| Filmmaker Magazine

Cecilia Miniucchi, Expired

SAMANTHA MORTON AND JASON PATRIC IN DIRECTOR CECILIA MINIUCCHI’S EXPIRED. COURTESY MCR RELEASING. After observing and learning from some of the best directors around, writer-director Cecilia Miniucchi has put all her acquired wisdom to use in a distinctive and promising debut. Born in Rome, the multi-talented Miniucchi is notable for the number of mediums she has worked in: a prolific maker of documentaries and music videos, she has also written poetry, songs, plays and short stories, and is an accomplished photographer. While in Italy, Miniucchi worked with Federico Fellini and the Taviani brothers, and went on to serve an apprenticeship […]

by Nick Dawson on Jun 20, 2008

DO NOT PRESS…

… if you want to do anything other than procrastinating what you are supposed to be doing right now. Actually, do not press here.

by Scott Macaulay on Jun 18, 2008

“HEAVY METAL IN BAGHDAD”

Highlighted in The New York Times as well as our magazine during it’s impressive run through the festival circuit that included Toronto, Berlin and SXSW, Eddy Moretti and Vice magazine creator Suroosh Alvi‘s documentary on the only heavy metal band in Iraq is a gripping account of survival and the escape that music can bring. The band, Acrassicauda (English translation: Black Scorpion), is comprised of a group of twentysomethings who learned how to speak English through watching Hollywood movies and listening to bootleg tapes of Metallica and Slayer. Moretti and Alvi first heard of the band soon after the fall […]

by Jason Guerrasio on Jun 14, 2008

THE PERVERT’S GUIDE TO CINEMA

If you are a regular — like, hourly — reader of this blog, you know something about In Spring, the short Jamie Stuart piece which was posted on his own site and linked here only to be taken down shortly thereafter. Some (including, I’ll admit, me) wondered if Stuart had, in his continual skirmishing with the confines of publicity in the service of artmaking, crossed some kind of line with this piece, which incorporated a real interview with a misidentified Werner Herzog (who Stuart painted in 2005, shown here) in the THINKfilm office within a fictional mock documentary on the […]

by Scott Macaulay on Jun 13, 2008

SUNDANCE DIRECTORS’ LAB, EPOCH TWO

Here’s writer/director John Magary’s (pictured here with Robert Redford and Vilmos Zsigmond) second dispatch from the Sundance Directors’ Lab: This is my first stab at blogging, okay? I’ve never been a self-starting chronicler, never had a personal essay phase, or a journal, or a sketchbook. I’m not wired that way. I don’t really know how to steal away time in bars or cafes, to reflect on my day in an endearingly scruffy little notebook—even a grocery list is a chore. Long story short, I’m finishing up my second week here, and I have no notes. It’s blurs on top of […]

by Scott Macaulay on Jun 13, 2008

PRIDE OF PLACE

If you are in Chicago this next month — or, perhaps, if you’ve got frequent flier miles or simple wanderlust — then I highly recommend checking out Enter Dream, a photo show by writer, photographer and critic Ray Pride, whose work is well known to readers of Filmmaker as well as those of his own Movie City Indie blog. Ray’s evocative photos are visually stunning and haunted by the idea of cinema — they contain potent traces of storytelling, whiffs of dramatic atmosphere, and suggestions of character. Here’s the official spam: The photographs in “Enter Dream” anatomize the geography of […]

by Scott Macaulay on Jun 12, 2008

Werner Herzog, Encounters At The End Of The World

WERNER HERZOG AND D.P. PETER ZEITLINGER CAPTURE ANTARCTICA IN ENCOUNTERS AT THE END OF THE WORLD. COURTESY THINKFILM. For more than 40 years, Werner Herzog has been redrawing the map, both cinematically and geographically. He started making short films in the mid-1960s, and made an impact internationally with Aguirre: The Wrath of God (1972), the tale of a mad conquistador’s doomed jungle quest, the first of five collaborations with actor Klaus Kinski. Herzog and Kinski’s relationship was often turbulent and violent, but the ambitious, outlandish and usually unhinged films they made together over the course of the 70s and 80s […]

by Nick Dawson on Jun 11, 2008

WHERE FILM AND INTERNET WOUND UP

Over at Stream, Eric Kohn has a good write-up of the “Where Film and Internet Collide” event we hosted at the IFC Center last week with the IFP and IndieGoGo. He does a great job of summarizing the interviews with the creators of the various works we screened. Another good report is by the Film Panel Notetaker. Click on the links and read — between the two of them you’ll feel like you were there.

by Scott Macaulay on Jun 10, 2008

GOING TO THE MOVIES

FilmInFocus is running a four-part series on exhibition, from the ultra-small-scale screenings of the microcinema movement to the shape of things to come for blockbuster moviegoing. The first part, Ed Halter’s take on microcinema, is up now.

by Scott Macaulay on Jun 9, 2008

STORYBOARDING TARKOVSKY AT THE SUNDANCE LABS

The Sundance Director’s Lab is underway, and one of the participants, John Magary (pictured at right with Sundance Lab advisor Gyula Gazdag), has agreed to blog it for Filmmaker. Here’s the first of his posts. SUNDANCE, EPOCH 1 Day One smelled like chicken. Day Three smells like farts. I’m not talking about the Lab — haven’t gotten there yet. One can be coaxed out of a crippling fear of flying—it is irrational, after all—but heights is another matter. With heights, all you can say is, “Oh, stop being so scared.” (Hot tip: saying things like that to a phobic isn’t […]

by Scott Macaulay on Jun 8, 2008

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