While traveling today I heard the very sad news that photojournalist and documentary filmmaker Tim Hetherington, winner of the Sundance Documentary Grand Jury Prize, with Sebastian Junger, for their documentary, Restrepo, was killed while covering the conflict in Libya. Lauren Wissot interviewed Hetherington and Junger earlier this year for Filmmaker, and she began her piece like this: “Most documentary filmmakers attempt to see the world through the lens of the subjects they’re shooting, but few put their lives on the line to do so.” Of the film, which looked at the conflict in Afghanistan through the viewpoints of U.S. soldiers […]
In so many ruined, dystopian futures, ravenous beings stalk the burned out countryside, praying on the flesh and/or blood of humans, while a small band of tough survivors, almost always including a grim professional killer, a protege and a young refugee, desperately try to escape this world overrun. This basic conceit resembles Jim Mickle’s somber, post-apocalyptic tone poem fashioned as a late night, grindhouse B movie, Stakeland, which proves altogether more satisfying than any of the recent cable and multiplex ready vampire narratives or dystopian dramas (The Road, Time of the Wolf, One Hundred Mornings or Children of Men). Despite […]
The IFP and Power to the Pixel present today the Cross-Media Forum. You can read the complete line-up here and also check it out via the livestream below. See you there… or online. Live Broadcasting by Ustream
It seems that this column is really starting to draw out a conversation from us micro-budget folks, and beyond; I couldn’t be happier. There seems to be a lot of dialogue happening in the comments, and I’m getting constant feedback from filmmakers from all over the world who are trying to make a new DIY model work. Every once and a while I get requests from some folks who want to contribute to the column itself. Many times these requests come from publicists, or folks just looking to sell themselves, but every once and a while a real dialogue is […]
I’ve been mulling this topic over for a while, as I encounter many filmmakers — usually independent filmmakers — who kind of sneer at the word “transmedia.” They think it’s just marketing, or they don’t understand why people can’t just sit and watch a good film. I wanted to talk a little about this, as I certainly think there are some filmmaking topics transmedia developers need to keep in mind to make the work as a whole really soar. I’ve noticed a number of common traits in several recent high profile transmedia projects that I think can be improved. I’m not […]
Check out select stories from our new Spring issue. Some of the stories you can read now include Mark Ruffalo talking about his directorial debut, Sympathy for Delicious; the team behind The Myth of the American Sleepover discuss their intimate film on teenage life; David Leitner highlights the latest crop of large-sensor HD cameras; Anthony Kaufman reports on the resurgence of studio indies; Lance Weiler explains how filmmakers can build audiences outside of the theater experience; and we look at the Tribeca Film Festival as it celebrates its 10th anniversary this year. To read the complete issue on your desktop […]
Both actor and bona fide Hollywood star, Mark Ruffalo has made a surprising directorial debut with Sympathy For Delicious, a bold fable about religion and rock & roll, betrayal and friendship. By Scott Macaulay
The Myth of the American Sleepover has seduced audiences from Austin to Cannes with the intimacy of its look at a group of teenagers during one long, magical summer night. Writer-director David Robert Mitchell and his team discuss the film’s journey to the screen. By James Ponsoldt
The New Studio Indies. By Anthony Kaufman