6583 Results for “production”
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“If There Ever Was a Time For a Film about How Everyday Heroes Can Fight Back”: Eli B. Despres and Elyse Steinberg on The Fight
If you remain unconvinced American civil liberties are under attack at an unprecedented degree, just wait until you see what the presidential administration cooks up next week (and the week after that). As every day brings a slew of new xenophobic tweets and attacks on the United States Constitution courtesy of Donald Trump, the public display of abuse of power has never been so transparent and, frighteningly, tolerated by constituents. As immigrant families seeking asylum continue to get thrown in cages, American protestors are thrown into unmarked vans) and reproductive and LGBTQ rights are challenged and erased, the need for […]
by Erik Luers on Jul 31, 2020 -
Why We Made A Show With An All Black Women Cast And Crew
In the midst of the global COVID-19 pandemic and the ever-present, centuries-long war on Black bodies, I’m writing to you about a niche, indie webseries called The Retreat. Why? Because it’s our show, and it matters. When the protests simmer, you may ask yourself, how can I help NOW? What can I do in the in-between? In those days, weeks, months when racial tensions aren’t dominating the headlines, in the the moments when the revolution isn’t televised for the mainstream…How can I become a proactive force in amplifying Black voices? Naturally, dismantling systems of oppression is monstrously daunting in scope, […]
by Ashley Denise on Jul 29, 2020 -
IFP Announces Project Forum Slate for 42nd IFP Week
Today, IFP (Independent Filmmaker Project), Filmmaker’s parent organization, announced its Project Forum slate, highlighting 144 feature-length and series projects, including, for the first time, a slate of 36 audio projects, in development and production set to participate in the upcoming 42nd annual edition of IFP Week, taking place entirely online September 20-25, 2020. Along with the Project Forum’s consistent and ongoing support for independent artists working in visual storytelling, this year will offer support to creators working in audio through the introduction of the IFP Week Audio Hub. Expanding upon IFP’s core mission of championing and elevating independent storytellers, the Audio […]
by Filmmaker Staff on Jul 29, 2020 -
“You Get to Be Your Own Editor as You’re Watching It”: Catherine Hardwicke on Quibi Series Don’t Look Deeper
Ever since she made her directorial debut in 2003 with Thirteen, Catherine Hardwicke has been one of the American cinema’s great chroniclers of young people navigating the transition to adulthood. In films as diverse as Lords of Dogtown, Twilight, Red Riding Hood and The Nativity Story, Hardwicke has explored teenage crises and discoveries with serious intent and the sharp attention to visual detail that she developed as a production designer on movies like Three Kings and Vanilla Sky. Her work on those films and other often demonstrated a bold and original approach to color, and this is true of her […]
by Jim Hemphill on Jul 27, 2020 -
“The Key Word on Set was ‘Darker'”: DP Jeremy Osbern on The Big Ugly, The First Feature to Shoot on a RED Gemini
Writer-director Scott Wiper’s The Big Ugly is the best kind of genre film, a crime movie aware of the traditions in which it’s working but not beholden to them; combining elements of ’40s and ’50s crime fiction (Jim Thompson seems to be a particular touchstone) with the flavor of ’70s Sam Peckinpah and Walter Hill filtered through the visual grammar of ’90s Tony Scott, The Big Ugly synthesizes its influences into a unique and compelling western noir. Its emotional power comes largely from Wiper’s richly textured script and the performances by his consistently riveting ensemble, which includes Vinnie Jones, Malcolm […]
by Jim Hemphill on Jul 21, 2020 -
The Whistlers, The Room, Marriage Story and Cannery Row: Jim Hemphill’s Home Video Recommendations
My first two recommendations this week are two excellent thrillers from last year that are newly available on DVD, The Whistlers and The Room. The Whistlers, which premiered in competition at the 2019 Cannes Film Festival, is a gleefully twisty, darkly hilarious Romanian crime film that recalls movies like Stanley Kubrick’s The Killing and Quentin Tarantino’s Reservoir Dogs in its jigsaw structure and fluid loyalties but finds a unique tone all its own thanks to director Corneliu Porumboiu’s approach. He adopts a whimsical attitude toward his eccentric group of cops playing both sides of the law and the criminals they’re […]
by Jim Hemphill on Jul 17, 2020 -
Searching for an Independent Distribution Strategy Amidst Pandemics and Streaming Wars
I made a microbudget movie called #LIKE. Amazingly it is wrapped, posted and on the festival circuit, and it has been receiving glowing reviews like this: “Writer/director Sarah Pirozek’s teenage noir #Like pulses with the energy of a ’70s thriller.” Discouraged by stats on Hollywood hiring and women directors — a 2015 DGA report reported that 84% of first-time scripted TV directors were white men — and inspired by the work of independent female filmmakers like Marielle Heller, Laurie Weltz and Anja Marquardt, I decided to stop waiting for permission to make my first feature. Instead of making a short-film calling […]
by Sarah Pirozek on Jul 16, 2020 -
Reflections from Quarantine and Beyond, Part Two: Six Cinematographers on Their Lives During Lockdown
Following his previous check-in with some of the world’s leading cinematographers about their lives during quarantine, Daniel Eagan returns with six more reports from directors of photography about how their lives and work are being affected by this moment of coronavirus and social change. Below are accounts of work done during quarantine — from continued prep on postponed shoots to home improvement to painting — as well as thoughts on how the film business is changing. Following are responses from Jarin Blaschke, Laura Merians-Gonçalves, Benoit Delhomme, Ellen Kuras, Ed Lachman and Toby Oliver. “It’ll Be as Accurate as a Viking Movie […]
by Scott Macaulay on Jul 14, 2020 -
“For My Department, We Would Behave Like a Team of Surgeons”: Benoit Delhomme on Minamata, Painting During Quarantine, and Post-Coronavirus Set Life
In February, cinematographer Benoît Delhomme attended the premiere of Minamata, which he shot for director Andrew Levitas, at the Berlin International Film Festival. After finishing another project in London, he returned to Paris just as the Covid-19 lockdown began. Delhomme spoke with Filmmaker in early June via Skype. Filmmaker: When did you become aware of the COVID-19 virus? Delhomme: When I was in Berlin, it was obvious by reading the news that the virus was approaching. I was quite surprised that the Festival could run normally. I did not feel very comfortable because of the festival crowds. We had a huge […]
by Daniel Eagan on Jul 14, 2020 -
“It’ll Be as Accurate as a Viking Movie Can Be…”: DP Jarin Blaschke on Shooting Robert Eggers’s The Northman, Storyboarding During Lockdown, and Being Optimistic
DP Jarin Blaschke was a week away from the first day of shooting The Northman, directed and co-written by Robert Eggers, when the Covid-19 crisis shut down production. This is Blaschke’s third collaboration with Eggers, after The Witch and The Lighthouse, for which he received an Academy Award nomination for cinematography. Blaschke spoke with Filmmaker the day after learning that production on The Northman will resume at the end of summer. Filmmaker: Where were you when the lockdown began? Blaschke: I went to Belfast in November. We had five weeks of early prep work before the Christmas holiday break, then […]
by Daniel Eagan on Jul 14, 2020
