Here, according to Google Analytics, are our ten most popular posts of August, 2013. 1. “5 Lessons on Making a ‘Bigger’ Movie.” Drinking Buddies producer Alicia Van Couvering’s advice for directors stepping up to larger budgets was our top post of the month. 2. “In the Same Way Painters Used Their Paint: D.P. Bradford Young on Ain’t Them Bodies Saints and Mother of George.” Anthony Kaufman’s in-depth interview with Young, in which he talks about drawing inspiration from Renaissance painters and how he lit Rooney Mara, was our runner up for most-trafficked post of the month. 3. “Ten Lessons on […]
IFP’s Made in NY Media Center is now accepting membership proposals for their inaugural year. The MINY Media Center is a community workspace and incubator program that seeks to connect all kinds of mediamakers and tech startups with each other and provide education, mentorship, and entrepreneurship. So if you have an idea for a transmedia project that you’d like to develop and monetize, this is a great opportunity to be on the ground floor as the media center kicks off its inaugural year in October with a brand-new space in DUMBO. At the “Community Workspace” level, you get access to […]
Nestor Almendros has quite the filmography: most of Eric Rohmer’s films, a good amount of Francois Truffaut’s, Kramer vs. Kramer, Sophie’s Choice, and Days of Heaven (often considered one of the most beautiful films ever made). No big deal. You’d think that a cinematographer of his pedigree would be technically proficient and incredibly exacting in his approach. This couldn’t be less true. His approach to cinematography was incredibly intuitive. Directors and cinematographers alike could learn a lot from Almendros’ process, particularly when working on lower budgets and tighter schedules. Lighting Must Be Justified. Almendros believed that lighting exists for the actors, […]
Filmmaker Cheryl Dunye recently launched a Kickstarter campaign for the post-production of her latest short, Black is Blue. In this guest post, Isis Asare of Sistah Sinema, the film’s community sponsor, talks with Dunye about this latest phase of her work. In one of the most moving scenes of Black is Blue, tears roll down Black’s – the film’s title character – cheeks after he makes a shocking discovery about a former lover. His emotional fragility is placed in sharp contrast with his sheer physical strength. In that moment, the viewer peers past Black’s masculinity, darkness, and confidence. The viewer […]
The following is a guest post by StoryCode’s co-founder Mike Knowlton on the inaugural Los Angeles Story Hackathon. From Knowlton’s official bio: “A digital veteran of 20 years, Mike has always pushed the boundaries of storytelling and technology. His work at StoryCode has created a vibrant cross-discipline global community of immersive media creators. StoryCode programs immersive media case study presentations, Transmedia education workshops, and Story Hackathons.” What do you get when you mix a live Steve Jobs-esque pitch presentation and the concept of dating insurance? Or a story about an abducted woman who suddenly appears via webcam, live in front […]
We all require friendship, companionship. In the three films Lee Isaac Chung (known as Isaac) has made, he observes assorted relationships in vastly different milieu: in Munyurangabo (2007), the bustling central market of Kigali, the capitol of Rwanda, and that country’s verdant countryside and poor isolated villages; a beach house smacking of privilege on the southeastern coast of the U.S. in Lucky Life (2010); and, in his latest, the mysterious, inventive Abigail Harm (2013), a large but charmless apartment on a depressing, sparsely populated edge of New York City. The dramatic emphases, however, are less on bonding than on the […]
A film can be as simple as coming up with a concept, brainstorming the shot list, shooting, and editing. That’s what Vine, the app that lets you produce six-second video loops, and Airbnb, the site that lets you rent people’s apartments, are counting on for their short film Hollywood & Vines. Airbnb is tasking Vine users with creating the content that will comprise its crowdsourced short, which will premiere on the Sundance Channel on September 12th. From August 22nd to 28th, Airbnb disseminated the shot lists hourly between 8am and 5pm via Twitter. Each tweet issued a creative prompt for […]
Douglas Trumbull has been behind some of cinemas most spectacular special effects. His impressive C.V. includes working on 2001: A Space Odyssey, Close Encounters of the Third Kind, Blade Runner and most recently Tree of Life. He also directed Silent Running in 1972 and Brainstorm in 1983, most remembered as the final film appearance of Natalie Wood. He has also been one of cinema’s great pioneers, always pushing technology to its limit, whether that be designing films for World Fairs, making rides for Universal and Luxor Hotels, or simply backing new technologies such as IMAX. Never standing still, the self-proclaimed […]
Three years of struggle had brought me here, within a whisker of completing Khoya, my first feature, in India. A religious riot was about to threaten to undo it all. I was filming in my father’s hometown in Jabalpur, Madhya Pradesh. We were shooting at a chaat stand in the middle of town. It was a simple scene. The protagonist orders chaat (an Indian street food dish) from a vendor. Matt, the assistant cameraman, had taken over operating because Kevin, the director of photography, was lying in bed, having been leveled by the hotel’s Manchurian Chicken. As we completed a […]
Do you still buy newspapers, books or CDs? For the latest film or a classic flick, do you collect DVDs or subscribe to a “cloud” service like Netflix Instant, Amazon Instant Video, Hulu Plus, Google Movies/You Tube Premium or iTunes? A half-century ago, people went to theaters to watch a movie. In the wake of the Supreme Court’s 1984 Sony decision, movie-viewing habits began to change. The Court permitted TV viewers to download copyrighted programming to their videocassette recorder (VCR) and record it onto a cassette tape. The Court’s decision was based on what is known as the “first-sale doctrine.” […]