6583 Results for “production”
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“Women of Blumhouse: Shaping Genre Storytelling at the Iconic House of Horror” at the 2020 SCAD Savannah Film Festival
Appropriately presented the day before Halloween, the SCAD Savannah Film Festival’s “Women of Blumhouse: Shaping Genre Storytelling at the Iconic House of Horror” provided an intriguing peek inside the multifaceted production house from a female POV. Moderated by Variety’s Deputy Awards and Features Editor Jenelle Riley, the three executives Zooming in included Blumhouse Television’s head of physical production, Lisa Niedenthal; Blumhouse Productions’ executive vice president of development for feature films, Bea Sequeira; and Blumhouse Productions’ head of casting, Terri Taylor. There’s “so much emerging talent in this genre,” Niedenthal enthused when asked about working in today’s scary movie world. Though Niedenthal […]
by Lauren Wissot on Nov 10, 2020 -
Grace of My Heart, Hard Eight and Mallrats: Jim Hemphill’s Home Video Recommendations
I’m a big fan of anything and everything written and directed by Allison Anders, but I’ve always been particularly fond of her 1996 musical Grace of My Heart. A magical blend of the kind of intimate behavior-driven filmmaking Anders is known for with the scale and resources of a big studio movie, it’s one of the most generous films I’ve ever seen in terms of how much it gives its characters (all of whom are presented with deep empathy and respect) and the audience. The heart of the picture is the richly detailed story of a singer-songwriter (a fantastic Illeana […]
by Jim Hemphill on Nov 6, 2020 -
Wonder Women: Producers Zoom In at the 2020 SCAD Savannah Film Festival
Moderated by Megan Lombardo, a professor in the Savannah College of Art and Design’s Film & Television department, this year’s Wonder Women: Producers panel was an all-Zoom affair. And taking to the computer screen were six diverse (albeit all white) women with a variety of career stories to tell. There was Jayme Lemons, whose Dawn Porter-directed doc The Way I See It had played the virtual fest earlier in the day, and who runs Jaywalker Pictures (with another wonder woman Laura Dern). Also Julie Christeas, founder and CEO of Tandem Pictures, who most recently produced Lawrence Michael Levine’s Black Bear; […]
by Lauren Wissot on Nov 3, 2020 -
Sundance Announces 23 New Documentary Fund Grantees
Twenty-three projects hailing from 21 countries will receive support from the Sundance Institute Documentary Fund. Announced today, the projects will receive $540,000 in unrestricted grant support with funds made possible by The Open Society Foundations and the John D. and Catherine T. MacArthur Foundation. “During a time of shared crisis, it is essential that Sundance continue its steadfast support of artists across the globe,” said Documentary Film Program Director Carrie Lozano in a press release. “These films creatively assert our common quests, conditions and resilience as they interrogate notions of individual and collective power.” “Creative support for nonfiction storytellers feels […]
by Scott Macaulay on Oct 30, 2020 -
“I Wanted the Movie to Have a ‘Time Out of Time’ Feel”: Cinematographer Eric Branco on Shooting the Black-and-White The 40-Year-Old Version
On the title page of her script for The 40-Year-Old Version, director and star Radha Blank wrote: “A New York Tale in Black and White.” Cinematographer Eric Branco took those words to heart, shooting the Netflix production almost entirely on Kodak Double X film. In the film Blank plays an alternate of herself, a playwright once named in a “30 Under 30” list of artists to watch, now trying to reinvent herself as the rapper RadhaMUSPrime. Over the 20-day schedule, Branco shot almost entirely on locations in Manhattan and the Bronx, from apartments to studios, clubs, theaters, and crowded streets. […]
by Daniel Eagan on Oct 30, 2020 -
Rambo: Last Blood and Play Misty for Me: Jim Hemphill’s Home Video Recommendations
Sylvester Stallone’s Rambo series is one of the more durable franchises in American cinema, which is somewhat surprising given that it didn’t really find its voice until its fourth installment and began with a film that didn’t lend itself to sequels at all. First Blood, which Ted Kotcheff directed from a script by Stallone, Michael Kozoll and William Sackheim in 1982, is a stand-alone action classic, an elegant and austere survival film in which Vietnam vet John Rambo takes on the town that wronged him without killing a single person. Stallone made up for First Blood’s low body count with […]
by Jim Hemphill on Oct 30, 2020 -
Crime Family
“We don’t call you ’hun’ or ’sweetheart’ or ’baby,’” says Theresa (Debra Winger) to her daughter Old Dolio (Evan Rachel Wood) late in Miranda July’s new Kajillionaire, the filmmaker’s dreamily eccentric interrogation into the social construct of familial love. “We don’t wrap little birthday presents with ribbons,” she continues, acidly, as Old Dolio looks on in despair. Old Dolio has just brought in $1,575 from an airport luggage scam—the family, which includes dad Robert (Richard Jenkins), makes their living from a succession of convoluted small-time cons that net in the two and three and, only sometimes, four figures—and she’d just […]
by Scott Macaulay on Oct 28, 2020 -
Get Ready to Stream: Delivering a Film in 2020 to a Virtual Festival
Six months ago, I was considering an update to my now biennial guide on how to prepare your film for festival exhibition. The 2018 version of that guide is available on the Filmmaker website and is a good reference if you are showing your film at a drive-in or outdoor screening that has a DCP server or some other file-based playback system. However, the majority of festival screenings happening this fall and into next year will be on virtual festival platforms. Pre-pandemic, I would’ve told you that the widespread adoption of a streaming component to festivals was as likely as […]
by Sergio Andrés Lobo-Navia on Oct 28, 2020 -
New Authority: The Film Set Job of the COVID-19 Compliance Supervisor
The following article on film-set COVID-19 safety departments was originally published in Filmmaker‘s Fall, 2020 print issue. When Heather Drake-Bianchi landed her first job as a COVID-19 compliance supervisor, the New York–based set medic didn’t realize the gravity of the responsibility she’d been given. “At first, I thought I was just going to be like a ’set medic plus,’ Drake-Bianchi said. “Then, on day one of the shoot, when we did the first morning safety briefing, one of the producers said, ’Just so everybody knows, whatever Heather says goes. She has the capacity to shut this entire shoot down.’” Drake-Bianchi’s […]
by Matt Mulcahey on Oct 28, 2020 -
The Clock is Ticking: Filmmakers on Surviving Through the Pandemic
Time may be running out for independent filmmakers. Sure, even as the pandemic has completely disrupted their entire workflows and business models, they’re a scrappy and resourceful bunch. Like restaurants pivoting to drive-thru, delivery and take-out to outlast our current infectious plague, filmmakers are moving forward in myriad ways, whether in post-production on already completed films, developing new scripts or trying to produce new films self-insured by funders with scaled-down crews and robust coronavirus prevention measures in place. But survival is tricky right now and dogged perseverance may only work for so long. To stay afloat, for example, one New […]
by Anthony Kaufman on Oct 28, 2020
