6296 Results for “Open ”
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BEBA Director Rebeca Huntt and DP Sophie Stieglitz Lead NEON and Ghetto Film School Sponsored 16mm Workshop
During the lead-up to the release of Rebeca Huntt’s first feature, BEBA, a raw documentary portrait of the artist as a young Afro-Latina filmmaker on a path towards self-acceptance and discovery, the filmmaker and DP Sophie Stieglitz led a one-day workshop on 16mm production at the cinema arts organization Mono No Aware. Presented by NEON (Beba’s distributor) and Ghetto Film School, six women of color filmmakers were invited to take place and attended “an intimate discussion around personal filmmaking” led by Huntt before being sent outside to the streets of Brooklyn with a roll of film and a Bolex camera. […]
by Scott Macaulay on Jun 23, 2022 -
“I Never Saw This as a ‘True Crime’ Series”: Nanfu Wang on HBO Docuseries Mind Over Murder
One of the more surprising revelations in the provocatively titled six-part docuseries Mind Over Murder has nothing to do with the sad tale presented onscreen of the “Beatrice Six,” as the three men and three women convicted (and ultimately absolved) of killing a beloved grandma in Beatrice, Nebraska back in 1985 came to be known. Instead, the surprise comes when the end credits disclose the story is being revisited by none other than critically-acclaimed director Nanfu Wang (In the Same Breath, One Child Nation), not exactly a usual suspect for the sensationalist true crime genre. Then again, Wang doesn’t seem much interested […]
by Lauren Wissot on Jun 22, 2022 -
The Gotham Announces Brooklyn Navy Yard Location for 2022 Gotham Week
The Gotham, Filmmaker‘s publisher, announced today that Gotham Week, its annual conference and project market, will move to a new location: the Brooklyn Navy Yards. Taking place September 17 – 23, the ’22 edition marks the event’s return to in-person following two years of a virtual format. In addition, The Gotham announced a new component to Gotham Week, the inaugural Partner Expo, which will bring together, according to the press release, “partners from The Gotham’s Expanding Communities, Owning It, and Gotham EDU programs for the first time. The Expo will showcase thought leadership on the advancement of the film and […]
by Filmmaker Staff on Jun 22, 2022 -
“Cinema Doesn’t Heal or Cure You of Anything”: Dario Argento on “the Pleasure of Terrible Ceremonies” and His 20-Film Retrospective
The day before the start of his 20-film retrospective at Film at Lincoln Center, Dario Argento talked with film historian Rob King in front of a small delegation at the Italian Cultural Institute. King started by pointing out that the director has now directed giallo films for 53 years, or “four years longer than John Ford made westerns.” Asked what the genre means, Argento said he’s been asked this question thousands of times and that “once more” he will answer—“I don’t know.” Asked if his approach to directing giallo has changed, he also answered as he always has—No. He simply […]
by A.E. Hunt on Jun 21, 2022 -
“A Giant Greenscreen Marvel Movie, Except We Couldn’t Afford the Greenscreens”: Andrew Bujalski on There There
“We’re not sure how to describe it,” Bujalski told the Cambridge Day‘s Tom Meek of his seventh feature, the Tribeca premiere There There. “We’re just gonna put it on the screen and let everybody else tell us what we did.” That promised a strange film, and There There delivers. After a disorientingly shot-at-home sax solo from musician Jon Natchez (whose quarantine-vibes solo sets provide interludes between segments), There There begins the first of six narrative sequences centered around pairs of unnamed characters with Lennie James and Lili Taylor, who’ve spent the night together for the first time. They’re introduced in rigorously locked-off shots […]
by Vadim Rizov on Jun 17, 2022 -
“A Final Hurrah for Sodium Vapor”: DP Andrew Droz Palermo on Moon Knight
When I last spoke to cinematographer Andrew Droz Palermo for The Green Knight, he detailed the learning curve for creating that film’s all-CGI fox. On his latest project, Moon Knight, the degree of difficulty has been raised from small woodland creature to towering, vaguely avian mummified Egyptian god. The Marvel adaptation stars Oscar Isaac in dual roles as a man suffering from dissociative identity disorder who oscillates between a meek museum gift shop employee and a mercenary serving as the human avatar of Khonshu, the aforementioned god of the moon. With the full series now streaming on Disney+, Palermo talked […]
by Matt Mulcahey on Jun 15, 2022 -
Color Congress Announces $1.35 Million in Inaugural Grants to 17 People of Color-Led and Serving Doc Organizations
Color Congress, “the newly formed documentary intermediary organization,” announced today $1.35 million in two-year unrestricted grants to small-budgeted majority people of color and POC-led doc organizations across the U.S. The 17 grantees, selected from a pool of 120 applying organizations, are ones serving historically marginalized communities, have budgets under $300,000 and operate outside national media hubs. The inaugural grants range in amounts from $45,000 to $90,000. “Many of these organizations offer a creative home for documentary filmmakers of color that may not otherwise be served, while others ensure there are viable distribution pathways for the films that are produced,” explains […]
by Scott Macaulay on Jun 14, 2022 -
“I Heard Shots Behind Me, Turned Back and Saw Killers Approaching”: Lesya Kalynska on Tribeca Premiere A Rising Fury
In Ukraine, Russian disinformation has finally met its lie-dismantling match in the information warfare sphere—which, ironically, within the larger landscape of our head-spinning, 24-hour news cycle, only serves to muddy the waters of “truth” even further. Fortunately, the besieged nation has a thriving documentary scene with a habit of taking the patient and longterm vérité approach. Out of that tradition comes Lesya Kalynska and Ruslan Batytskyi’s feature debut A Rising Fury, world-premiering at Tribeca Festival, the culmination of an often fraught, messily complicated eight-year filmmaking journey. This breathtakingly cinematic explainer of current events follows the young patriotic Pavlo, a soldier from the Donbas […]
by Lauren Wissot on Jun 13, 2022 -
“This is a Transgressive Force that Springs from the Imagination”: Rodrigo Reyes on his Tribeca-Premiering Doc Sansón and Me
The latest from “25 New Faces” alum Rodrigo Reyes, who we last spoke with for 2020’s Tribeca-selected 499, might also be his most personal and potentially fraught. The journey to Sansón and Me began a decade ago, when the Mexican-American filmmaker’s day job as a Spanish court interpreter in rural California took a turn for the tragically unexpected. Sansón Noe Andrade was a “quiet and super-polite” 19-year-old who was behind the wheel when his (even younger) brother-in-law decided to open fire on a rival from the passenger side of Sansón’s car. As a result, both teens were charged with murder. And Sansón, perhaps […]
by Lauren Wissot on Jun 12, 2022 -
“We Decided To Rewrite All of Our Consent Releases So That They Were More Favorable to Participants”: Jennifer Tiexiera and Camilla Hall on Their Tribeca-Premiering Doc Subject
“Catnip for the cinephile” boasts the program synopsis for Jennifer Tiexiera and Camilla Hall’s Subject, which makes its world debut on June 11 in the Documentary Competition at this year’s Tribeca Festival. It’s a pretty spot-on claim for a doc that probes the post-screen afterlives and reflective minds of some of nonfiction cinema’s most recognizable stars. By juxtaposing contemporary interviews with characters from Capturing the Friedmans, Hoop Dreams, The Staircase, The Wolfpack, and The Square as well as interviews with acclaimed documentary directors (though smartly, none behind any of the aforementioned), academics and various experts on non-fiction ethics, a bigger and deeper picture […]
by Lauren Wissot on Jun 11, 2022
