6580 Results for “production”
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ENTRIES ACCEPTED FOR RIDENHOUR DOC FILM PRIZE
The Nation Institute and the Fertel Foundation have partnered to launch the Ridenhour Documentary Film Prize, to be awarded to a film that embodies values of truth-telling, protecting the public interest, promoting social justice, or articulating the qualities of a more just society. The deadline is December 1, and the prize, which includes a $10,000 stipend, will be awarded this Fall. From the press release: October 8, New York City – The Nation Institute and The Fertel Foundation announced today the launch of the Ridenhour Documentary Film Prize. This new prize, which carries a $10,000 stipend, will be awarded alongside […]
by Scott Macaulay on Nov 10, 2010 -
DOHA TRIBECA FILM FESTIVAL: LUCKY STARS
So much depends upon… the position in which one reclines. Seated next to me in the elite section of a flight to Doha, Qatar, an Indian financial wizard with rings on each slim finger nodded and looked thoughtfully out the plane window. Across the aisle, Harvey Weinstein, an overstuffed teddy bear in Qatar Airways pajamas, turned another page of “My Week with Marilyn” and growled for the stewardess. Upon touchdown, a phalanx of young stewards ushered a group of remarkably well-rested travelers into private cars and whisked us away to the second annual Doha Tribeca Film Festival. Could any film […]
by Livia Bloom Ingram on Nov 5, 2010 -
REMEMBERING THE PASTS AND FUTURES OF “REQUIEM FOR A DREAM”
This blog post is part of the Requiem 102 experiment: on the occasion of the 10th anniversary of Darren Aronofsky’s Requiem for a Dream, different writers are each looking at the film through the prism of specific frames, one from each minute of the film. I’ve been assigned minute four. Follow all the responses here. For me, the most memorable scene in Darren Aronofsky’s Requiem for a Dream is not in the movie but in the script. I had read it before the film’s pre-production, and the scene in which dealers line up for a new shipment of drugs after […]
by Scott Macaulay on Nov 4, 2010 -
A Talk with Red Hill Director Patrick Hughes
Starring True Blood‘s Ryan Kwanten, Red Hill is a suspenseful modern-day Western that uses Australia’s dramatic and vast landscapes to stage a drama of frontier justice with an antagonist right out of Halloween-style horror film. Kwanten plays a city cop assigned to a small outback town where he intends to raise a baby with his very pregnant wife. But his move coincides with the escape of Jimmy Conway (Tom E. Lewis) from the local jail. The indigenous Jimmy was wronged years ago, and his brand of frontier justice consists of non-stop mayhem. In my conversation with Hughes, he spoke about […]
by Scott Macaulay on Nov 4, 2010 -
DAMIEN CHAZELLE, “GUY & MADELINE ON A PARK BENCH”
Damien Chazelle’s Guy and Madeline on a Park Bench is a throw back and perhaps a harbinger of things to come, a bebop tinged DIY mumblemusical that, despite its New Wavesque 16mm B&W aesthetic, is very much a movie of this time and moment. It concerns a relatively young, black and talented trumpet player named Guy and his would be, perhaps still his lover, a white grad student named Madeline (the oddly alluring Desiree Garcia). Played by real life Boston jazz scene leading light Jason Palmer, Guy engages in a series of pseudo-romances, bemoans the marginality of the relatively esoteric Jazz […]
by Brandon Harris on Nov 3, 2010 -
KEVIN SMITH REVEALS “RED STATE” POSTER
Here’s a little treat for ya on Halloween! Today on Kevin Smith‘s blog, Silent Bob Speaks, the outspoken writer-director put up a teaser poster of his next film, Red State, his first foray into horror. In the past Smith has described the film as being loosely based on religious extremism, and its one he’s talked about making for years. If you follow Smith on Twitter you know he finally found enough money to shoot it over the summer, and according to his blog post, principal photography is now wrapped. Smith on the poster: Moody, weird, and pitch-perfect for the tone […]
by Jason Guerrasio on Oct 31, 2010 -
FILMMAKER MAG DIGITAL INTERN WANTED
Are you a reader of Filmmaker Magazine interested in being part of online coverage of the independent film world? Filmmaker is looking for an intern to assist with the publishing of its website, FilmmakerMagazine.com, as well as the managing of Filmmaker’s online community. Ideal candidates will have strong writing and communication skills, a sincere interest in both the artistic as well as the business and production sides of independent filmmaking, and will have familiarity with online publishing. Responsibilities will include research and fact-checking, copy-editing, news and link gathering, event coverage, light writing, and assisting with community forum management as well […]
by Scott Macaulay on Oct 27, 2010 -
Paramount’s Micro-Budget Division Releases First Trailer
Remember that Paramount micro-budget division, Insurge, announced in the wake of Paranormal Activity‘s big success? The one we all got excited about? Well, the company has released the first trailer from its first production, and it is embedded below. Pamela McClintock has an update on the company in Variety. (Note: paywall.) From her piece: At the time, the studio said it was committing $1 million for Insurge to produce or acquire 10 films with budgets of $100,000 each. But if the industry expected Insurge to be a traditional division, operating under traditional rules, it was wrong. Half a year […]
by Scott Macaulay on Oct 26, 2010 -
“OPEN FIVE” WINS THE 13TH MEMPHIS FILM FESTIVAL
Congrats to Filmmaker 25 New Face Kentucker Audley for winning Best Narrative Feature at the Memphis Film Festival with his latest, Open Five. As I blogged last week, Audley has made the entire feature available for a limited time on his site (or, embedded below). Also winning awards were films by three other “25 New Face” filmmakers — The Colonel’s Wife (Brent Stewart), Mars (Geoff Marslett), and Blackmail Boys (under a pseudonym, Morgan Jon Fox). The complete awards are below. Jury Awards Announced for 13th annual Indie Memphis Film Festival Category: Uncategorized — admin @ 12:58 pm NARRATIVE FEATURE AWARDS […]
by Scott Macaulay on Oct 25, 2010 -
Poetry in Motion
by Peter Bowen on Oct 25, 2010
