To fuel their tentpole machines, studios have gotten into the habit of poaching successful independent filmmakers to direct (or at least assume the role of the director in a ceremonial way on) their most valuable franchises. Some would argue that the practice exists to cut down on costs and allow executives to easily manipulate a filmmaker with less leverage or experience. Indeed, when this happens, the result is often disastrous. Nevertheless, young storytellers continue to be tempted by studio-based jobs-for-hire that wind up costing them their creative freedom. By comparison, the independent model allows filmmakers an enviable amount of experimentation, […]
by Carlos Aguilar on Aug 12, 2016With streaming powerhouses like Netflix or Amazon now stepping into theatrical distribution of feature-length content, while also creating spaces for storytellers to work on episodic content, filmmakers’ options to reach a wider audience have expanded — even if that means sacrificing a more traditional release. Now, filmmakers’ dilemmas revolve around determining the length, visual language, and viewing situations most suitable for their stories. Undoubtedly, each medium presents distinct artistic tools, benefits, and its own set of restrictions. However, television, and episodic content in general, has in recent years been heralded as a space where filmmakers can deviate from the norm […]
by Carlos Aguilar on Aug 11, 2016Boasting an eclectic program of features, shorts, musical performances, conversations and informational panels, Sundance NEXT Fest 2016 will bring a piece of the Park City action to Downtown Los Angeles from August 12-14 at the Theatre at Ace Hotel. Six features that had their world premieres back in January at Sundance will screen alongside bonus events ranging from stand-up comedy to Q&As and live acts. The films, all of which have secured theatrical distribution post Sundance, encompass explorations of gender and race from a strong female perspective, a twist on the immigrant story and assimilation, a paranormal Iranian tale set […]
by Carlos Aguilar on Aug 10, 2016In every film, there is the story that you knew you were telling, the story the audience perceives. But there is always some other story, a secret story. It might be the result of your hidden motivations for making the film, or, instead, the result of themes that only became clear to you after you made the movie. It might be something very personal, or it might be a story you didn’t even know you were telling. What is your film’s secret story? For me Goat is a narrative investigation of masculinity. This isn’t a secret, but it certainly is an […]
by Filmmaker Staff on Jan 23, 2016While there have been many films riffing on reality tropes in the last several years, few have been as cleverly conceived and entertainingly executed as Andrew Neel’s debut fiction film, King Kelly. Set in the world of amateur webcam porn, the film depicts a monstrously fascinating Tracy Flick for our oversexualized social media age. Played ferociously by Louisa Krause, Kelly is a high-school student who runs a profitable one-woman porn empire from her suburban bedroom, with her parents none the wiser. Stripping on cam, uploading details of her everyday life and ruling over her chat room with a gonzo glee, […]
by Scott Macaulay on Jun 20, 2012A number of our favorite independent films of the year are screening this week at the Northside Festival, a Brooklyn-based film and music event that gathers a number of film organizations, includuing Filmmaker, to guest curate some of its programming. Filmmaker‘s night is Wednesday, when we screen in its New York premiere Andrew Neel’s wickedly funny King Kelly (pictured) and Jeremiah Zagar & Nathan Caswell’s haunting short, Remains, but there are a number of other favorites dotted throughout the schedule. For example, tonight there’s one of the best documentaries of the year, Ashley Sabin and David Redmon’s Girl Model (presented […]
by Scott Macaulay on Jun 18, 2012