These past two weeks I’ve been in Rochester, NY working on the Orphaned soundtrack with all the usual suspects and collaborators. (Let me know if there are issues with the feed. This is an ongoing daily live feed where I will eventually be distributing free content…it is part of my MFA thesis.) I had been trying to write a response to the latest “explosion” of indie film acquisitions, the new world models of indie film financing, and the influx of nobody filmmakers. BUT I found that others with something to say, have already said it best, so I scrapped it. […]
A native of Montreal, Dolan is a former child actor who wrote and directed his first film, I Killed My Mother, at age 20, after dropping out of university. That movie, a semi-autobiographical tale of coming out which debuted at Cannes in the Un Certain Regard sidebar, won three awards at the 2009 festival, including the Regards Jeune given to young filmmakers of great promise. A stylized depiction of hopelessly “imaginary” love, Xavier Dolan’s sophomore feature Heartbeats (which also premiered at Cannes) trails a pair of close friends—witty, Audrey Hepburn manqué Marie (Monia Chokri) and sweet-faced Francis (Dolan)—who simultaneously […]
The IFP announced today the lineup for this year’s Script to Screen Conference. Taking place March 5, the event will take place at 92Y Tribeca in New York City. This year’s keynotes include Barry Levinson and Black Swan screenwriter Mark Heyman. There will also be a discussion on new platforms for writers with Onion News Network head writer Carol Kolb, a conversation with producer Ted Hope and the filmmakers behind Sundance hit Martha Marcy May Marlene talk about creative teamwork. To learn more about the conference and how to get tickets go to http://www.ifp.org/script-to-screen-conference/ Read the press release on Script […]
Two of Filmmaker’s “25 New Faces” have excellent movies opening today that are worthy of your first weekend patronage. From Tariq Tapa, who made our list in 2008, is Zero Bridge. Here’s what I wrote about him back then: “Everything I used to make this movie, from soup to nuts, fit in one little backpack,” says Tariq Tapa, whose Zero Bridge, a neorealist tale of unexpected friendship and moral complication set in the Indian-occupied city of Srinagar, Kashmir, is set to explode on the festival circuit this year. Tapa, who not only directed this first feature but shot, edited and […]
There are two barely related images that repeatedly come back to me as I begin to write about Port of Memory (2010) by Kamal Aljafari. One is a house cat languishing on top of a television set, in a family’s living room. The TV is playing a dramatization of the life of Jesus. At first the cat appears inert; the viewer is unsure whether it is an odd piece of bric-a-brac or a living but particularly lethargic mammal. The camera lingers long enough to confirm the latter. The second is a short stretch of Jaffa streets. An Israeli man singing […]
Documentary Fortnight, MoMA’s International Festival of Nonfiction Film and Media, kicked off its 10th season last night with the world premiere of Self Made. The film, a first for British artist (and Turner Prize winner) turned filmmaker Gillian Wearing, takes the audience through the cathartic process of a Method Acting class populated by a small group of hand-picked non-professionals and led by acting teacher, Sam Rumbelow. The movie shows how strong performances can result from emotional excavation. It’s a raw and emotionally powerful film and one that makes clear that Method Acting, first invented by Stanislavski over a hundred years […]
Brent Green is a self taught filmmaker and artist who lives and works in the Appalachian hills of Pennsylvania. His unique hand drawn and stop motion short films have played venues including the Sundance Film Festival, the L.A. Film Festival and the International Film Festival Rotterdam. He was also one of Filmmaker’s 25 New Faces in 2005. Recently he wrapped up filming his first feature-length film, Gravity Was Everywhere Back Then. Shot entirely in stop motion using human beings, the film tells the true story of Leonard and Mary Wood, two people joyously brought together but separated through forces far […]
In We Are What We Are, first time Mexican helmer Jorge Michel Grau creates a deeply unsettling portrait of contemporary Mexican urban life which steady grows into many things all at once: a sincere family drama, an earnest exploration of the moral implications of cannibalism and a ribald satire of the seemingly intractable political and economic corruption that is haunting present day Mexico. All moody nighttime vistas and grim, claustrophobic interiors, Grau’s film manages both social commentary and grisly, bone-chilling terror the old-fashioned way, but it still manages to have a depth of human feeling that isn’t the stock and […]
The IFP Narrative Lab launches its online application today. From the website: IFP’s Independent Filmmaker Labs is the only program in the world currently supporting first-time feature directors in post-production to complete, market and distribute their films. Focusing exclusively on low-budget features ( Through the Labs, IFP works to ensure that talented emerging voices receive the support, resources, and industry exposure necessary to reach audiences. The Lab is really an excellent program that provides a wealth of intensive mentorship having to do with all the aspects of filmmaker that follow production. Recent Lab films include such Sundance selections as Pariah, […]
This piece was originally printed in the Spring 2010 issue. Winter’s Bone is nominated for Best Picture, Best Actress (Jennifer Lawrence), Best Supporting Actor (John Hawkes) and Best Adapted Screenplay (Debra Granik & Anne Rosellini). The Ozark mountain holler that is the setting for Debra Granik’s fierce and extraordinary Winter’s Bone seems carved away from much of what signifies as “contemporary America” in cinema today. The movie, which won the Grand Jury Prize at Sundance this year, dwells in a landscape that imbues it with the starkness of classic Western frontier drama. Seventeen-year-old Ree Dolly is the single-minded heroine who […]