Benny Safdie hits the streets to promote Daddy Longlegs, opening Friday at the IFC Center in New York and in homes on VOD.
I’ve blogged several times about Facebook’s increasingly insidious attitude towards the concept of user privacy so I’ve surprised myself that I haven’t weighed in so far on their latest efforts — their “Connections” program and attempt to build a so-called Open Graph. (For a quick, visual history of Facebook’s devolving valuation of privacy, see this graphic by Matt McKeon.) There are a few reasons for this: first, I’ve been busy. Second, it occurred to me that all of Facebook’s previous privacy transgressions, like their ham-fisted Beacon program, have served to, deliberately or not, wear us all down so this latest […]
Shirin Neshat doesn’t shy away from complexity. Her internationally lauded photography and video installation work takes as its primary subject matter the epistemology that informs how we view Muslim women and the real world forces which shape there lived experiences. She challenges stereotypes and received knowledge in all of her works, a quality that has not gone unnoticed by the international art world. A pair of major installations in the late 1990’s, Turbulent (1998) and Rapture (1999), both of which received prizes at the Biennial of Venice, long ago cemented her place as one of the world’s most compelling visuals artists. That claim […]
It may be hard to imagine, but there was a time when documentaries about off-brand sporting events and competitions were a rare thing. In this pre-Spellbound era, Pin Gods managed to make a small bowling-ball sized splash at the Toronto festival, only to fall through the cracks of the distribution system (a fact bemoaned last night by one of Pin Gods’ biggest fans, Stranger Than Fiction programmer Thom Powers). A film about what its director Larry Locke calls, “the small dream,” Pin Gods is an endearingly humane look at four men, each one trying to make a life out of professional […]
Most of the time when I come across interesting articles or video on the web I clip them to my Evernote reader and check them out later on my Blackberry or iPad. Here, then, are a few things I’ve clipped that might interest you too. From CNN Money: “One in eight to cut cable and satellite TV in 2010.” What are the implications for online content creators? In Spring 2008 I wrote about Alix Lambert’s Crime book for Filmmaker. (The piece is not online, but you can check it out on her site.) Here, at The Graveyard Shift, she discusses […]
California native Patrick Hoelck had auspicious beginnings, but the corkscrew path he took through music, fashion, and commercial photography on his way to becoming a feature filmmaker belies his earliest and most abiding passion. Weaned on arthouse classics and American films of the seventies, Hoelck moved to New York City in his teens and became a music-video director before he was old enough to vote, eventually directing for the likes of Beenie Man, the Deftones, Ben Harper, and Alicia Keys. Over a decade ago, he turned to still photography and (with the help of pal Vincent Gallo) quickly made a […]
Some good, or at least interesting, films surfaced at Tribeca this year—I’ll get to a few a couple of paragraphs down, and I wrote about others here last week—almost in spite of the umbrella organization itself. You can’t help but wonder: What is the template for this festival, which has been struggling to find its identity since its inception? Toronto, Sundance, Cannes, Berlin? San Francisco, Denver? Answer: It’s not cast from a festival mold at all, in spite of the invaluable input of former artistic director Peter Scarlet and David Kwok, as far as I can tell the only current […]
In Michele and Kieran Mulroney’s debut feature Paper Man, Richard (Jeff Daniels) is a sweet natured, struggling author who’s unlikely friendship with an alienated teenager named Abby (Emma Stone) grows increasingly tender and strange during an extended stay in Sag Harbor to work on his latest book. Although his marriage to Claire (Lisa Kundrow) is fading, his imaginary interlocutor, a caped superhero named Captain Excellent (Ryan Reynolds) keeps him plenty busy when he’s not trying to avoid working on his book or inventing new ways to keep Abby dropping by. The married writing and directing duo, having long toiled as […]
Now in its 13th year, the documentary-only Full Frame Film Festival (April 8-11) takes place in my hometown of Durham, North Carolina. The city of Durham is historically a tobacco town, moving slowly but steadily towards an uncertain future: while its tobacco warehouses are being converted to swank lofts, downtown office space is readily available with a seemingly high vacancy rate. The festival is very much a cultural cornerstone for the city, and as a result Full Frame means a lot to Durham. As of late, however, Durham also means a lot to Full Frame: while in previous years the […]
Earlier today Cannes unveiled the 24 films selected for its annual sidebar, Directors’ Fortnight. Opening this year with Renaud Barret & Florent de la Tullaye’s documentary Benda Bilili!, the line-up is dominated by first-time filmmakers, 11 in all. One American standout is Cam Archer (Wild Tigers I Have Known) who will be screening his latest, Shit Year, starring Ellen Barkin. Fortnight will take place May 13-23. Full list of titles below. FEATURE FILMS Alegria (Joy), directed by Marina Méliande et Felipe Braganca (Brazil) All Good Children, directed by Alicia Duffy (UK) Alting bliver godt igen (Everything Will Be Fine), directed […]