Lauren Wissot’s report on arthouse viewing in Amsterdam inaugurates a new occasional, rotating column, “Foreign Correspondent.” In this space find reports on film cultures around the world, covering everything from production to distribution to exhibition. Bookmark this first edition for your next trip to Amsterdam. — Editor Besides the Dutch no-nonsense approach to everything from healthcare to vice, what I find most impressive about this Venice of the North is that there’s an actual cinema culture here — which is not the case in my hometown NYC, where there are only a handful of repertory screening rooms to serve a […]
Asked when he realized he wanted to become a filmmaker, moments quickly came to Alrick Brown’s mind. The first time was while taking a summer course in college on Hitchcock. Another was when, while substitute teaching at a middle school in his hometown of Plainfield, N.J., he realized the only thing his kids paid attention to were movies and music videos. But the defining moment came in the early 2000s during his time in the Peace Corps when he was brought to the slave castles in Ghana. Setting foot in these atrocious landmarks, Brown realized what his calling was. “I […]
Yance Ford was a sophomore at Hamilton College 19 years ago when her brother was murdered. “My brother’s death picked up my life and put it down somewhere else,” Ford says. “I had an image of myself in my mind as a working artist, and when he died, all of that changed.” By her senior year, Ford, who made images as a photographer, decided she wanted to make a film about her brother’s death. She moved back to her hometown New York, worked as a p.a. and took a Third World Newsreel production workshop. Then in 2002 she became series […]
Acclaimed documentary filmmaker Steve James returns to his native Chicago to look at a group of ex-cons who have formed an organization dedicated to wiping out the violence that has plagued their streets in THE INTERRUPTERS. By Jason Guerrasio | Photograph by Henny Garfunkel
Laura Israel cut her teeth editing experimental works, commercials and music videos while still a film student at NYU. She shifted her focus from directing to editing, and from cinema to video. By the time she graduated she had formed her own New York City company, Assemblage. Her client list reads like a hipper-than-hip door list: John Lurie, Lou Reed, Patti Smith, Keith Richards, Sonic Youth, New Order, Ed Lachman and especially over the last two decades, her good friend Robert Frank with whom she has been archiving and preserving his film and video work over the past two years. […]
Before completing Dirty White Boy, his screenplay about the last days of rapper Ol’ Dirty Bastard and his relationship with VH1 p.a.-turned-manager Jarred Weisfeld, Brent Hoff had 24 partially written scripts on his hard drive. “One of them was over 200 pages long,” he says. “I came up with lots of ideas, but I never completed them.” But when Hoff heard that producer Todd Hagopian had bought Weisfeld’s life rights along with those of ODB’s mother, he knew that he was the guy to write — and finish — that story. “I worked at VH1,” says Hoff, “and I met […]
When asked who his professional role models are, L.A.-based d.p. Rob Hauer, who has lensed some of the best shorts of recent memory, cites some obviously inspirational folks, including Robert Richardson, Emmanuel Lubezki and Robert Elswit. “They show a wonderful range and their work elevates their stories, which I’d like to do as well. And none of them had overnight success — they had to work hard to get where they are, like all of us do.” But he cites other artistic influences too, harkening back to his early study as a still photographer at California State Polytechnic University, San […]
Anyone who reads literature in translation probably has some inkling of the effort it takes a specialist to mold foreign masterworks into readable prose that feels alive and inviting. Some translators have earned renown for their impeccable renditions of the classics — Lydia Davis comes to mind — but such formidably intelligent people are accustomed to working, for the most part, in complete obscurity, unknown except to the book publishers who commission their interpretive labors and those who bother to notice bylines. Until her death last year at age 87, Svetlana Geier was the most distinguished translator of Dostoyevsky in […]
If you listen to the radio, then you may have seen the short documentary essay films of the New York collaborative, Everynone. For the last two years, the three filmmakers — Will Hoffman, Daniel Mercadante and Julius Metoyer III — have been creating witty and allusive short films to accompany the popular WNYC radio program Radiolab, heard on more than 300 public radio stations around the country. Radiolab explores science and philosophy in the guise of radio theater, mixing music and sound effects into presentations that thrillingly veer from the pedagogical to the personal. And if you listen to Radiolab […]
The line separating documentary and narrative film aesthetics has never been more porous than it is now. Damon Russell is a filmmaker whose work lives right on that line. The Atlanta, Georgia native, who shuttles between Atlanta and New York as projects come and go, made a short film that was partially shot in the notorious western Atlanta ghetto, “The Bluff.” After seeing Russell’s film, a Bluff resident named Curtis Snow, whose livelihood revolves around armed robbery and drug pushing, sought out Russell to make a film about his life. Snow on Tha Bluff, which world premiered at this year’s […]