So as we walked down the lines of people hoping to get into our screening — all there well before the screening was due to start — it was quite the feeling. It was great to see the Austin Fan Force roaming the crowds and having pictures taken with fans. As we were running through the tech check the theatre and festival staff had put their heads together and decided to put on an extra screening at midnight — in place of a surprise screening — to accommodate the people they already knew wouldn’t get in thanks to the long […]
So, it’s day 2 of the fest and D-Day for THE PEOPLE VS. GEORGE LUCAS. It’s our world premiere tonight and we’ve got a day packed with final preparations, the premiere, party and hopefully not too much panic! The day started well with the news that our screening sold out on the Xpress pass tickets in less than 20 minutes. Some people were in line from 8am. The booths don’t open until 10am. Could we be creating a mini STAR WARS phenomenon here?! Then it was time for Alexandre’s Studio SX interview with Lewis Wallace from Wired Magazine. There was […]
Matt McCormick may be premiering his first feature here in Austin this week, but he has long been a major figure within the Pacific Northwest’s independent film scene. For over 15 years he has made work that is both experimental and humorous, formally challenging and beguilingly poetic. His 2002 film, The Subconscious Art of Graffiti Removal, is something of a short-film masterpiece, a wildly clever riff on art criticism that is also an ode to changing face of the modern city. In addition to his film work, which he presents in film venues but also bars and rock clubs, McCormick […]
Swinging in to SXSW This is my first SXSW, which feels odd for me as I’ve worked as a producer in digital media & film for more than a decade, but shoots & life got in the way of coming before. But this year I’ve got a great reason to be here – I’m one of the producers of the innovative feature documentary The People Vs. George Lucas, here with director Alexandre O. Philippe, fellow prods Kerry Roy & Vanessa Philippe and DOP Robert Muratore. I’m based in the UK, so it was a long flight over here, and I […]
The IFP have announced they have teamed up with fellow organizations Shooting People and New York Women in Film & Television to lead the first-ever U.S. delegation to Hot Docs. The members of these organizations will get to attend the Toronto Documentary Forum, International Co-Production Day, and be featured in the Digital Doc Shop market. In addition, the delegation will receive other perks: access to all 255 screenings, Digital Doc Shop screenings, and all Hot Docs discussions, including the Kickstart panels, Hot Docs Talks, CoffeeTalks, and Micro Meanings. There will be over 1,900 documentary professionals from around the world, over […]
For a filmmaker approaching L.A.’s Ambush Pictures with a new project, “greenlit” is the happiest word in the English language. For Ambush Entertainment co-founder Miranda Bailey, an executive producer of The Squid and the Whale and a producer of the upcoming Super, the word came to mean something very different as she made her directorial debut. Greenlit is its title, and it refers to Bailey’s commitment to “green” the company’s The River Why by hiring an environmental consultant during production. While there’s been much documentation about greening the motion picture business, Bailey brings a perspective that’s both practical and irreverently […]
As the current Massa Meltdown demonstrates, a lot of crazy talk can come out of legislators’ mouths. (For some of that crazy talk, I will definitely be tuning into Glenn Beck tonight when Massa is on for the full hour.) So when I was forwarded this link from Think Progress about a Florida state representative, Stephen Precourt, proposing a change to Florida’s film tax incentive that would deny the credit to films espousing “non-traditional” family values, I assumed it was just one guy shooting his mouth off and that it wasn’t really worth mentioning. But, as the post as well […]
Receiving its U.S. premiere at SXSW is Jukka Karkkainen’s The Living Room of a Nation, a documentary about six Finnish living rooms. From the production company’s website: The documentary film The Living Room of the Nation opens a portrait-like view into six Finnish living rooms. A collage of everyday events, the film is a story of changes, loneliness, responsibilities and the unavoidable passing of time. The trailer is below. The film plays Saturday, March 20, at 6:15 PM at the Alamo Lamar 3.
Filmmaker Marie Losier is well known in her New York for her beguiling experimental films, which include portraits of a number of today’s most unconventional and important artists. For the last four years she has been filming Genesis Breyer P-Orridge, artist and founding member of Throbbing Gristle and Psychic TV, among other ventures. Beginning in 1993, P-Orridge began a radical art project with his wife and artist partner, Lady Jaye, in which they both underwent plastic surgery to resemble each other, creating, they said, “an indivisible third,” a “pandrogyne.” Lady Jaye passed away in 2007, and Losier’s film will tell […]
Leading up to the Oscars on March 7, we will be highlighting the nominated films that have appeared in the magazine or on the Website in the last year. Nick Dawson interviewed The Hurt Locker director Kathryn Bigelow for our Spring 2009 issue. The Hurt Locker is nominated for Best Picture, Best Director (Bigelow), Best Actor (Jeremy Renner), Original Screenplay (Mark Boal), Best Cinematography (Barry Ackroyd), Best Editing (Bob Murawski and Chris Innis), Best Original Score (Marco Beltrami and Buck Sanders), Best Sound Editing (Paul N.J. Ottosson) and Best Sound Mixing (Paul N.J. Ottosson and Ray Beckett). Now that the […]