6583 Results for “production”
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High in Bed-Stuy: Shaka King on Newlyweeds
The lovers at the center of Shaka King’s Newlyweeds are young Brooklynites whose romance more or less revolves around their love of marijuana. King’s often outrageously funny and wistfully bleak movie is a black stoner answer to James Ponsoldt’s Smashed; with genre-bending humor and style to burn, the movie asks delicate questions about the nature and sustainability of their relationship and fissures that may pull them apart. Amari Cheatom’s Lyle is a repo man for a rent-to-own electronics and appliance store while Trae Harris’ Nina is a museum tour guide. He’s a little angry and brighter than his job title would indicate […]
by Brandon Harris on Sep 20, 2013 -
“What’s Your Story?” Collaborative Media-Making at the Made in NY Media Center’ by IFP
I’ve been really eager to hear more about IFP’s newest venture, the Made in NY Media Center by IFP, which is a collaboration with the Mayor’s Office of Media and Entertainment, the NYC Economic Development Corporation and General Assembly (an organization offering immersive classes in web development, media and business management). I was all ears for Thursday’s Filmmaker Conference profile panel where representatives from each of those organizations spoke a little more about the Media Center and what it will offer for NYC-area filmmakers. Opening in two weeks in a beautiful 20,000 square foot ground-floor DUMBO location (22 John Street), the Media Center aims […]
by Katie Carman-Lehach on Sep 20, 2013 -
Meta-Vamping
This second installment of Time Frames draws on The Media History Digital Library, a reservoir of information about early cinema that includes the sorts of magazines, journals, and trade publications that, in the pre-digital era, had only been available to those able to travel to research libraries. At over 800,000 scanned pages and growing, the collection is daunting. In Time Frames I’ll cull through and select a series of images and text from the collection to highlight key transformative moments in the film culture and industry, as well as other oddities and obscure artifacts. In the pre-Code, chaotic world of […]
by Nicholas Rombes on Sep 19, 2013 -
Kyle Patrick Alvarez on How C.O.G. Wrapped in Mid-November — and Still Got into Sundance
It’s every independent filmmaker’s dream to have their film have its world premiere at the Sundance Film Festival, but realistically the chances are very slim. The festival gets over 12,000 submissions annually, and only around 200 of those are chosen. However, when the deadline to apply for the 2013 Sundance Film Festival came around this time last year, writer/director Kyle Patrick Alvarez faced a much steeper challenge than most. His sophomore feature, C.O.G., based on an autobiographical essay by David Sedaris about a formative summer spent in Oregon after graduating college, hadn’t even started production. Delayed from its original August […]
by Nick Dawson on Sep 19, 2013 -
Filminute @ Filmmaker: Orlando von Einsiedel’s Fish Supper
Throughout the month of September, Filmmaker is partnering with the online short film competition Filminute, hosting five of its nominated titles and running interviews with the director’s of these one-minute movies. Tell us who you are (where you’re from, background, previous credits as a filmmaker) I’d like to think I am a fairly regular chap from London, UK. Once upon a time I was a pro snowboarder which led to making snowboarding movies and setting up a production company called Grain Media. I’d always dreamed of making documentaries and eventually after a long time making branded content I managed to get to […]
by Nick Dawson on Sep 19, 2013 -
Seven Tips on How to Utilize Your Audience from Peter Broderick
The IFP Independent Filmmaker Conference’s “Blitz Wisdom” panels are quick, TED-like talks from filmmakers and folks in the industry discussing their projects and/or offering tips and pointers. During Monday’s “Blitz Wisdom” session with Peter Broderick, President of Paradigm Consulting (helping filmmakers develop distribution and social media strategies), we learned some great tips on how maintaining a relationship with your audience after they’ve left the theater can help you develop a sustainable model of revenue. Here are Broderick’s seven key ways your audience can be utilized to help your independent project: 1. Direct Funding – Once you’ve identified your audience and have their […]
by Katie Carman-Lehach on Sep 18, 2013 -
Disturbing the Power Structure? Citizen Koch and the Sponsorship of Public Television
One of the more lively discussions I’ve seen so far at the Independent Filmmaker Conference, “When Documentaries Disturb the Power Structure,” included a panel of heavy-hitters from the documentary world including both filmmakers (Eugene Jarecki, the director of The House I Live In; Rachel Grady, the director of Detropia; and Tia Lessin and Carl Deal the directors of Citizen Koch) and representatives from public broadcast (Mette Hoffmann Meyer, the head of documentary and co-productions at DR TV/Danish Broadcasting Television and Claire Aguilar, Executive Content Advisor for ITVS/Independent Television Service), all moderated by Deidre Haj, Executive Director of the Full Frame Documentary Film […]
by Katie Carman-Lehach on Sep 18, 2013 -
“Cinema is Not Dead!” – Producer Jon Kilik at the IFP Conference
There doesn’t seem to be any disagreement that it’s tough out there in the world of independent film. The country’s financial uncertainty coupled with an over-saturation of films in the marketplace with no real avenues for revenue have made establishing a career as a film director very difficult. Pair that with the unending stream of big-budget, low-revenue, Hollywood-produced tentpole pictures and one could say these are the Dark Days of filmmaking. And most of the speakers on the first day of the Filmmaker Conference did reiterate that. Well…all but one: independent film producer Jon Kilik. Known for his early work […]
by Katie Carman-Lehach on Sep 16, 2013 -
Future Forward – A Day for New Voices in Independent Film
Sunday’s schedule of events at the IFP’s Filmmaker Conference titled “Future Forward” really couldn’t have been more perfectly named. Though each panel could be seen appropriately fitting for the title, two in particular really hit home the idea that our future and our way forward is through new voices and new stories, mainly through new, minority filmmakers (and that much of the success of these new filmmakers is in our hands). First-time writer/director Ryan Coogler, whose film Fruitvale Station is already appearing on Top 10 lists for 2013 with rumors of Oscar nods, spoke candidly about the film’s production, about […]
by Katie Carman-Lehach on Sep 16, 2013 -
Documenting the Life of George Plimpton: Interview with Luke Poling and Tom Bean Part I
George Plimpton led an eclectic life as a journalist, writer, editor, sportsman and actor, though he was perhaps most widely known for his exploits as a participatory journalist. When filmmakers Luke Poling and Tom Bean set out to make their first documentary, Plimpton! Starring George Plimpton as Himself, they were faced with enough material to make several documentaries. A project like this might have daunted some first-time filmmakers, said Poling, “We’d kicked around the idea of doing one, when Plimpton came up we said, ‘Let’s go for this.’” Poling and Bean both studied film in college, but first met at […]
by Michael Murie on Sep 16, 2013
