her process, the invigorating power she gets from the theater, and how the energy of the audience affects her performance […]
by Peter Rinaldi on Nov 10, 2020 -
Grace of My Heart, Hard Eight and Mallrats: Jim Hemphill’s Home Video Recommendations
I’m a big fan of anything and everything written and directed by Allison Anders, but I’ve always been particularly fond of her 1996 musical Grace of My Heart. A magical blend of the kind of intimate behavior-driven filmmaking Anders is known for with the scale and resources of a big studio movie, it’s one of the most generous films I’ve ever seen in terms of how much it gives its characters (all of whom are presented with deep empathy and respect) and the audience. The heart of the picture is the richly detailed story of a singer-songwriter (a fantastic Illeana […]
by Jim Hemphill on Nov 6, 2020 -
Three Insights into America’s Predicament at the recent New York Film Festival: MLK/FBI, City Hall, Nomadland
The New York Film Festival concluded several weeks ago; the much-anticipated Presidential debates came and went. Today we face the outcome of an existential election, and I find myself still thinking about three exceptional films at NYFF 58, two documentaries and one drama, that throw certain features of our national political crisis into sharp relief, intentionally or not, as only great films can do. The documentary MLK/FBI, from accomplished director/producer/editor Sam Pollard, revisits the final decade in the life of the Rev. Martin Luther King Jr., ending with his assassination in 1968, a period during which our tax dollars underwrote […]
by David Leitner on Nov 3, 2020 -
Wonder Women: Below the Line at the 2020 SCAD Savannah Film Festival
While laudable causes to achieve gender parity in the film industry have been all the rage for a number of years (remember the mad rush of fests signing on to – and then publicizing their signing on to – the 5050×2020 pledge?), too often the result seems to be simply seating a woman in the director’s chair and forgetting about the rest of the table. Which is why the SCAD Savannah Film Festival’s Wonder Women: Below the Line panel (which, like everything else these days, took place via Zoom at the all-digital fest) struck me as so important. How could […]
by Lauren Wissot on Nov 3, 2020 -
Wonder Women: Producers Zoom In at the 2020 SCAD Savannah Film Festival
Moderated by Megan Lombardo, a professor in the Savannah College of Art and Design’s Film & Television department, this year’s Wonder Women: Producers panel was an all-Zoom affair. And taking to the computer screen were six diverse (albeit all white) women with a variety of career stories to tell. There was Jayme Lemons, whose Dawn Porter-directed doc The Way I See It had played the virtual fest earlier in the day, and who runs Jaywalker Pictures (with another wonder woman Laura Dern). Also Julie Christeas, founder and CEO of Tandem Pictures, who most recently produced Lawrence Michael Levine’s Black Bear; […]
by Lauren Wissot on Nov 3, 2020 -
Sundance Announces 23 New Documentary Fund Grantees
Twenty-three projects hailing from 21 countries will receive support from the Sundance Institute Documentary Fund. Announced today, the projects will receive $540,000 in unrestricted grant support with funds made possible by The Open Society Foundations and the John D. and Catherine T. MacArthur Foundation. “During a time of shared crisis, it is essential that Sundance continue its steadfast support of artists across the globe,” said Documentary Film Program Director Carrie Lozano in a press release. “These films creatively assert our common quests, conditions and resilience as they interrogate notions of individual and collective power.” “Creative support for nonfiction storytellers feels […]
by Scott Macaulay on Oct 30, 2020
