25 New Faces
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Filmmaker and Metrograph Partner on “25 New Faces: Highlights, Favorites and Deep Cuts”
Filmmaker and New York’s Metrograph Theater have partnered on a screening series as well as online streaming selection, “25 New Faces: Highlights, Favorites and Deep Cuts.” As the title suggests, it spotlights filmmakers chosen for our popular annual survey of new talent. Three programs run this weekend (Friday, December 15 and Saturday, December 16): one program of short films curated from our 2023 selection and then two drawn from prior years. In addition, a number of the shorts will stream online for Metrograph members. I’ll be there this weekend hosting the screenings along with some of the filmmakers and hope […]
by Scott Macaulay on Dec 12, 2023 -
“Directing When You Are an Editor Feels Like Cheating”: Cinque Northern on His Telluride Doc Short Angola Do You Hear Us?
Having already made the prestige fest rounds to great acclaim this year—from Tribeca to the Kennedy Center’s Millennium Stage outdoor film series just this summer—Cinque Northern’s Angola Do You Hear Us? is now a must-catch at Telluride. The documentary short follows the incomparable actor and playwright Liza Jessie Peterson on her artistic and spiritual mission to bring her one-woman show The Peculiar Patriot to none other than the Louisiana State Penitentiary at Angola. The film also explores all the baggage, bureaucracy and ultimate blocking that was met with a work centered on racial injustice (that deftly connects the capitalistic dots […]
by Lauren Wissot on Sep 3, 2022 -
“This is a Transgressive Force that Springs from the Imagination”: Rodrigo Reyes on his Tribeca-Premiering Doc Sansón and Me
The latest from “25 New Faces” alum Rodrigo Reyes, who we last spoke with for 2020’s Tribeca-selected 499, might also be his most personal and potentially fraught. The journey to Sansón and Me began a decade ago, when the Mexican-American filmmaker’s day job as a Spanish court interpreter in rural California took a turn for the tragically unexpected. Sansón Noe Andrade was a “quiet and super-polite” 19-year-old who was behind the wheel when his (even younger) brother-in-law decided to open fire on a rival from the passenger side of Sansón’s car. As a result, both teens were charged with murder. And Sansón, perhaps […]
by Lauren Wissot on Jun 12, 2022 -
“We Knew We Had to be Nude to Participate in This Space of Mutual Trust”: Ivete Lucas and Patrick Bresnan on their Tribeca Festival-Debuting Doc Naked Gardens
The latest from husband-and-wife team – and 2016 25 New Face alums – Ivete Lucas and Patrick Bresnan (Pahokee), Naked Gardens is a nonsexual skin flick of sorts, a season-long vérité look at the residents of family nudist resort Sunsport Gardens. Tucked away in the Florida Everglades, and run by a hippieish, Gandalf-like owner named Morley, the paradisiacal enclave draws folks from around the country – those opposed to society’s strict clothing mandate, but also just gung-ho for the place’s cheap rent. A virtual melting pot of nonconformity, Sunsport Gardens is likewise a bipartisan haven where a family with kids […]
by Lauren Wissot on Jun 10, 2022 -
“A Time-Traveling Conquistador Confronting Modern Mexicans”: Rodrigo Reyes on His Tribeca and Hot Docs Selected 499
499, the fourth feature film from “25 New Face” alum Rodrigo Reyes, is an epic, enchanting road movie that travels seamlessly through time (a 500-year-old journey reenacted in the present day) and space (across Mexico, from coastal Veracruz to the nation’s capital — or what used to be called Tenochtitlán back when the Aztecs claimed it as their own). Cemented by Eduardo San Juan Breña’s gripping performance as a Spanish conquistador who finds himself washed up into the future and onto modern day Mexico’s shores, the film recreates the path taken by Hernán Cortez in his 1621 quest to conquer the […]
by Lauren Wissot on Apr 25, 2020 -
“Sometimes You Abandon a Wrong Idea and It Comes Back to You in the Right Form”: Patrick Wang on His Four-Hour Double Feature A Bread Factory
Patrick Wang (a 25 New Face alum) takes a painstakingly nuanced, intimate approach to delicate subjects, specifically the ways in which we deal with — and don’t deal with — loss and the rippling effects in life after a death. His first feature, the breathtaking, Independent Spirit Award-nominated In the Family, and 2015’s Cannes and SXSW-screening The Grief of Others, which will finally be hitting theaters November 2nd, would make for a great marathon viewing alone. (Provided it came with a big box of Kleenex.) And now Wang has created a work that is simultaneously lighter in tone, and his […]
by Lauren Wissot on Oct 26, 2018 -
Come See 25 New Faces Screen and Talk at the IFC Center on Monday Night
Filmmaker‘s annual 25 New Face screening night at the IFC Center takes place next Monday, September 22 at 8:00 PM in New York City. We’ve got an especially strong line-up this year, including never-before-seen short films, and four filmmakers will join me after for a panel discussion on the art, economics and distribution of short film filmmaking. Here’s the program: Charlotte Glynn’s Immaculate Reception. “Rarely have the complexities and disappointments of young masculine sexuality been so deftly portrayed,” wrote Brandon Harris in his 25 New Face write-up of Glynn and her Rust Belt-set, coming-of-age tale that turns on Franco Harris’s […]
by Scott Macaulay on Sep 19, 2014 -
25 New Faces of Film 2014
Click here to see Filmmaker‘s 25 New Faces of Film 2014.
by Filmmaker Staff on Jul 17, 2014 -
Watch: High Maintenance, Episode “Rachel”
The latest episode of High Maintenance, 25 New Faces duo Ben Sinclair and Katja Blichfeld’s popular web series, relies on situational humor rather than one-liners. Featuring Dan Stevens as a stay at home dad cum cross-dressing screenwriter, “Rachel” refers not to the protagonist’s alter ego, but his preferred designer. Enjoy one of the final episodes of Cycle Three above.
by Sarah Salovaara on Mar 26, 2014 -
The Truth, The Horror: Eliza Hittman on It Felt Like Love
“If you happen to know a brave fifteen-year-old, that’s not too embarrassed to act in an emotional teenage role, that deals with things teenagers deal with — please have her contact me. Most of the kids I’ve been seeing can only handle a part that’s an idealized version of how they want to be perceived. It’s kind of incredible that parents would let their children perform in some totally exploitative slasher movie, but tense up at the opportunity to be a part of a fictional yet emotionally truthful coming-of-age film.” * * * Eliza Hittman posted the aforementioned on the […]
by Sarah Salovaara on Mar 17, 2014
