production | Filmmaker Magazine

SXSW SCREENS HOOPER’S “EGGSHELLS”

Celebrating the work of one of Austin’s filmmaking treasures, Toby Hooper, SXSW will be screening his little know first film, Eggshells. In this week’s Austin Chronicle, Louis Black, co-founder/editor of the paper and SXSW, writes about the film, which hasn’t been screened in close to four decades. An excerpt from the story: There were many extraordinary talents that worked on [Texas] Chainsaw [Massacre], including cinematographer Daniel Pearl; Hooper’s co-writer, Kim Henkel; art and production designer Robert Burns; and Wayne Bell doing sound. Even though, in so many ways, it is clearly a director’s movie in that all the elements are […]

by Jason Guerrasio on Mar 12, 2009

ALEXANDER THE LAST’S JOE SWANBERG By Alicia Van Couvering

If there were to be a mumblecore parade, Joe Swanberg would be the man in the shiny red convertible, waving to onlookers and trailing a team of baton twirlers in his wake. His films – LOL, Hannah Takes the Stairs, Nights & Weekends – have helped to define a genre that was never supposed to be a genre at all. Alexander the Last, his latest, was executive produced by Noah Baumbach and stars Jess Weixler (Teeth), Barlow Jacobs (Great World of Sound, Shotgun Stories), Amy Seimetz and Justin Rice (Mutual Appreciation), as well as Jane Adams and Josh Hamilton. It’s […]

by Jason Guerrasio on Mar 12, 2009

“BREAKING UPWARDS’” DARYL WEIN & ZOE LISTER-JONES |
By Alicia Van Couvering

Originally posted in our SXSW 2009 coverage, Breaking Upwards opens in select theaters this Friday. In Breaking Upwards, Daryl Wein and Zoe Lister-Jones play a young New York couple named Daryl and Zoe. The film was written by the two of them, plus Peter Duchan, directed by Wein, and produced by all three. Zoe plays an actress, starring in an Off-Broadway play; Julie White plays Daryl’s mother, and was cast after appearing in an Off-Broadway play with Lister-Jones. To say that this film is autobiographical is, to be brief, an understatement. It’s a romantic comedy that borrows its hyper-articulate, hyper-intellectual […]

by Jason Guerrasio on Mar 12, 2009

JOHN COOPER ANNOUNCED AS DIRECTOR OF THE SUNDANCE FILM FESTIVAL

Tonight the Sundance Institute announced the appointment of John Cooper as the new director of the Sundance Film Festival. Cooper has been with Sundance for 20 years and now, following Geoff Gilmore’s departure to Tribeca Enterprises, steps into the leadership position. When Holly Willis interviewed him for this magazine three years ago she wrote, “Funny, self-deprecating and entirely approachable, Cooper is known to thousands of American filmmakers as the guy who calls with really excellent news. For the festival, he’s integral, the armature that supports everything.” We congratulate Cooper on the appointment and look forward to talking with him in […]

by Scott Macaulay on Mar 11, 2009

HBO’S IN TREATMENT THREATENS TO LEAVE NEW YORK OVER TAX CREDITS

While we wait for a resolution to the problems facing the New York Film and Television Tax Credit program, pressures mount on the filmmaking community here in New York as more productions contemplate moving out of the State. The latest is the HBO series In Treatment. From Roger Kimpton in the New York Post: The executive producer of HBO’s In Treatment series said he will yank the show and its 70 jobs from the Big Apple if Gov. Paterson doesn’t fund the state’s 30 percent tax credit for TV and movie production. The producer, Warren Leight, said the four episodes […]

by Scott Macaulay on Mar 9, 2009

THE NEW YORKER DISCOVERS MUMBLECORE

A bit late to the Dance Party USA, David Denby discovers mumblecore in this week’s New Yorker, devoting his entire film column to the genre. From the piece: You’re about twenty-five years old, and you’re no more than, shall we say, intermittently employed, so you spend a great deal of time talking with friends about trivial things or about love affairs that ended or never quite happened; and sometimes, if you’re lucky, you fall into bed, or almost fall into bed and just enjoy the flirtation, with someone in the group. This chatty sitting around, with sex occasionally added, is […]

by Scott Macaulay on Mar 9, 2009

KEN BURNS LOSES GM FINANCING

The economic crisis has hit filmmaker Ken Burns. As reported in the Detroit News, General Motors, which has been a major funder of the director, is ceasing its support due to its own economic woes. From the piece by Robert Snell: The cash crunch ends a 22-year relationship between GM and Burns, a graduate of Ann Arbor’s Pioneer High School and award-winning filmmaker who has created documentaries for public television about the nation’s wars, jazz and baseball, among others. Under a 10-year deal that started in 1999, GM paid for 35 percent of each film’s budget and funded educational outreach […]

by Scott Macaulay on Mar 9, 2009

IATSE CREW EMAIL FUNNY… BUT FOR THE WRONG REASONS?

Over at Deadline Hollywood Daily, Nikki Finke publishes an email that is circulating among IATSE members that is a satirical attack on IA leadership for not aggressively expanding jurisdiction into New Media productions. And while I sympathize with union members who are watching the entertainment conglomerates move into web production, I have to wonder whether the below really helps their cause: FILM CREW WANTED: “New Media” production company seeks crew for experimental project. Applicants must be able to create, research, write, coordinate, production design, art direct, construct, paint, dress & decorate sets, location manage, assist direct, design/tailor/supply costumes, do hair […]

by Scott Macaulay on Feb 28, 2009

A NEW, REVISED LIFE FOR THE NEW YORK TAX CREDIT?

News this week about the New York State Film and Television Tax Credit program, which is currently in a kind of limbo now that the funding allocated for it by the State has unexpectedly run out just ten months in a multi-year program. First, there was an article in the New York Post by Tom Topousis that reported that Governor Patterson’s office has indicated that it will seek additional funding for the program. The article included these two intriguing paragraphs: Marissa Lago, president of the Empire State Development Corp., told a breakfast meeting of the Association for a Better New […]

by Scott Macaulay on Feb 28, 2009

DUSHKU, TIMONER BRING MAPPLETHORPE TO THE SCREEN

Here is an unexpected pairing: Dollhouse star Eliza Dushku and her Boston Diva Productions will team with doc director Ondi Timoner, who won the Sundance Doc Grand Jury Prize this year with We Live in Public, to make a biopic about the late photographer Robert Mapplethorpe. From Tatiana Siegel’s Variety piece: Dushku has secured the exclusive rights and the full cooperation from Mapplethorpe’s estate and has enlisted two-time Sundance grand jury prize winner and indie darling Ondi Timoner (“DIG!”) to helm the film, which is titled “The Perfect Moment.” Timoner’s Interloper Films and Dushku’s Boston Diva Prods. are producing the […]

by Scott Macaulay on Feb 25, 2009

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