6560 Results for “production”
-
EIGHT THINGS ALEX HOLDRIDGE MISSES ABOUT L.A.
As expected, Alex Holdridge’s inspirational interview — about the creative boost he received from making a life change and swapping L.A. and “the system” for a very different life in Berlin — prompted some spirited discussion in the comments section. In case you read the article but not any of the dialogue that followed on from it, it’s definitely worth flagging up one of the comments — from Holdridge himself — that responded to director Zak Forsman’s list of things he loved about Los Angeles. Here’s what Holdridge had to say: I spent 8 years living there, making a film […]
by Nick Dawson on May 21, 2012 -
PAJOT AND SWIRSKY’S “INDIE GAME”
The following article about Lisanne Pajot and James Swirsky’s documentary Indie Game was published during the Sundance Film Festival. The film opens today in Los Angeles, New York (at the IFC Center), San Francisco and Phoenix. For a complete list of venues and upcoming screenings, check out the website. Independent film, depending on how you define it, has had many births. But for the purposes of this blog post, let’s consider the one in the 1980s, just before the launch of this magazine. She’s Gotta Have It, Parting Glances, Poison, True Love — these were narrative features made by lone […]
by Scott Macaulay on May 18, 2012 -
Panos Cosmatos, Beyond the Black Rainbow
It’s a strange paradox of today’s cinema that so many films feature lavish and eye-popping special effects yet are such ordinary viewing experiences. Sure, today’s VFX and surround sound are capable of overwhelming you, of beating you into submission, but, with a handful of exceptions, they seldom take you further. One film that does is Panos Cosmatos’ Beyond the Black Rainbow, an astonishingly ambitious debut feature that is as much an elegant art object as it is a science-fiction head trip of the highest order. Set in 1983 — and feeling as if it was actually made in 1983 too […]
by Scott Macaulay on May 16, 2012 -
IFP ANNOUNCES 2012 DOCUMENTARY LAB SLATE
This morning, the Independent Filmmaker Project (IFP) announced the 10 films selected to participate in its 2012 IFP Documentary Lab, which takes place all this week in New York City. The slate for this eighth edition of the doc labs is very geographically diverse, with participants hailing from Washington, Kentucky and Berlin in addition to the usual indie strongholds of Los Angeles and New York City. Each year, 20 indie films with budgets under $1 million — 10 documentary and 10 narrative — are selected for participation in the IFP post-production labs, which gives filmmakers strategic help and guidance regarding […]
by Nick Dawson on May 14, 2012 -
THE NEW HOLLYWOOD
In April, the Securities and Exchange Commission (SEC) sent letters of inquiry to four Hollywood’s studios — Warner Bros., Universal Pictures, 20th Century Fox and Sony Pictures — informing them that it was investigating their business practices in China. According to Reuters, while neither the SEC, the Motion Picture Association of America (MPAA) nor the individual movie companies would formally discuss the matter, it is assumed that at issue is possible violations of the Foreign Corrupt Practices Act that makes it illegal to make improper payments to foreign officials for business purposes. Such payments are not uncommon in China. Stay […]
by David Rosen on May 10, 2012 -
Grant Gee, Patience (After Sebald)
One of the great European literary figures of the past half century was the German writer W.G. “Max” Sebald (1944-2001), a late bloomer who fused essay, history, memoir, and meditative fiction into an unclassifiable weld of eloquently bewitching prose in four major works (Vertigo, The Emigrants, The Rings of Saturn, Austerlitz), all written over the last decade of his too-abbreviated life. Sebald’s solitary narrators, given lightly autobiographical shadings, wander landscapes as far-flung as the Suffolk coast or the Slovakian countryside like melancholic revenants dwelling on the fate of individuals lost to war or time, the operation of memory, and other […]
by Damon Smith on May 9, 2012 -
SUNDANCE ANNOUNCES PROJECTS FOR JUNE DIRECTORS AND SCREENWRITERS LABS
The Sundance Institute announced today the roster for its June Directors and Screenwriters Lab. The complete press release follows. Los Angeles, CA — Sundance Institute today announced the 13 projects selected for its annual June Directors and Screenwriters Labs, taking place at the Sundance Resort in Utah from May 28 through June 28. Under the leadership of Michelle Satter, Founding Director of the Institute’s Feature Film Program, and the artistic direction of Gyula Gazdag, the projects selected for this year’s program include emerging filmmakers and projects from the United States, Italy, Romania, Australia, Algeria, France, Chile and the UK. Directors […]
by Scott Macaulay on May 8, 2012 -
Alex Holdridge: “I’ll Never Go to Los Angeles Again”
I fell in love with Alex Holdridge’s gorgeous, smart black-and-white LA-set romantic comedy In Search of a Midnight Kiss when I saw it on the film festival circuit in 2007, and later interviewed Holdridge for Filmmaker when Kiss was released theatrically in 2008. In the intervening years, Holdridge and I were in occasional contact, and through Facebook I was aware that he had left L.A. and decamped to Berlin. But little more than that. When I read earlier this spring that he was in postproduction on his follow-up feature, Meet Me in Montenegro – a film co-written by and co-starring Holdridge […]
by Nick Dawson on May 7, 2012 -
Steve Collins, You Hurt My Feelings
Steve Collins’ You Hurt My Feelings is the story of emotionally remote and unavailable people, a trio of wounded individuals who fail to connect with one another. Though Collins’ film deals with familiar subject matter, its tale is told with such clever minimalism and discernible sweetness that it goes down rather smoothly. While the characters may not be able to express themselves emotionally, Collins and his director of photography, Jeremy Saulnier (Septien, Putty Hill), find real poetry in the changing of the New England seasons, the passage of time providing an even greater window in the the failed lives on display. John […]
by Brandon Harris on May 2, 2012 -
15 Steps To Take After You Finish Your Script
A Filmmaker reader recently emailed me with a simple question. After going to film school, making some shorts and working conspicuously within his means, he’s now written a script purely from the imagination — not censoring himself by thinking of things like money and production requirements. The resulting project, I take it, is too big for his usual DIY methods. He asked, “What do I do now?” A tough question, not knowing the filmmaker very well and not having read the script. There are easier-said-than-done answers: “Find a producer! Get an agent!” But just sending out a bunch of PDFs, […]
by Scott Macaulay on May 2, 2012
