The lineup for the 79th Venice Film Festival is now live, one day after Noah Baumbach‘s adaptation of Don Delillo’s novel White Noise was announced as the opening night film. The films announced today include Andrew Dominik‘s Blonde, Darren Aronofsky‘s The Whale, Joanna Hogg‘s The Eternal Daughter, recently jailed Iranian director Jafar Panahi‘s No Bears, Frederick Wiseman‘s narrative turn A Couple and more. White Noise marks the first time that a Netflix film serves as the festival’s opening night film. The streamer is also present with Dominik’s Blonde, the Nicolas Winding Refn mini-series Copenhagen Cowboy and Alejandro González Iñárritu’s Bardo (or False […]
by Filmmaker Staff on Jul 26, 2022Is Andrei Tarkovsky a dominant influence for Alejandro González Iñárritu’s The Revenant? Misha Petrick makes the case in this split-screen video, with The Revenant on the left and a broad swath of Tarkovsky’s films for comparison on the right.
by Filmmaker Staff on Feb 3, 2016Here’s a pairing! Two notoriously obsessive, driven, perfectionist and demanding directors in an on-stage dialogue. The DGA hosted this talk between Alejandro González Iñárritu and Michael Mann about the former’s epic frontier saga, The Revenant. Says the director of Heat and Miami Vice, The Revenant “embraces the totality of life, nature and experience… not like anything I’ve seen before.” Check out the detailed, candid conversation above or below.
by Scott Macaulay on Jan 1, 2016Last night’s Gotham Independent Film Awards were highlighted by a series of tributes to luminaries of the film world. We’ve posted both the intros and acceptance speeches. Let’s start with Robert De Niro’s tribute to Helen Mirren: And the wonderful Helen Mirren, taking De Niro’s lusty testimonial in stride: Next up we have Dan Rather, who quotes Archibald MacLeish (!) while paying tribute to Robert Redford… But not until this part of the ceremony, which includes Redford’s speech, a probing look back at his career. Julianne Moore understandably gushed when introducing Todd Haynes: And Haynes followed up with a speech […]
by Filmmaker Staff on Dec 1, 2015The first trailer for Alejandro G. Iñárritu’s The Revenant, an Alaskan-wilderness-survival saga, is here. The major point of interest for the technically inclined is that the film was the first to make use of the ARRI Alexa 65, which boasts a 65mm sensor. The footage looks accordingly/appropriately shiny; opens Christmas Day.
by Filmmaker Staff on Jul 17, 2015Having barely survived Alejandro González Iñárritu’s 21 Grams when it came out, I was inclined to stay away from his filmography for the rest of my life. But people I respect and trust — Iñárritu haters no less — kept saying that Birdman was actually quite good, so I popped in; two hours later, I felt as if my initial disinterest had been validated the hard way. Praise first for Edward Norton’s note-perfect rendition of the actor as a toxically always-“on,” reflexively self-dramatizing narcissist. Swaggering into conversations and pushing them into weird rhythms he can play with without regard for the […]
by Vadim Rizov on Nov 24, 2014Even the rain knocked down the Lions. When a storm hit the Lido island around the central-weekend turning point, delegates could be seen gleefully snapping pictures of the overturned statues outside the Casinò, a simplistic metaphor for the Venice Film Festival’s shaky status in recent years. You’d think the bronze lions themselves would be tired of hearing stories about Toronto and the shrinking circuit space for awards-season launchpads. However, with the Toronto/Telluride battle over world premieres turning nasty and some bolder picks than usual from the NYFF, Venice director Alberto Barbera was wise to renounce the star-chasing madness and to […]
by Tommaso Tocci on Sep 17, 2014Alejandro González Iñárritu last film Biutiful was so relentlessly depressing its body count nearly totalled that of an apocalyptic blockbuster, so it’s nice to see him swinging in the other direction with what looks to be a high-concept, gonzo comedy with Birdman. Starring Michael Keaton as an over-the-hill superhero actor struggling to mount a Broadway comeback, the film, which is shot by the inimitable Emmanuel Lubezki, boasts an eclectic ensemble in Naomi Watts, Michael Keaton, Zach Galifianakis, Amy Ryan and Emma Stone. What piques my interest, however, is the fact that the Broadway play is an adaptation of Raymond Carver’s What We Talk About When […]
by Sarah Salovaara on Jun 12, 2014Martin Papazian has been a working actor for nearly two decades, supporting a list of heavyweights in projects like Jarhead and 24. For Papazian, learning on the sidelines from his colleagues and directors became an essential task, and ultimately has prepared him for his most pivotal role yet — a filmmaker. Working at break-neck speed for a total of 19 shooting days, Papazian made his feature debut as a writer/director with Least Among Saints. The film, in which he is also the lead actor, begins with a soldier returning from war and a boy who’s had to grow up in […]
by Niki Cruz on Oct 9, 2012Now up on our VOD Calendar are the titles available in May. Some of the highlights include Derek Cianfrance‘s Blue Valentine, John Carney‘s Zonad, Mark Ruffalo‘s directorial debut Sympathy for Delicious (which is also in select theaters now, read our interview with Ruffalo), Alejandro Gonzáles Iñárritu‘s Biutiful and the premiere of the Adrien Brody/Penélope Cruz starrer A Madator’s Mistress. To find titles from other months go to our VOD Calendar homepage.
by Jason Guerrasio on May 1, 2011