Open | Filmmaker Magazine

@SXSW: PALLOTTA, SWANBERG, LIPES, RUSSO-YOUNG AND MORE

At SXSW, the first festival to play out after Twitter passed the tipping point, I’ve seen something I’ve never seen before at a festival: people passed out after a long night of partying with their laptops open on their laps. For those more awake, early response here has been very good for the opening night film, John Hamburg’s I Love You, Man, starring Paul Rudd; David Lowery’s St. Nick; Joe Swanberg’s Alexander the Last; Gary Hustwit’s Objectified. One outsider recommendation: at a party last night, one industry vet raved to me about 45365, which refers to the zip code of […]

by Scott Macaulay on Mar 15, 2009

BROCK ENRIGHT’S JODY LEE LIPES By Alicia Van Couvering

When Jody Lee Lipes set out to follow his friend Brock Enright prepare a solo art show for the prestigious Perry Rubenstein gallery, he knew he wasn’t going to change anyone’s opinion about contemporary art. If you hate the art world, you might still hate it after watching Enright’s strenuous, stressful and altogether bizarre chronicle of several months putting a solo show together. But you have probably never seen art-making this up close; probably never witnessed the day-to-day negotiations for resources and time between an artist and gallery; probably never seen someone try to justify their art to their girlfriend’s […]

by Jason Guerrasio on Mar 14, 2009

‘AMERICAN PRINCE”‘S TOMMY PALLOTTA By Scott Macaulay

Even if you consider yourself a literate, well-viewed, cinema completist, you may not remember the name “Steven Prince.” I could jog your memory and tell you that he was influential to the films of Quentin Tarantino, Rick Linklater, and, most directly, Martin Scorsese, and the name still might not ring a bell. If that’s the case, don’t stress — I didn’t recognize the name either, even though I vaguely remembered that there exists a Scorsese film, American Boy, that I’ve never seen, and that Prince’s one scene in Taxi Driver, in which he plays Easy Andy, a fast-talking gun dealer, […]

by Scott Macaulay on Mar 14, 2009

“RIP!: A REMIX MANIFESTO’”S BRETT GAYLOR By Alicia Van Couvering

It was a calculated move on Brett Gaylor’s part to not only make a movie about fair use, intellectual property and copyright, but to make a movie that you could dance to. It begins as a case study of the mashup musician Girl Talk, whose music is comprised of thousands of samples from artists as disparate as Madonna, Elton John, Rihanna, the Jackson 5 and Muddy Waters (and doesn’t hesitate to try to make you dance). Then Gaylor jumps off into his Remixer’s Manifesto, the points of which are: 1. Culture Always Builds on the Past. 2. The Past Always […]

by Jason Guerrasio on Mar 14, 2009

Tony Stone on Severed Ways

A graduate of Bard College, filmmaker Tony Stone’s first feature, Severed Ways: The Norse Discovery of America, unleashes an almost-new genre – the indie historical drama. It might also be the ultimate heavy metal video. Based on historical research, Severed Ways follows two Vikings stranded in medieval America, encountering both Native Americans and monks, everyone trying to survive. It is deeper than an action film as the Vikings are complete characters, violent but missing their girlfriends. In a way, Old Joy with Vikings. Shot on mini-DV, the result is stunning, a period piece that looks like a painting but feels […]

by Jason Guerrasio on Mar 12, 2009

ALEXANDER THE LAST’S JOE SWANBERG By Alicia Van Couvering

If there were to be a mumblecore parade, Joe Swanberg would be the man in the shiny red convertible, waving to onlookers and trailing a team of baton twirlers in his wake. His films – LOL, Hannah Takes the Stairs, Nights & Weekends – have helped to define a genre that was never supposed to be a genre at all. Alexander the Last, his latest, was executive produced by Noah Baumbach and stars Jess Weixler (Teeth), Barlow Jacobs (Great World of Sound, Shotgun Stories), Amy Seimetz and Justin Rice (Mutual Appreciation), as well as Jane Adams and Josh Hamilton. It’s […]

by Jason Guerrasio on Mar 12, 2009

“BREAKING UPWARDS’” DARYL WEIN & ZOE LISTER-JONES |
By Alicia Van Couvering

Originally posted in our SXSW 2009 coverage, Breaking Upwards opens in select theaters this Friday. In Breaking Upwards, Daryl Wein and Zoe Lister-Jones play a young New York couple named Daryl and Zoe. The film was written by the two of them, plus Peter Duchan, directed by Wein, and produced by all three. Zoe plays an actress, starring in an Off-Broadway play; Julie White plays Daryl’s mother, and was cast after appearing in an Off-Broadway play with Lister-Jones. To say that this film is autobiographical is, to be brief, an understatement. It’s a romantic comedy that borrows its hyper-articulate, hyper-intellectual […]

by Jason Guerrasio on Mar 12, 2009

A CONVERSATION WITH “YOU WONT MISS ME'”S RUSSO-YOUNG & EDMANDS

Ry Russo-Young’s You Won’t Miss Me was one of our favorite films at Sundance this year. It is a free-wheeling, lyrical but sometimes jarring depiction of a few months in the life of young and struggling New York actress navigating both harsh auditions and her own chaotic emotional relationships. The film has a deceptively casual feel as it avoids obvious plot points and melodramatic narrative contrivances. By its conclusion, however, it feels full — an honest portrait of character we haven’t quite seen on screen before at a very specific moment in her life. Following its Sundance premiere, the film […]

by Jason Guerrasio on Mar 12, 2009

WEEKEND LINK ROUND-UP

Here are a few links that have caught my eye in the past week: Barack Obama is doing his small part to cut back on federal spending by regifting an AFI box set of the “25 Greatest American Films of all Time” to visiting British Prime Minister Gordon Brown. As The Guardian reports, the British press is up in arms by the chintzy perceived snub, noting that Brown previously gave Obama a pen carved from the sister ship the White House desk is made from and a first edition of a seven-volume Churchill biography. The gift has also turned political […]

by Scott Macaulay on Mar 8, 2009

MICHEL GONDRY ON THE INTERNET’S STRANGE CREVICES

There’s a superb interview with Michel Gondry by Nick Bradshaw up on The Guardian’s film page. It’s great because what starts off as a straightforward dialogue about Gondry’s judging of a short online film competition for Babelgum riffs off into a wide-ranging discourse on the problems with contests, censorship vs. self-censorship, the siren call of the web’s dark places, the challenges involved in music video creation, and why his short Rubik’s cube videos got him more props from Kevin Spacey than Eternal Sunshine of the Spotless Mind. An excerpt: I think you should be able to censor yourself. If you […]

by Scott Macaulay on Mar 3, 2009

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