Early on in Rebecca Richman Cohen’s career in film she worked in the edit suites of Michael Moore’s Fahrenheit 911 as an assistant editor. But when the movie was over, rather than pursue film through further editorial work, she decided to go to law school. “I was ready to sink my teeth into something concrete,” she says. “Going to Harvard Law School was a tough decision because I loved film. But I felt that the law would ground me in social issues and add something substantive if I decided to return to film.” While in law school she worked one […]
After living in London as a child, Sean Durkin spent his final year before moving back to the States in the English countryside. For the then 11 year old, the sprawling, beautiful landscape was a world away from the hectic streets of the city. But when night came, so did dark seclusion and feelings of fear and anxiety — feelings heightened by the scary movies Sean and his mother would spend their evenings watching. “As a child I built this irrational fear of home invasion,” Durkin, 28, recalls. “All of these unsolved mysteries seemed to always happen in Southern California, […]
Possessor of a sneaky sort of charm that hides his utter tenaciousness, Rashaad Ernesto Green, a promising directorial talent from the Bronx, makes movies that get under your skin with what, upon reflection, seems like relative ease. His pictures, a trio of shorts and a forthcoming feature, openly seek to reveal the humanity within the taboos and faux pas of people of color. Green is clearly out to surprise us with his unusual depictions of equally unusual milieus, and he isn’t much for asking permission. “I was in a black box theater in St. Louis, reading The Seven Habits of […]
“This project has been like what musicians call ‘woodshedding,’” says Alex Jablonski about his collaborative venture with Michael Totten, Sparrow Songs. “We are finding our voice, trying out different styles, and learning so much.” Adds Totten, “In the past I’ve let this idea of ‘I don’t have the right money or equipment or subject matter’ prevent me from moving forward. Sparrow Songs has taught me to get rid of the idea of perfection because it doesn’t exist.” What is Sparrow Songs? Simply, it’s a year-long filmmaking project in which director-editor Jablonski and d.p. Totten make and upload one short doc […]
Writer-director Victoria Mahoney began her artistic career as an actress in theater and then film. “Shelly Winters was my teacher,” Mahoney says. “If you touched your hair too many times in her class, she’d come over and cut off your bangs. She taught me the gift of stillness.” After working off-off Broadway, Mahoney went to L.A., did a number of pilots, a few European films, and a season of Seinfeld (she played Gladys Mayo, owner of the clothing store Putumayo). But then there were all those “ridiculous films I did to sustain myself. And that’s when I began to feel […]
I’ve been interested in the concept of alternative forms of currency, barter and exchange with regards to independent film production and distribution for a little while. Back in November I blogged about a Doug Rushkoff speech on video in which he discussed some of the new start-ups exploring these ideas. I wrote: With two-and-a-half minutes to go, Rushkoff reaches the reason I decided to watch the video: a discussion of alternate forms of currency to facilitate creative value exchange. Of course, the idea of local currency or script, actually being practiced in some communities, has surfaced recently in discussions about […]
Valhalla Rising, which stars Mads Mikkelsen (best known for playing the much more suave devil Le Chiffre in Casino Royale) as a one-eyed, mute, enslaved gladiator who joins a group of Viking Christians on a conquest that turns into an existential journey to hell, is certainly not what one would expect from Danish director Nicolas Winding Refn. And that’s part of the beauty of the film. Before this latest atmospheric mood piece containing echoes of Kubrick’s 2001: A Space Odyssey, Refn helmed the hyperkinetic Bronson, about England’s most dangerous criminal turned cult hero who never seemed at a loss for […]
The rise of the web has led to an explosion of film writing — Roger Ebert has called it “A Golden Age of Movie Critics.” I don’t disagree with him, but I also think it’s fair to say that with the exception of comments boards and social media, the web hasn’t changed the actual form of film writing that much. A few people (Matt Zoller Seitz, for example), are exploring long-form film criticism online through engagingly edited videos. And, of course, the web has brought David Bordwell’s essential essays exploring films through the history of their technologies, styles, and audience’s […]
Presented by the IFP and UN, Envision is a daylong program dealing with the addressing of global issues through documentary. It takes place Saturday, July 10, and you can learn more here. Jennifer Arnold’s A Small Act is one of two features that will be screened at the event. As an impoverished boy in Kenya, Chris Mburu received the fortune of one person’s small donation. When WWII-survivor Hilde Back anonymously sponsored an African child’s education, Chris not only went through school but also became a Harvard-educated human rights lawyer for the UN, all unbeknownst to Hilde. So inspired, Chris and […]
In retrospect it seems inevitable that some enterprising pornographers in Hollywood’s shadow industry would look to the Coen brothers’ quintessential Venice Beach bum The Dude for inspiration. Not only is southern California the hub of the sex biz, The Dude is SoCal made flesh. And now a company called New Sensations has done just this with The Big Lebowski: A XXX Parody, a passionate, nearly shot-for-shot recreation that shows that cute porn is not an oxymoron. Sure, New Sensations has already tackled pop culture with 30 Rock: A XXX Parody and Seinfeld: A XXX Parody, but The Big Lebowski: A […]