[PREMIERE SCREENING: Sunday, Jan. 24, 8:00 pm — Racquet Club, Park City] For the last eight years I’ve taught directing at Columbia University’s Film Program — in my opinion, the best, most comprehensive film school anywhere. More than 25 of my students, past and present, were all working on 3 Backyards in a variety of positions ranging from production designer, co-producer, editor and script supervisor to key p.a. and craft services. One student in particular, Russ Harbaugh, decided he wanted to be part of the entire process, and so he signed on as my assistant. One day during preproduction I […]
[PREMIERE SCREENING: Sunday, Jan. 24, 5:15 pm — Racquet Club, Park City] For me, the hardest decision to make is of course the most important: the “telling the universe” moment, when you finally just decide on a shooting date, regardless of time, resources or common sense and start barreling toward it, telling your friends, your co-workers, yourself and thereby the universe that indeed, you are gonna make another movie. At first, it seems ridiculous and you usually have to push it back, but then serendipity takes over and the universe starts to drop things in your lap. You start the […]
[PREMIERE SCREENING: Sunday, Jan. 24, 5:30 pm — Prospector Square Theatre, Park City] The thought of making The Taqwacores into a motion picture happened right after I finished the book. It took weeks for me to voice the thought to others, and weeks more to actually act upon it. Was I ready to take on such a subject? Was I the right guy? Were my intentions right? Would people get the point? Would it be more misunderstood then understood? These were the questions swirling in my head. The idea of physically making the film at such a low budget wasn’t […]
[PREMIERE SCREENING: Sunday, Jan. 24, 12:15 pm — Eccles Theatre, Park City] I was born and raised in Texas and have a strong loyalty to the state. One thing I’ve known since I was a child is that while they may appear to be similar, New Mexico and Texas might as well be Venus and Mars. The Dry Land’s characters, setting and nuances are all rooted in Texas. However the lack of substantial tax incentives in Texas made it very difficult to argue for a Texas shoot. With this in mind my financiers pushed for me to consider shooting in […]
This piece was originally printed in our 2009 Fall issue. As a filmmaker, British writer-director Michael Winterbottom (24 Hour Party People, In This World, A Mighty Heart) doesn’t linger long in one place. Just consider the globe-hopping locations he shoots in (Scotland, Pakistan, Iran, Shanghai), the hyperkinetic pace at which he works (there have been 18 features since 1995), and the versatility of his films, which cover every conceivable genre from sultry neo-noir and dolorous period drama to near-future sci-fi and Gold Rush-era Western. But the restlessness extends to his personality as well. In conversation, Winterbottom is so voluble that […]
Originally posted as part of our Sundance 2010 coverage, Lovers of Hate will screen at SXSW and is available on VOD beginning March 15. Playing in competition this year is Austin filmmaker Bryan Poyser’s Lovers of Hate, starring Alex Karpovsky and Chris Doubek as brothers, Paul and Rudy, vying for the attention of Rudys’ soon-to-be ex-wife, Heather (Heather Kafka.) Paul is enjoying wild success as the author of a Harry Potter-like series of children’s books, which are based on stories that Rudy used to make up for Paul when they were children. Rudy, who calls himself a writer but who […]
“Independent filmmakers have always been very good about making their films, but they’ve had to rely on other outside advice [with regards to distribution],” said filmmaker and Slamdance founder Paul Rachman at the Filmmaker Summit, a Saturday-morning confab here at Park City hosted by Slamdance and the Open Video Alliance. Indeed, with the collapse of traditional acquisitions-based models for independents and the flourishing of DIY strategies and new platforms, perhaps the largest growth business in independent film right now is in seminars and conferences devoted to its future. This one condensed a lot of thought from some of the key […]
[PREMIERE SCREENING: Saturday, Jan. 23, 6:30 pm — Screening Room, Sundance Resort] Women Without Men was my first feature-length film, so numerous challenges had to be faced throughout the process of its making. First of all I’m a visual artist — a photographer and a video artist — so I had never written a script or had worked with a producer, professional actors, or a large crew before. Also the film was based on a well-known novel by Iranian author Shahrnush Parsipur. This novel was written in a style of magic realism, an extremely difficult piece of literature to readapt […]
[PREMIERE SCREENING: Saturday, Jan. 23, 6:00 pm — Yarrow Hotel Theatre, Park City] There were a couple of reshoots during production, most of which were short and painless. But after we shot a pretty complicated scene at a time-sensitive location, I watched the footage on the camera in my car while the cast and crew went and got dinner, and I knew that the scene was unusable. So I had to go meet up with everyone, who were so relieved to be done with such a tricky scene, and tell them that we had to do it all over. The […]
[PREMIERE SCREENING: Saturday, Jan. 23, 5:15 pm — Racquet Club, Park City] The hardest decision I made on this film was mustering the courage to deconstruct my film completely in postproduction. I don’t know if other directors had similar experiences with their films, but when I first pieced Night Catches Us together, while I was pleased with it, it no longer felt as creative as I’d hoped. Something was missing — though I couldn’t determine what. At first I was too overwhelmed and exhausted to confront the problem, let alone address the ways I needed to fix it. But eventually, […]