(Sleepless Nights Stories opens theatrically at the Anthology Film Archives on Thursday, December 15, 2011. Visit their website to learn more.) December can be perverse, especially in New York. Underneath the jingling bells, cinnamon, and pine, the promises and obligations to keep, there’s a pervasive anxiety about the dying light. Time flattens the remaining days like a steamroller as we frantically categorize our memories into lists of ten and wrap it all up in colored paper and ribbons. This can create a hectic, merry numbness that doesn’t subside until January’s hangover, when the cold is undeniable. Perhaps the timing is […]
Second #2491, 41:31 “Get over there on that couch,” Dorothy says, and then follows Jeffrey (naked except for his black socks), knife raised, as if she would plunge it into his back were he to hesitate. The frame practically vibrates in anticipation of the coming of some dark force against which this tableau is nothing but a pale rehearsal. In Cinema 1: The Movement-Image, Gilles Deleuze writes that the frame is related to an angle of framing. This is because the closed set is itself an optical system which refers to a point of view on the set of parts. […]
The title is ironic: The conversation never happens. (Kevin’s mom suggests it in a voiced-over letter to her husband, but, if it is even sent, it is — seemingly — ignored.) Eva (the chameleon-like Tilda Swinton, brilliant as ever) and Franklin (John C. Reilly) are the parents of a troubled boy who tortures his mother with line-crossing defiance. (He is played by three kids of different ages. The principal action revolves around the oldest, perfectly portrayed by Afterschool’s Ezra Miller as an intimidating glop of arrogant negativity.) Eva never wanted the unplanned child. She yells much more loudly than necessary during childbirth and appears desolate in her hospital bed. […]
Most creative arts suffer from trends. Someone does something new or unusual, and suddenly dozens of others are imitating it; just look at Hollywood. Since the arrival of the Canon 5D Mark II, shallow depth-of-field has become almost a fetish. There’s certainly valid reasons to want to have shallow depth-of-field, as filmmaker Stu Maschwitz wrote on his blog: “With a 5D Mark II, its sensor double the size of a motion picture film frame, we can achieve cinematic focus at F4. We can get fetishistically shallow depth of field at F2.8. At F1.2, we can create abstract art in a […]
(Tomas Alfredson’s Tinker, Tailor, Soldier, Spy premiered at the Venice Film Festival. It is being released theatrically by Focus Features on 12.09.11.) Tinker, Tailor, Soldier, Spy plays out like a long game of chess whose pieces are constantly being moved across the board without ever reaching checkmate. Each of the many players thinks himself a king, but one by one they’re shown to be little more than glorified pawns. The narrative they collectively form is at once dense but fluttering, broken into tiny fragments whose value as clues and signifiers is constantly being called into question and, once thoroughly vetted, reassembled into something […]
In the first of a series of videos we did at this year’s Gotham Independent Film Awards, Gary Oldman talks to Filmmaker about his new film, Tinker, Tailor, Soldier, Spy (which opens Fri.) as well as what he’s gotten out of working on franchises like Batman and Harry Potter and why acting still interests him. Oldman was honored with a Tribute Award at this year’s Gothams. See more news and features from nominees and winners here. Coming later this month (and throughout awards season) we’ll have more videos of winners from the Gotham Awards. [jwplayer config=”FM Player” file=”https://filmmakermagazine.com/videos/Gary_Oldman_Final_Cut_640_338.mov” image=”https://filmmakermagazine.com/news/wp-content/uploads/2011/12/Gary-Oldman-Still-640-x-338.jpg”]
I’ll be blogging this week from the 2011 IFP Filmmaker Labs, which are in their third and final session at 92Y Tribeca. This year’s 21 participating documentary and narrative projects, are nearing completion of the grueling post-production process and are now turning their attention towards the marketplace. Things kicked off this morning with a sobering discussion about sales and rights, led by Jon Reiss, co-author of Selling Your Film Without Selling Your Soul (presented by PreScreen and Area 23, also written by The Film Collaborative and Sherri Candler). Alongside the other lab leaders, Reiss stressed that filmmakers should always use […]
Over the past two decades, French filmmaker Cédric Klapisch (L’Auberge Espagnole) has distinguished himself as a writer-director of mature, well-balanced social dramas with a comedic edge. Films like Russian Dolls and Paris (both featuring heartthrob actor Romain Duris, who has made six films with the director) explore the emotional dynamics of ambition and disappointment, love and family relationships against the backdrop of Europe’s ever-shifting cultural identity in the 21st century. Now Klapisch wades into the waters of world financial distress with a snappy satire about haves and have nots that in some respects channels the sentiments of Zuccotti Park’s most […]
Below are the titles selected to screen in the Short Film Program at the 2012 Sundance Film Festival. See films in competition. See films in the Spotlight, Park City at Midnight, NEXT and New Frontier sections. See films in Premieres section. 64 films have been selected from a record 7,675 submissions (up 16% from last year). This year the shorts program will be presented by Yahoo!. Part of their sponsorship includes featuring a select group of shorts from this year on their premium video destination, Yahoo! Screen during the fest. There you will be able to vote on your favorite […]
The Jack the Ripper weather that blanketed part of the 24th International Documentary Film Festival Amsterdam this year seemed poetically apropos. Rushing from P&I screenings, to public showings, to private viewing booths I often felt like I was lost in a heavy fog of docs. In addition I took great advantage of the many behind-the-scenes and inside-scoop events — most free to the public — that gives this biggest doc fest in Europe its accessible community vibe. I watched a Talk Show with tabloid-deep Nick Broomfield discussing his Sarah Palin: You Betcha! over a live Internet feed. I attended in […]