Independent filmmakers like to think that they are creating works of art that contribute to an enduring American culture. There’s just one problem: these works of art are disintegrating. Literally. More concerned with life rights than half-life, filmmakers are allowing their films to crumble and dissolve into analog blurs and forests of digital glitches as formats change, materials are uncared for, and elements are left forgotten on lab floors. Enter the Sundance Collection, a collaborative program with the UCLA Film and Television Archive. It is the first archive to be devoted exclusively to the preservation of independent cinema. This year, […]
I’ve blogged before about the legal saga surrounding The Watchmen, which is the film news world equivalent of a slow-motion car crash. If you’re a producer, the idea that your film could be held hostage after its completion due to legal issues is the ultimate nightmare. One of the film’s producers, Lloyd Levin, has written an open letter that is posted over at Drew McWeeny’s new blog, Hitfix. An excerpt: One reason the movie was made was because Warner Brothers spent the time, effort and money to engage with and develop the project. If Watchmen was at Fox the decision […]
From his eclectic resumé, it’s clear that Ole Bornedal likes to challenge himself so (almost always) refuses to return to familiar territory. The Danish writer-director was born in the small town of Nørresundby in 1959, and became a director of Danish radio plays in the 1980s after failing to get into film school. In the early 90s, he moved into television, where he wrote and directed sketch comedy and political satire as well as the colorfully titled TV movie Masturbator (1993). Bornedal made his feature film debut in 1994 with Nightwatch, a thriller about a law student who moonlights as […]
Below I posted John August’s take on the new iMovie HD, introduced this week at Macworld Expo. Now, the New York Times‘ David Pogue weighs in. He’s mixed/positive on the update, saying that it fixes some of the previous version’s deficiencies while ignoring others. But while most filmmakers don’t use this consumer-level application, I can’t help but think that one new iMovie development may reshape some no-budget filmmakers’ creative arsenals: Now, longtime readers may recall that I absolutely hated iMovie ’08. It wasn’t iMovie at all; Apple completely junked the beloved iMovie that had served it well for years, and […]
The Interational Film Festival Rotterdam, which opens this year January 21, has just announced its Tiger Competition line-up. The competition, which is limited to first and and second features, contains 14 films, including eight world premieres, and the opening night film is MIchael Imperioli’s directorial debut, The Hungry Ghosts. Here is the complete list: At West of Pluto, Henri Bernadet & Myriam Verreault (Canada)Be Calm and Count to Seven, Ramtin Lavafipour (Iran)Blind Pig Who Wants to Fly, Edwin (Indonesia)Breathless, Yang Ik-june (South Korea)Dark Harbor, Takatsugu Naito (Japan)Dogging: A Love Story, Simon Ellis (U.K.)Floating in Memory, Peng Tao (China)The Hungry Ghosts, […]
Here’s Managing Editor Jason Guerrasio’s take on ’08. I always find it difficult to put together a “Best of” list every year because no matter how many films I see I always feel I haven’t seen enough to make an honest list. This year has been even more difficult because so many titles have been pushed to the end of the year. So with that said here’s a collection of titles in no particular order that I enjoyed (most of them really loved), but I feel there are so many more I still need to watch (particularly, Frost/Nixon, Gran Torino […]
I’m late catching up to some of the things that have been bouncing around the blogosphere, but here the New York Times‘ A.O. Scott has a nice video essay on Billy Wilder’s The Apartment, which is dubbed “a brilliant alternative to classic holiday films” and one that ends on New Year’s Eve. (I wish these great Times video pieces were embeddable — I get that they have to increase traffic, but I’d so love to post them.) The Apartment was also selected by producer, screenwriter and Focus Features CEO James Schamus as part of a series on the FilmInFocus site […]
Bill Landis, a man who championed the world of underground exploitation moviemaking and exhibition, died this week of a heart attack at 49. With his wife Michelle Clifford he was the editor of Sleazoid Express, a zine that chronicled the films of the 42nd Street grindhouse scene, which he described in an interview at Nerve.com: Grind houses were opulent, old-style movie palaces with chandeliers, opera seats and huge screens. They seated several hundred people and played all kinds of films, across genres. A shoebox theater catered to the adult audience, seated eighty to 200, usually on one floor, and was […]
MERYL STREEP IN DIRECTOR JOHN WALTER’S DOCUMENTARY THEATER OF WAR. COURTESY WHITE BUFFALO ENTERTAINMENT. In the field of documentary, John Walter has emerged as the medium’s most eloquent and entertaining cultural historian. The Detroit-born director, who is also an unpublished poet, began his career in the film industry as a boom operator and worked in that capacity on Sam Raimi’s Evil Dead II. In the mid 90s, he became an editor, beginning with Norman Reedus’ Messenger (1994), and in 1995 he directed Edison’s Miracle of Light, an episode of PBS’ television series The American Experience. In 2002, Walter made his […]
Here’s the next in our Filmmaker contributor ’08 wrap-ups, from James Ponsoldt. So…I don’t like “Best of” lists, or even the idea of “best” being used in regards to films (or any art). I mean, let’s be honest–there’s one reason why we have “Best of” lists: we like to argue. And that’s cool. Arguing is great. But isn’t “favorite” more appropriate than “best”? I think so. Does that sound precious? Eh, I don’t care. These are some of my favorite films, performances, and film moments of 2008. Favorite Film: MilkFavorite Documentary Film (Tie): South Main, Encounters at the End of […]