6575 Results for “production”
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Kickstarting the Joan Didion Documentary We Tell Ourselves Stories in Order to Live
One of the most high-profile projects to take advantage of Kickstarter’s support system, We Tell Ourselves Stories in Order to Live turns its lens onto Joan Didion. President Barack Obama referred to her as “one of the most celebrated American writers of her generation” when presenting her with the 2012 National Humanities Medal, adding “I’m surprised she hasn’t already gotten this award.” It’s equally surprising that no documentary has yet been made about the essayist, journalist, novelist and screenwriter. That changed when her nephew made the pitch. Actor, director and producer Griffin Dunne is related to Didion through his father Dominick, whose younger brother John Gregory was married […]
by Lisa Y. Garibay on Nov 10, 2014 -
“I’m Not Trying to Wreck Anything”: Douglas Trumbull, Kubrick and Truth at 120 Frames-Per-Second
Jean-Luc Godard said that cinema is truth at 24 frames-per-second, but Douglas Trumbull feels it should be 120, or at least 60. The director and special effects wizard behind Blade Runner, Close Encounters of The Third Kind and 2001: A Space Odyssey speculated about the future of cinema at the TIFF Bell Lightbox last weekend as part of a Stanley Kubrick retrospective. A sold-out audience of mostly male cinephiles and tech-heads listened intently to their SFX guru as he denigrated the standard 24 fps format of today’s cinema, though he admitted, “It’s a beautiful medium. I’m not trying to wreck anything.” […]
by Allan Tong on Nov 10, 2014 -
Finding Inspiration and Motivation from Within: Kickstarter Sci-Fi Shakespeare Project, Ambition’s Debt
Writer/director Devin E. Haqq is currently on Kickstarter raising funds for his ambitious indie Shakespeare adaptation, Ambition’s Debt. Read his essay below on deciding to crowdfund, and consider supporting his project. Night after night, I lose sleep, wracking my brain over this mad dash to reach an unbelievable goal on Kickstarter. With everything involved in this crowdfunding campaign for my feature project, Ambition’s Debt, an adaptation of William Shakespeare’s Julius Caesar, I find myself asking the same question; “What the hell was I thinking?” People say it’s a full-time job and it’s so intense, but you can never really know […]
by Scott Macaulay on Nov 8, 2014 -
Building the Message Machine: Takeaways from the Film Independent Film Forum
The Film Independent Forum held October 24 – 26 in Los Angeles focused heavily on beginnings and endings of the filmmaking process, largely leaving technical details and production needs aside. The panelists agreed: a successful film requires beginning with the end in mind. What is your film about, and who is your audience? How can you start building your audience at the ideas phase, and how can you continue to engage that audience throughout the process of making and distributing your film? In developing a project, producer Lisa Cortés (Precious, The Woodsman) said it’s important for producers to ask themselves, […]
by Tina Poppy on Nov 7, 2014 -
Seven Impressions of Viggo, a Short Film by Alix Lambert
In October, timed to the New York Film Festival U.S. premiere of his film, Jauja, Lisandro Alonso was the second director in residence at the Film Society of Lincoln Center. The Film Society invited Filmmaker to report on Alonso’s various events — lectures, Q&As and sessions with students in both New York and Boston — and we asked filmmaker and contributor Alix Lambert. Jauja is produced by and stars Viggo Mortenson, who shares a tie with Lambert. He and David Cronenberg watched her The Mark of Cain film while researching Russian tattoos for Eastern Promises, and Mortensen’s Perceval Press published […]
by Scott Macaulay on Nov 6, 2014 -
“You Might as Well be Selling Drugs”: Robert Greene on Actress
“I consider the industrious Robert Greene a friend, but that makes me no less cautious in deeming his new film Actress a big deal,” I wrote after seeing the film at True/False this year. The quick takeaway: This collaborative psychodrama follows and subjectively sculpts his friend/neighbor Brandy Burre’s attempt to simultaneously separate from her longtime boyfriend and return to the acting world she left for suburban motherhood. Sliding from seemingly straightforward self-presentation to ambiguously unfeigned snapshots of daily life, director and subject collude, not so much valorizing her attempts to jumpstart her career and finances (“I have to make a […]
by Vadim Rizov on Nov 6, 2014 -
Watch: Five Tips for Shooting Outdoors
This Film Riot video (via No Film School) quickly runs down five basic tools you’ll need to have in order to shoot outside — wind socks or other protection for your mic, ND filters and so on — as well as suggesting cost-effective alternatives for especially cash-strapped productions. No money for a bounce board? No problem: pull a pillowcase over a cardboard box and you’re ready to go. While intended primarily for beginners, this video’s pointers can serve as a quick refresher crash course to bring everyone on your crew up to speed.
by Vadim Rizov on Nov 6, 2014 -
Shouting Loudly through Social Issue Documentary: Orlando von Einsiedel on Virunga
The most notable moment of this year’s Tribeca Film Festival arguably occurred over 6,000 miles away from downtown Manhattan in the Virunga National Park, in the eastern Democratic Republic of the Congo (DRC). Two days before Orlando von Einsiedel premiered his film Virunga — a stunning documentary about the park and rangers’ attempts to protect its wildlife from poachers, civil war, and a billion-dollar oil company — park director Emmanuel de Merode was ambushed and shot while driving alone in his car. He survived the ordeal and has returned to work, but the moment highlighted the issues the film explores, primarily environmental […]
by Randy Astle on Nov 5, 2014 -
Men, Women and Children: The 8th Abu Dhabi Film Festival
In Abu Dhabi, it’s easy to let the smoke cozy up to your eyes. The festival, now in its 8th year, unfolds in one of the city’s most dazzling corners, with the mammoth, labyrinthine, five star Emirates Palace as its proverbial hub. Gold dripping from its vending machines and balconies alike, the place is sheer, 11 billion Dirham, stadium sized spectacle. As a festival guest, you are chauffeured from the seaside St. Regis tower to screening venues in a designated Mercedes, which, barring the unwanted sexual advances that come with being a long-haired, white American female, can make you feel […]
by Sarah Salovaara on Nov 4, 2014 -
“Always Have a Low-Budget Back-Up Plan”: Whit Stillman in Wroclaw
Long regarded as one of the more singular, idiosyncratic voices in American independent cinema, Whit Stillman made his debut in 1990 with Metropolitan, the Oscar-nominated comedy of manners. Further dialogue-heavy comedies set among the urban haute bourgeoisie followed (1994’s Barcelona, 1998’s The Last Days of Disco), but it took another 13 years for Stillman to release a fourth film: 2011’s peppy Damsels In Distress. Yet with the pilot of a new Amazon series — Paris-set The Cosmopolitans —recently released to strong reviews, and an adaptation of Jane Austen’s short novel Lady Susan in the cards, it seems like Stillman is truly back in business. At the recent 5th annual American Film Festival […]
by Ashley Clark on Nov 3, 2014
