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20 Anticipated Films and New Media Works at the 2021 Sundance Film Festival
“It’s about energy — how do we preserve the energy around the work and the artist?” That’s Sundance Film Festival director Tabitha Jackson speaking this morning at Sundance’s opening press conference about the thinking that went in to this year’s necessarily altered pandemic edition. With a slimmed-down schedule and screenings happening through the Sundance platform as well as at various “satellite screens,” Sundance has fully embraced the challenges and potentials of translating the Sundance experience to the ways in which we are living our (viewing) lives now. But several principles guided the Sundance team, said Jackson. One was the concept […]
by Scott Macaulay on Jan 28, 2021 -
The Sundance Question: “How Did Events of 2020 Change Your Film?”
Each year Filmmaker asks all the incoming feature directors at Sundance one question. (To see past years’ questions and responses, click here.) This year’s question: “How did events of 2020 — any of them — change your film, either in the way you approached it, produced it, post-produced it, or are now thinking about it? “The Scope of the Story Also Expanded”: Director Nanfu Wang | In the Same Breath “I Feel Like in 2020 I Was Lucky”: Director Miriam Guttmann | Seeds of Deceit “Whether It’s a Refugee Crisis or a Pandemic, We Are All in This Together”: Director […]
by Filmmaker Staff on Jan 28, 2021 -
“The Scope of the Story Also Expanded”: Director Nanfu Wang | In the Same Breath
How did events of 2020—any of them—change your film, either in the way you approached it, produced it, post-produced it, or are now thinking about it? In the Same Breath is a product of 2020. The project was developed in response to events from the very beginning of the year in Wuhan, and as the year unfolded and the impact of the virus was felt just about everywhere on Earth, the scope of the story also expanded. Every new day, in my personal life as well as in the making of this film, I was forced to adapt to the […]
by Filmmaker Staff on Jan 28, 2021 -
“The Ceilings were Only 8 1/2 Feet High”: DP Tami Reiker on Shooting One Night in Miami with Jibs and Finishing Production after COVID
In February of 1964, Cassius Clay defeated Sonny Liston at the Miami Beach Convention Hall to become the heavyweight champion of the world at the age of 22. He spent the night celebrating with Malcolm X, Jim Brown and Sam Cooke. Within two weeks of the fight, Clay announced his membership in the Nation of Islam and changed his name. Within a year, both Cooke and Malcolm X were shot dead. By the summer of 1966, Brown had retired from football at the age of 30. Based on the 2013 play by Kemp Powers, One Night in Miami offers a fictitious […]
by Matt Mulcahey on Jan 28, 2021 -
“I Feel Like in 2020 I Was Lucky”: Director Miriam Guttmann | Seeds of Deceit
How did events of 2020—any of them—change your film, either in the way you approached it, produced it, post-produced it, or are now thinking about it? My middle name is Mazal, which means “luck” in Hebrew. My grandmother used to say “one needs a bit of Mazal.” I feel like in 2020 I was lucky. I was able to finish the project I had been dreaming about for 2.5 years. We worked around the challenges, we feared we might fail, but we flied! (Check back daily during the festival — new answers are uploaded on the day of each film’s […]
by Filmmaker Staff on Jan 28, 2021 -
“Whether It’s a Refugee Crisis or a Pandemic, We Are All in This Together”: Director Jonah Poher Rasmussen | Flee
How did events of 2020—any of them—change your film, either in the way you approached it, produced it, post-produced it, or are now thinking about it? I was in Oslo, Norway finalizing Flee, when the Danish Prime Minister went on TV calling for a national lockdown because of the COVID-19 pandemic. I made it home to Copenhagen just before the borders closed and from there it felt like everything went into slow motion. The very final steps of finishing the film took as long as the rest of the entire production, and as all the cinemas around me had closed […]
by Filmmaker Staff on Jan 28, 2021 -
Back to One, Episode 139: Tom Noonan
As the annual Sundance Film Festival begins again this week, legendary actor/director Tom Noonan takes us back 27 years to a very different Sundance, where his film What Happened Was… won the Grand Jury Prize. It’s the ultimate “actor’s film,” just two people, Noonan and the incredible Karen Sillas, in one room, real time, on a first date like no other. He talks about the circumstances that led him to Sillas, the extensive rehearsal process they had, the production, and the ups and downs of its ultimately triumphant reception. Plus Noonan tells the story of the first big lesson that […]
by Peter Rinaldi on Jan 27, 2021 -
Fetch the Bolt Cutters: Location Scout Aean McMullin on TV Production, Shooting Lucifer During COVID and LA Permitting
Aean McMullin [pronounced Ay-In] spends his time traveling from helicopter pads in the heart of downtown Los Angeles, working with gang members in Compton and sitting in the cacophony of LA traffic (even during the pandemic) all the way from his one-bedroom apartment in Glendale to the seaside city of Long Beach—a whopping 30 + miles. A key location assistant manager from the small town of Godfrey, Illinois, McMullin received quite the culture shock upon his arrival five years ago to the city of Angels. “[My] impetus to get out of Godfrey was because there was nothing to do,” McMullin […]
by Destiny Jackson on Jan 27, 2021 -
Sentient.Art.Film Launches Second Edition of 1990s Asian American Film Series “My Sight is Lined with Visions”
Following its successful first edition, Sentient.Art.Film’s second season of online repertory series is relaunching the successful online repertory series “My Sight is Lined with Visions,” (January 26, 2021 – January 25, 2022), which will live online from today, January 26, through January 25 of next year—notably, with no geoblocking. Co-curated by programmers Abby Sun and Keisha N. Knight, the series focuses on 1990s Asian American Cinema. From the press release: Two new programs are added to the relaunch and will be available to the public via online rental for the first time. Marlon Fuentes’s rarely-screened first and only feature, Bontoc […]
by Filmmaker Staff on Jan 26, 2021 -
2021 Film Independent Spirit Awards Announced
Eliza Hittman’s Never Rarely Sometimes Always topped Film Independent’s nomination list for the 2021 Spirit Awards. The reproduction rights drama scored seven nominations, including Best Feature, Best Director, Best Screenplay and Best Female Lead. Other films receiving multiple nominations include First Cow, Minari, Ma Rainey’s Black Bottom, Sound of Metal and Nine Days. New this year are five new categories for script and unscripted television. Also new this year is the event’s date and time. Rather than the afternoon the day before the Oscars, the Spirits this year will be an evening event on April 22, three days before. Commented […]
by Filmmaker Staff on Jan 26, 2021
