Artist, designer and model Daphne Guinness adds music to her CV with this new single, “Evening in Space,” produced by long-time David Bowie collaborator Tony Visconti. The video is directed by photographer and director David LaChappelle and, according to the notes, “features custom fashion by many of Guinness’ favourite houses, including Iris van Herpen and Noritaka Tatehana, alongside pieces from her own celebrated clothing collection.”
With Netflix in the midst of filming Orange Is the New Black‘s third season and putting $3 million into new content this year, the paradigm seems to have permanently shifted from the service being seen primarily as a content distributor to an established content creator. In other words, its continual production of scripted programming is no longer novel, which is why its push into the exclusive acquisition of nonfiction material is no less remarkable. Following the success of films like Jehane Noujaim’s The Square (a 2013 Oscar contender), Greg Whiteley’s Mitt, and the Holocaust-themed short The Lady in Number 6: Music Saved My Life earlier […]
Revisiting the characters and locations of Spike Lee’s classic, Do The Right Thing 25 Year Anniversary: A Beats Music Experience is a 22-minute short documentary just released under the banner of, yes, Apple’s newly acquired Beats Music. Lee, Danny Aiello, production designer Wynn Thomas and others from the film stroll its Bed-Stuy block, recalling moments, interviewing current residents, and trying to remember just which apartment Rosie Perez lived in. Unlike Lee’s recent Old Boy, it’s an official Spike Lee Joint — spirited, not too nostalgic and capped with a block party performance by Public Enemy doing “Fight the Power.” Sadly, […]
Following the warm reception of Twin Peaks (1990-1991), ABC commissioned a little seen follow-up from Lynch/Frost Productions in 1992 called On the Air. The series was a characteristically off-kilter sitcom about a ’50s television network struggling to rejuvenate their variety spot, The Lester Guy Show. What sounds like a quixotic collision of Network and 30 Rock instead turned out to be an unmitigated disaster: ABC put the ax on On the Air after only three episodes. Still, as cult followings are want to do, the series attracted a cluster of devotees when it screened in its entirety in the UK and Australia. The first (and only) season is now available on YouTube, […]
A spinning vortex of yellow leopards could be a metaphor for the feverish mixture of exhaustion and exhilaration experienced at the Locarno Film Festival. The image was a large collage of the festival’s mascot produced by the proprietor of my B&B, which he showed to me one sleep-deprived morning, on my way to a 9 am press screening at the Kursaal Cinema. Speaking of altered states, there’s been a persistent sense of déjà vu at the festival — which is actually a good thing. Seven days into the ten-day celebration, it’s clear that the 67th edition continues its tradition as […]
Here we have the just announced line-up for the main slate of the 52nd New York Film Festival. It’s probably safe to expect some additional titles to be added later on, but the 30 titles below are already no joke, covering a broad swath of some of the most-discussed titles from this year’s festival circuit. Titles and descriptions are from Lincoln Center’s press release, which can be read in full here, with links to any previous coverage of the films as applicable in the title. Gone Girl (Opening Night – World Premiere, previously announced) David Fincher, USA, 2014, DCP, 150m […]
In his dispatches from NAB this year, Joey Daoud noted the 4K Blackmagic URSA as one of the conference’s big announcements: URSA’s ergonomics definitely look more like a traditional ENG camera than Blackmagic’s Production cameras, but it’s got some interesting twists. First off the flip out monitor is huge – about the size of an iPad. It’s also got two touchscreens on both sides of the camera to change settings, check image, pull up scopes and monitor levels. Today our friends at No Film School drew our attention to the first publicly shared footage shot with the URSA, though note […]
The following is a guest post from We the Animals producer Jeremy Yaches, who was a Producing Fellow and the Mark Silverman Honoree at this year’s Sundance Creative Producing Lab. The Sundance Creative Producing Lab was a transformative experience. I arrived a mess of nerves, pre-occupied with the overwhelming stresses and responsibilities that come with my role as executive producer and co-owner of a small but growing commercial and branded content production company, Public Record. We had just been awarded a large and complicated campaign for a national chain on a Friday and I was scheduled to fly to Sundance […]
The obvious viewing choice to commemorate today being the 40th anniversary of Richard M. Nixon’s resignation would probably be either Oliver Stone’s expansive, feverishly/ludicrously compelling Nixon or Robert Altman’s more compact but no less outlandish Secret Honor, a paranoid monologue barked by an increasingly intoxicated Philip Baker Hall. In a more ironic vein, you might turn to Nixon’s own viewing choices: he watched 528 movies during his time in office. An apt favorite might be Patton, which he viewed three times prior to initiating the bombing of Cambodia (he told David Frost the movie didn’t influence his decision), or his […]
Here’s this week’s links round-up of film reading and other assorted pieces: • “My main impression was that Batman looks like he’s wearing a small tank turret on his head. The fans were apparently pleased with what they saw.” Kristin Thompson’s level-headed report from Comic-Con has enthusiasm for Peter Jackson, less so for Zack Snyder, and a detailed overview of the on-the-ground administrative logistics of the fantasy gathering behemoth. • Roaring Currents, a war film/biopic of Admiral Yi, one of Korea’s most historically revered figures, is doing massive, record-setting business at home. The movie inflates the scope of Yi’s (still […]