Jacki Weaver’s “big break” story is unique because she was finally embraced by Hollywood at age 63, landing an Oscar nomination for her incredible performance in the Australian film Animal Kingdom, after being a staple in the Australian theater and film world for 30 years. She went on to great roles in such films as Widows, The Disaster Artist, and Magic in The Moonlight, plus the acclaimed new version of Uncle Vanya on the stage with Cate Blanchett, not to mention her second Oscar nomination for Silver Linings Playbook. And this year she stars opposite Diane Keaton in the cheer-elder […]
by Peter Rinaldi on Jun 25, 2019On the first day of any given screen-acting class at Northwestern University, it’s not uncommon for me to be facing down a bifurcated group of eight theater students and eight film students. As I sit on the receiving end of nerve-wracked glares, listening to introductory tales of middle school plays and high school short films, of little to some to no experience, I seek to comfort and calm with one simple statement: Everything you need to know about film acting you can learn in 30 seconds. It’s only now that I realize I’ve been lying to them. It is one […]
by Stephen Cone on Jun 19, 2019Through six seasons on House of Cards and multiple Emmy nominations, Michael Kelly has brilliantly embodied the character of Doug Stamper, navigating him through the highs and lows of loyalty, devotion, and dark-heartedness, culminating with a new layer of antagonism in the final season. It was a tour de force performance. In this episode he sits down to talk about the nuts and bolts of his craft, his meticulous and elaborate script breakdown process, how David Fincher knocked him off his game, and why he will never stop worrying about the next job no matter what awaits him post-Stamper. Back […]
by Scott Macaulay on Jun 11, 2019Lindsay Burdge is one of the bravest and best actors working in indie film this decade. Her breakout role in Hannah Fidell’s A Teacher brought her raves for her intense performance of destructive obsession. Bold choices continued in movies like Nathan Silver’s Thirst Street, Karyn Kusama’s The Invitation, and Joe Swanberg’s Netflix show Easy. Now she’s taken on the role of Mandy, in the long-awaited second season of Caveh Zahedi’s acclaimed The Show About The Show, after the real Mandy (Zahedi’s wife) left the show mid-production. She talks about the unique experience of working with Zahedi under these conditions, how […]
by Peter Rinaldi on May 28, 2019Asia Kate Dillon is a true trailblazer. They are the first non-binary (gender non-conforming) actor to play a non-binary character on a television show (Taylor on Showtime’s Billions). That itself is noteworthy, but Dillon also happens to be an amazing actor who brings such depth and life to characters, making representation even more powerful. Now, In John Wick: Chapter 3, Dillon calmly commands attention as a mysterious character called The Adjudicator. Dillon talks about sliding into that role and what it takes to slide out of a role like Brady, the skinhead inmate, in Orange Is The New Black, plus […]
by Peter Rinaldi on May 14, 2019Dominic West is best known for playing Jimmy McNulty on The Wire, Noah Solloway on The Affair, and gay activist Jonathan Blake in the film Pride. Now he’s taken on the classic role of Jean Valjean in the new 6-episode BBC version of Les Misèrables, currently on PBS. He also happens to be British, which seems to continually surprise people, probably because he’s mastered his American accents. He talks about that and many other nuts and bolts in his impressive approach to the craft. Back To One can be found wherever you get your podcasts, including iTunes, Google Play, and […]
by Peter Rinaldi on Apr 30, 2019She’s wonderful in comedies like Man Up and dramas like No Escape, but Lake Bell shines brightest in material she writes and directs herself, like her indie hit In A World. Now the mega-talented multi-hyphenate has joined forces with Liz Meriwether (New Girl) on the ABC sit-com Bless This Mess. We talk about the benefits and challenges of writing, directing and starring in a network show; knowing when to land the joke slightly off the landing pad; and doing it all as a mom. Back To One can be found wherever you get your podcasts, including iTunes, Google Play, and […]
by Peter Rinaldi on Apr 23, 2019For one year now on this podcast, I have talked to dozens and dozens of actors about their approach to the craft of acting. There are few living non-actor directors whose thoughts on this subject I feel would be worthy for this archive. Mike Leigh is on the top of that list. Listening to actors talk about their working experiences has made me think of an analogy. They are like fish people, showing up on a set expecting some water to work in but mostly finding dry land everywhere, and, for the most part, having to supply the water themselves. […]
by Peter Rinaldi on Apr 16, 2019If I ever need to cry on cue, I can just picture the expression on Josh Hamilton’s face, in Eighth Grade, when Elsie Fisher hugs him. It’s a beautiful, wordless culmination of his incredible performance, which landed him a Spirit Award nomination this year. We discuss that scene, and he shares some of what he’s learned from jumping from the New York stage to the big and small screens and back again over the past 25 years. He talks about the importance of syncing with the director’s vision, being off-book before rehearsals, and why he’s a self described “take whore.” […]
by Peter Rinaldi on Feb 12, 2019We’re catching Alessandro Nivola at a very interesting moment in his career. A day before our talk, he was awarded Best Supporting Actor at the British Independent Film Awards for his incredible performance in Disobedience, and a few days before that it was announced that he will star in David Chase’s Sopranos prequel The Many Saints of Newark. He talks about the benefits of having time to prepare for the role of Rabbi Dovid Kuperman and facing the challenge of delivering that important climatic speech. And how, for him, inhabiting a character often starts with the voice. Plus he confesses […]
by Peter Rinaldi on Dec 11, 2018