(Beasts of the Southern Wild world premiered at the 2012 Sundance Film Festival, where it won the Narrative Grand Jury Prize, as well as Best Cinematography for Ben Richardson. It also won the Camera d’Or at the 2012 Cannes Film Festival. It is being distributed by Fox Searchlight and opened theatrically on June 27, 2012. Visit the film’s official website—as well as the virtual home base of the Court 13 collective—to learn more.) I want to make this immediately, abundantly clear. Perhaps more than any other review I’ve ever written, this one is coming from the pained perspective of a […]
Marielle Heller, a New York-based screenwriter, actor and playwright, is attending the June Sundance Directors Lab with her project, The Diary of a Teenage Girl. “In the haze of 1970’s San Francisco, a teenage artist with a brutally honest perspective tries to navigate her way through an affair with her mother’s boyfriend,” is its description, and the film is being adapted from the graphic novel by Phoebe Gloeckner. Here is Heller’s second post from the Sundance Resort in Utah. Read the first here. The way the Sundance Lab is set up, you don’t always know how or when you’re going […]
Containing the same truthful fusion of fantasy and reality as found in her documentary Bombay Beach, filmmaker Alma Har’el’s latest work is a provocative and dramatically compelling short film for the Icelandic band Sigur Ros, made as part of the group’s Mystery Film Eeperiment. For the Project, the band invited a dozen filmmakers to select a track from their new album, Valtari, gave them the same modest budget, and told them to do what they saw in their heads. “The idea is to bypass the usual artistic approval process and allow people utmost creative freedom,” they wrote on their site. […]
Brutus McCracker, a Chihuahua with a camera mounted on his collar, wandered through the Silver Spring Civic Building capturing low-angle moments of the AFI-Discovery Channel Silverdocs Film Festival. The camera is featured in Seth Keal’s short CatCam, one of 114 films from 44 countries programmed in the 10th edition of Silverdocs that concluded yesterday. The canine mascot provided a cheery reminder of the relaxed nature and intimate setting of the festival in Silver Spring, Maryland, a multicultural suburb abutting Washington, D.C. With its proximity to our nation’s capital, the festival specializes in social issue docs and attracts activists and political […]
Walking around the opening party you couldn’t help but hear the word “rebirth” a lot. As the most heavily pregnant person in the room, this made me jump, but I soon joined in the celebration. The 66th Edinburgh International Film Festival had just opened with William Friedkin‘s Killer Joe, and the evening was a definite success. Not everyone liked the film — there were questions about on-screen violence towards women in particular — but everyone agreed that as an opener, new festival director Chris Fujiwara had hit the right note. Smacked it right on the kisser, you might say. There […]
“Sorry to put you in the middle of this,” says Cindy Akerman (Cindy Silver) to Elena (Kia Davis), as they sit at breakfast and she argues with her husband about her decision to hire Elena as a live in nurse for his mother without telling him. And so it begins. At 71 minutes long, filmmaker Nathan Silver’s Exit Elena is an exquisite gem of a movie. We watch as Elena is dragged into the dysfunction of family life and struggles to maintain her professional role looking after the elderly Florence (Gert O’Connell) while her employer drags her along to zumba […]
Last week on the blog, I linked to a great piece by Nicolas Winding Refn on the obscure exploitation director Andy Milligan. Now, though, it’s the Drive helmer himself who’s in the spotlight, as he’s the subject of an hour-long portrait by French documentarian Laurent Duroche, NWR, which is available to watch on YouTube. As you’ll discover from the very first minute — when we first see and then hear Alejandro Jodorowsky talking French in his distinctive Chilean tones — this is a film without subtitles. But the good news is that Refn is fluent in English and the majority of […]
Over two decades, Oscar-nominated filmmaker Kirby Dick (Twist of Faith) has explored edge territory in sex, art, and philosophy with films like Private Practice: The Story of a Sex Surrogate, Sick: The Life and Death of Bob Flanagan, Supermasochist, and Derrida, a playful portrait of the impish French poststructuralist thinker riffing on life and language during his tenure in New York City. In recent years, Dick and his producing partner Amy Ziering have zeroed in on institutional power, scrutinizing the hypocrisies and often dangerous doublespeak of powerful, secret-shrouded entities like the MPAA (This Film Is Not Yet Rated) and the […]
While there have been many films riffing on reality tropes in the last several years, few have been as cleverly conceived and entertainingly executed as Andrew Neel’s debut fiction film, King Kelly. Set in the world of amateur webcam porn, the film depicts a monstrously fascinating Tracy Flick for our oversexualized social media age. Played ferociously by Louisa Krause, Kelly is a high-school student who runs a profitable one-woman porn empire from her suburban bedroom, with her parents none the wiser. Stripping on cam, uploading details of her everyday life and ruling over her chat room with a gonzo glee, […]
The following blog post originally appeared at the IFP’s site and is cross-posted with permission. — Editor. I’m very fortunate to be friends with many accomplished independent film producers–people whose films have screened at the best festivals, won significant awards, gotten picked up by major distributors, earned healthy gross receipts, and received accolades in the mainstream press. We hang out sometimes, one-on-one or in groups, to catch each other up on our projects, share recent experiences, exchange opinions on companies and people we’ve worked with, etc. But essentially, we get together for emotional support against an industry and an economy […]