Andrew Bujalski
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Cinematographer Matthias Grunsky on Shooting Andrew Bujalski’s Sundance Competition Film, Results
Austrian-born cinematographer Matthias Grunsky has been a steady collaborator of director Andrew Bujalski from his 2001 debut, Funny Ha Ha to the more recent Computer Chess, for which Grunsky was nominated for Best Cinematography at the Independent Spirit Awards. From grainy black-and-white to what appears to be a slicker look for their latest, Results, Grunsky has adapted his technique to Bujalski’s desire for small crews and low-key environments. Below, Grunsky discusses that process as well as the detailed testing process he undertakes on his pictures. Results premieres Tuesday, January 27 in the Dramatic Competition of the Sundance Film Festival. Filmmaker: […]
by Scott Macaulay on Jan 27, 2015 -
Watch: Andrew Bujalski on his New Film Results
“Even when you’re falling in love with somebody, even when you’re having a beautiful kiss that you’ll remember for the rest of your life, something could still be terribly wrong.” That’s Andrew Bujalski (Funny Ha Ha, Computer Chess) in this brief video teasing his fifth feature Results, which premieres later this month at the Sundance Film Festival. We still don’t have all that much detail on Bujalski’s first film to feature honest to goodness name actors: Guy Pearce and Cobie Smulders topline, with Anthony Michael Hall and Giovanni Ribisi also part of the improbable cast. We know it’s a drama about gyms, working out, […]
by Vadim Rizov on Jan 9, 2015 -
Medium Specific: An Interview with Computer Chess Director Andrew Bujalski
Andrew Bujalski’s Computer Chess is the most daring feature film of the year. A bewildering and baffling trip back in time (to circa 1980), the movies follows a group of four-eyed super-nerds engaged in a unique chess tournament – in which their carefully designed computer programs face off against each other. Shot on 43-year-old video equipment (the Sony AVC3260, one of the earliest consumer cameras), the movie looks like a lost artifact from another era — with soupy black-and-white images that take on a ghostly pallor. If Bujalski is known for his lo-fi minimalist human comedies Funny Ha Ha, Mutual […]
by Anthony Kaufman on Jul 15, 2013 -
Celebrating the Obsolete: Films on Film at SXSW
It’s no secret that the independent film industry has been irrevocably altered by the modern financing and distribution landscapes. With new technologies rendering traditional media — both film itself and releasing platforms — obsolete, filmmakers have managed to weave the presence of such nostalgias and tropes into their work. In Josh Johnson’s Rewind This!, which had its world premiere at SXSW, the effects of the home video revolution are dissected by collectors, fanatics, programmers, and critics alike. Andrew Bujalski’s Computer Chess, which screened at SXSW following its world premiere at Sundance, is a comedic period piece in which programmers and […]
by Sarah Salovaara on Mar 15, 2013 -
Critic’s Notebook: The 2013 SXSW Film Festival
Every festival has its bright spots, especially important ones like the SXSW Film Conference & Festival, but this year they were perhaps harder to find than in years past. I would have stuck around to see the lovely Destin Daniel Cretton and his indie tearjerker Short Term 12 accept the top prize for narrative (or Ben Nabor take the doc prize for his look at a Malawian windmill architect, William and the Windmill), but the weirdly tone-deaf, sycophantic awards ceremony — during which festival honcho Louis Black railed about how he “didn’t care about money” at this for-profit festival and the all-white […]
by Brandon Harris on Mar 13, 2013 -
True/False Dispatch #2: Sleepless Nights and Computer Chess
Making its North American premiere at True/False, Eliane Raheb’s Sleepless Nights is ostensibly about the Lebanese Civil War’s fallout. The opening title cards recap the conflict’s history in a bewilderingly quick synopsis, and if you’re not already informed on the subject (I went in shamefully ignorant), it’ll take a while to get your bearings. The principal subjects are Assaad Shaftari, a former Christian militia senior intelligence official, credited with approving some 500 deaths; and Maryam Saiidi, whose son vanished following one skirmish — the “battle of the science building” — out of a long, complicated history (the War lasted 15 […]
by Vadim Rizov on Mar 8, 2013 -
Sundance: Death by Twitter, Computers vs. Brains
You are at the premiere of your own film. The screening is packed. The credits begin to roll…and 500 glowing screens appear in the darkness. You sit there, watching the phones, helpless as strangers and bloggers decide your fate 140 characters at a time. Perhaps the Variety critic delivers the first blow: a decisive mediocre. The indieWIRE stringer declares the audience underwhelmed, #sundance. At a party that night, people tell each other that they heard the movie was “only OK.” In the olden days, crowds of press and industry would gather outside the theatre to discuss their thoughts and settle on […]
by Alicia Van Couvering on Jan 23, 2013 -
Five Questions with Computer Chess Director Andrew Bujalski
After taking a few years off from filmmaking to form a family and take on adult responsibilities (such as buying a house), Andrew Bujalski premieres his newest film Computer Chess in Park City today. Using an interesting combination of non-professional and professional actors, this crowdsourced movie centers around a tournament of chess players and computer programmers in the 1980s. Though Computer Chess is indeed a period piece, its interest in humans’ relationship with technology remains entirely pertinent as our culture, more than three decades later, finds itself hinged to computers but unable to answer some of the same questions the […]
by Alexandra Byer on Jan 21, 2013 -
DAMIEN CHAZELLE, “GUY & MADELINE ON A PARK BENCH”
Damien Chazelle’s Guy and Madeline on a Park Bench is a throw back and perhaps a harbinger of things to come, a bebop tinged DIY mumblemusical that, despite its New Wavesque 16mm B&W aesthetic, is very much a movie of this time and moment. It concerns a relatively young, black and talented trumpet player named Guy and his would be, perhaps still his lover, a white grad student named Madeline (the oddly alluring Desiree Garcia). Played by real life Boston jazz scene leading light Jason Palmer, Guy engages in a series of pseudo-romances, bemoans the marginality of the relatively esoteric Jazz […]
by Brandon Harris on Nov 3, 2010 -
Andrew Bujalski, Beeswax
MAGGIE HATCHER, TILLY HATCHER AND ALEX KARPOVSKY IN WRITER-DIRECTOR ANDREW BUJALSKI’S BEESWAX. COURTESY CINEMA GUILD. Every film movement has its (sometimes reluctant) leader or trendsetter, and in the case of mumblecore, that person is Andrew Bujalski. The soft-spoken writer-director and sometime actor was born in 1977 in Boston, where both his parents worked in business. His mother had previously been an artist, and Bujalski seemed to inherit her more creative inclinations, which lead him to study film at Harvard’s Department of Visual and Environmental Studies. Bujalski was particularly fortunate to have the legendary Belgian filmmaker Chantal Ackerman as his thesis […]
by Nick Dawson on Aug 7, 2009
