Adobe Creative Cloud, the latest update to the Adobe application suite of programs, was released last week. This release marks a major change for Adobe away from a “purchase” model to a subscription model; if you want the latest versions of their applications you must now pay a monthly fee to use the software. You can license an individual application for $20 a month, or the whole suite for $50 a month. Clearly, even if you think you only need After Effects and Premiere Pro, you might as well spring for the whole set, and if you have a previous […]
Joey Williams almost always seems calm. He maintains a consistent position when standing, slouched slightly forward with his hands in his pockets. He looks comfortable, but also concentrated. His eyes never break focus from the person he’s addressing, and when he speaks the Tennessee-accented words drift measuredly out of one side of his mouth. Joey doesn’t command attention so much as he gradually, patiently draws it his way. Joey is the main character of Patrick Wang’s directorial debut feature, the American independent film In the Family (2011), which will be released on Blu-ray and DVD this Tuesday. The general contractor, […]
Sebastián Silva is that rare filmmaker who manages to be both independent and prolific. With five features and a Digital HBO series under his belt, plus three new projects in the works, the 34-year-old writer/director shows little sign of slowing down. At Sundance this year, Silva premiered not one but two new films, the improvisational road trip comedy Crystal Fairy and the Magic Cactus and 2012, and the dark psychological thriller Magic Magic. Both films, made in quick succession, were shot in the director’s native Chile, center on the erratic adventures of displaced Americans, and feature effectively off-kilter performances by […]
Writer/director Russell Harbaugh is currently at the Sundance Directors Lab this month with his feature version of Rolling on the Floor Laughing, his short which premiered at the Sundance Film Festival 2012. (You can watch the short below.) The following is what Harbaugh wrote about his experiences at the Lab. Another round of advisors arrived to the mountain yesterday, Sunday, our “off” day, and now it’s Monday — Monday night — and our third week of production has begun and I’m feeling that feeling of, like, oh no, they are going to know. They are going to know. Someone in […]
In 2000, IFC Films released Spring Forward, the first feature directed by actor Tom Gilroy. Starring Ned Beatty and Liev Schreiber, it’s a quiet, unassuming film full of carefully observed interpersonal intricacies, focusing on the growth of the two men’s relationship over the course of a year while they work for the Parks Department in a small Connecticut town. One of the smartest, subtlest indie films of its era, Spring Forward won awards and an impressive array of rave reviews. Nevertheless, it took Gilroy nearly a decade to get going on his second feature, The Cold Lands, which is only […]
Kicking off this week in Williamsburg, Brooklyn, the Northside Film Festival once again has invited a number of community partners, including Filmmaker, to curate programs of new independent, foreign and retrospective titles. Filmmaker‘s pick is Nicolas Provost’s bracing The Invader, a kind of African immigrant on Taxi Driver, which is receiving its New York premiere. Provost is a Belgian visual artist and filmmaker who recently moved to Bushwick, and he’ll be attending the Q&A. Below are five picks — including The Invader — you can plan your calendar around this week. Go Down Death. Amidst all the cookie-cutter indies, Aaron […]
A Hijacking, Tobias Lindholm’s first feature as a solo director (his first film, 2010’s prison drama R, was co-directed with Michael Noer) begins before its title event, with cargo ship cook Mikkel (Pilou Asbæk) calling home to his wife, and it ends after it’s all over. But the bulk of the film is a two-setting procedural, radiating verisimilitude both on-board and in the corporate offices, where a CEO (Søren Malling) personally conducts negotiations with hijackers. During an interview with Filmmaker, Lindholm spoke about the production in all its preparatory and practical aspects. Filmmaker: When I heard the sound of the […]
It’s a tough thing, being the Brooklyn Film Festival. Perched right at the beginning of the summer, the festival, which just concluded its 16th year, has the potentially world-class brand of Williamsburg Cool to exploit. According to most casual observers, it has never been able to adequately do so. The New York cinerati just doesn’t take the event seriously. If they don’t, who else will? The reasons for its reputation remain somewhat murky, but most lay the blame on the festival’s programming. The festival certainly suffers from its placement in this regard, between its newer, more prestigious Gotham neighbors Tribeca […]
Today the 2013 IFP Narrative Labs got under way, and the participants in this year’s program have just been announced. All are the films selected are debut features first-time directors and have budgets under $1 million, and the teams behind each project are provided with an immersive mentorship experience that helps them navigate from post-production through to the festival circuit and distribution. Among the films selected for the 2013 Labs include two by former alumni of Filmmaker‘s “25 New Faces”: Gary Huggins, director of Kick Me, appeared on the list in 2006, and Paul Harrill (Something, Anything) featured in in 2001. Other notable participants include Aron […]
Last week, Amazon added a new tool to Amazon Studios called Amazon Storyteller. Storyteller is a free, easy to use storyboarding tool, but before you rush out to try it, you might want to know a little more about Amazon Studios. A little history Not content with creating a distribution mechanism for films and videos, Amazon began dabbling in the world of production with the launch of Amazon Studios in latter 2010. Amazon Studios invited screenwriters to submit movie and television scripts with the prospect of prizes and production deals. During the first few months the incentive was primarily cash […]