Abel Ferrara
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“Redemption is a Journey, Not a Destination”: Abel Ferrara on His New Filmmaking Memoir, SCENE
When it comes to filmmaker biographies, the “print the legend” maxim so frequently misattributed to John Ford has long been the preferred coin of the realm. Tales told out of school, dirty details of deals gone wrong, artistic hubris, on-set disasters — such recountings often obscure the actual realities of a filmmaker’s life and career. For much of cinema’s history, it was rare for directors to speak on their own terms, and with some notable exceptions, more important that a memorable narrative be broadcast posthumously. More oft than not, the more outrageous, the better. When written by the filmmakers themselves, […]
by Evan Louison on Oct 24, 2025 -
Trailer Watch: Abel Ferrara’s Padre Pio
Padre Pio, Abel Ferrara’s Shia LaBeouf-starring follow-up to 2021’s Zeroes and Ones, finally gets a trailer ahead of its theatrical release next month. The biopic, co-written by Ferrara and Maurizio Braucci, depicts the early life of the titular Catholic saint as he begins his ministry at a monastery in a remote Italian village that becomes rocked by political tension in the wake of WWI. The film premiered last year during the Venice Film Festival in Italy, fitting for the film’s subject matter and the director’s longtime residence in the country. Alongside LaBeouf, Padre Pio stars Cristina Chiriac, Marco Leonardi, Asia […]
by Filmmaker Staff on May 10, 2023 -
“It Always Seems That the Film Comes Together When You Just Go About Doing It”: Abel Ferrara on the Ethan Hawke-Starring Zeros and Ones
“Jesus was just another soldier, another war casualty — but on who’s side?” That’s military man JJ, played by Ethan Hawke, in voiceover as he walks the COVID-deserted streets of Rome in Abel Ferrara’s new Zeros and Ones. There’s a terrorist plot to blow up the Vatican but JJ’s got a more personal (and possibly intertwined) mission as well: his twin revolutionary brother, Justin (also Hawke), has been captured, and JJ’s nocturnal journey is an attempt to rescue him and possibly find some sort of spiritual salvation along the way. But the above is just the most reductive parsing of […]
by Scott Macaulay on Nov 19, 2021 -
Cinema is Back (?): Locarno Film Festival 2021
In light of the ongoing pandemic and, more pertinently, its repercussions on the public screening of films, weighing in on a festival in any peremptory way might be trickier than ever. This year’s Locarno Film Festival, which returned to its physical form after last year’s hiatus, is a case in point. If the mere fact of being once again able to enjoy a film in the safely distanced and masked company of dispassionate strangers is cause for celebration, the work can still be indigestibly lousy even under these jubilant circumstances. The relative joy and definite privilege of being able to […]
by Celluloid Liberation Front on Aug 25, 2021 -
Journeys Through French Cinema, The Projectionist and Test Pattern: Jim Hemphill’s Home Video Recommendations
When writer, director, and film historian Bertrand Tavernier passed away on March 25, the art of cinema lost one of its most eloquent, passionate, and informed partisans. Thankfully, his last great work, the eight-hour documentary series Journeys Through French Cinema, is newly available on Blu-ray from Cohen Media Group and provides a beautiful summation of Tavernier’s devotion and an enlightening introduction to many of his favorite filmmakers. The documentary is a follow-up to Tavernier’s 2016 theatrical feature My Journey Through French Cinema and essentially picks up where that movie left off, exploring directors, actors, composers, and other artists Tavernier wasn’t […]
by Jim Hemphill on Apr 9, 2021 -
Christ Stopped at Eboli, Lucio Fulci in 4K and Abel Ferrara’s Tommaso: Jim Hemphill’s Home Video Recommendations
When Francesco Rosi adapted artist and activist Carlo Levi’s 1945 memoir Christ Stopped at Eboli for Italian television in 1979, contemporary observers of the director probably saw it as a strange choice. Rosi had made his name with searing, forcefully immediate studies of Italian society and politics like Salvatore Giuliano and Hands Over the City; Levi’s book about his banishment to an isolated rural town during the reign of Mussolini was as modest and personal as Rosi’s earlier films were sweeping and elaborate. Yet the memoir had in fact been a dream project of Rosi’s for decades, and the four-part, […]
by Jim Hemphill on Sep 11, 2020 -
Lights Bouncing Off the Ceiling
COVID has made it so that new films, for the time being, can only be released via streaming platforms, not in movie theaters. We all know this is not optimal, but it’s the way it has to be for now. For most film critics, seeing films before they open is the main part of the job. These days, trying to see new movies before they come out has gotten weird. Not only do I not want to write about films I can only see on my laptop, I don’t want to watch movies on my laptop at all. A TV […]
by A.S. Hamrah on Jul 7, 2020 -
Berlinale 2020 Dispatch 2: The Salt of Tears, Siberia, Undine
At the risk of being canceled, I’ll admit that in the days since I watched The Salt of Tears, I’ve found myself wondering, “Who will make films like this when Philippe Garrel is gone?” (The best answer I’ve heard so far: Louis Garrel.) By “this” I mean a stereotypically oh-so-French comedy with an existential bent. Or a season in the life of a dour-faced, impoverished young artist who beds every beautiful woman he meets and is too young and too myopic to realize he’s a gaping asshole. Or the story of a boy who loved, disappointed and mourns for his […]
by Darren Hughes on Feb 27, 2020 -
“Can’t Tell That to the Landlord”: Abel Ferrara on The Projectionist, Tommasso and Crack City Terminator
Abel Ferrara is a hurricane. And like a hurricane, it is close to impossible to anticipate where he’s going to go at any given time. More than that, any hope of influencing the outcome of either is well beyond the limits of human control. Admirers with the good fortune to spend some time with the man can attest that getting Ferrara to stick to the script is largely a fool’s errand. In my case, it was because he had two new movies (The Projectionist, Tommasso) playing at consecutive festivals (Doclisboa, the Viennale) I happened to attend. At a certain point […]
by Christopher Small on Feb 11, 2020 -
Vice Squad: Director Abel Ferrara and Screenwriter Zoë Lund on Bad Lieutenant
Bad Lieutenant was the cover story for the Winter, 1993 edition of Filmmaker — this magazine’s second issue. This feature by Scott Macaulay, with quotes from director Abel Ferrara and screenwriter Zoë Lund, appears online for the first time. ***“No one can kill me. I’m blessed. I’m a fucking Catholic.” — Harvey Keitel in Bad Lieutenant. “The title is so ironic, Bad Lieutenant. Because of course it doesn’t mean he’s bad. You have the semantic irony of the “baaad” lieutenant and the central irony of ‘Is he bad or is he not bad and perhaps one needs to be bad […]
by Scott Macaulay on Jul 7, 2019
