It’s hard not to touch your face — something I, and many of you, have undoubtedly learned in recent weeks. As much as I now better understand epidemiological chains of transmission, I still sometimes slip up. So, I’m going to try to keep this punk earworm by the Lunachick’s Gina Volpe — here visualized in a brashly impactful video by Leah Shore, a 2013 25 New Face — in my head as I (only very occasionally and necessarily) venture out into the world.
by Scott Macaulay on Apr 8, 2020Here’s a lovely one-minute animation by Robertas Nevecka that captures the confusing anxiety felt by those of used to working on film sets but who are now stuck at home. Nevecka is a Lithuanian assistant director whose film set drawings can be found on Instagram. Related at Filmmaker: “What Everyone Does on a Film Set.”
by Scott Macaulay on Mar 30, 2020A restless trucker (credited as the titular “Phantom”) tugs his wheels across the highway and calls out to fellow drivers over his CB radio. No one else is on the road and no one reciprocates his cries via electronic airwaves. Eventually, the endless road gives to an endless ocean and the big rigs of the freeway morph into the whale varieties of the water. Whale calls, clicks, and songs reverberating over long distances in the ocean stand in for the Semis CB radios. But our Phantom’s whale calls out at a 52hz frequency, and no whale hears at 52hz, so […]
by Aaron Hunt on Feb 2, 2019If you’d mentioned Eric Darnell’s name a few years ago, most people would have thought of the Madagascar films or the Penguins of Madagascar spin-off, all of which he co-directed while at DreamWorks Animation, where he also directed Antz and contributed to films like The Prince of Egypt and Shrek. But think of him today and you’re just as likely to conjure up images of bumbling aliens, a fluffy and resourceful bunny or a multicolored crow, and all in virtual reality. That’s because Darnell is the co-founder and chief creative officer at Baobab Studios, which in just two years has established itself as one of the United […]
by Randy Astle on Jul 27, 2017In 2014 I spoke with Dorota Kobiela and Hugh Welchman, respectively the writer/director and co-director/co-writer/producer of Loving Vincent, an animated film about the final days of Vincent Van Gogh’s life that was then in preproduction. Three and a half years and much blood, sweat and tears later the film is complete and premiered at the Annecy International Animated Film Festival last week. It’s been gaining attention since its initial failed Kickstarter campaign (a second go was more successful) for its production method, with a team of artists creating each frame in the style of Van Gogh with oil paint on canvas, the […]
by Randy Astle on Jun 20, 2017One of my favorite virtual reality pieces at last year’s Tribeca Film Festival was the animated Invasion! from San Francisco-based Baobab Studios. The short film, directed by Baobab co-founder Eric Darnell, was reportedly downloaded over one million times (including in my household, where my kids loved its Google Cardboard version), making it the most-downloaded virtual reality piece yet, and in September a feature film adaptation was announced. Baobab thus had a high bar for their next project, so they launched two: Asteroids!, which premiered at Sundance in January, and now Rainbow Crow, which premiered this year at Tribeca. Following in the kid-friendly tradition of Darnell’s […]
by Randy Astle on Apr 30, 2017Hormones wreck havoc throughout the body, sending the fragile teenage ego into dismay, and for a good part of our formative years we exist in a state between childhood innocence and realizations of adulthood. Showcasing sharp wit and highly quotable dialogue, comic-book artist turned animator Dash Shaw has encapsulated all these feelings of inadequacy and self-loathing in his creatively unhinged first feature, My Entire High School Sinking Into the Sea, which stars an enviable voice cast of indie stars: Jason Schwartzman, Lena Dunham, Susan Sarandon, Maya Rudolph and Reggie Watts. Pulling from his own recollections of navigating the dangerous waters […]
by Carlos Aguilar on Apr 14, 2017If comforting hugs could be delivered in visual form, My Life as a Zucchini would be the warmest of them all. Kindhearted but not sugarcoated, Claude Barras’ first animated feature has quickly become a global phenomenon, winning many international awards and now an Academy Award nomination for Best Animated Feature. Its most delightful victory, however, is in dealing with hardship and tragedy with honest tactfulness wrapped in colorful design. Social realism filtered through the magical physicality of stop-motion is the recipe at the root of this touching adaptation of French scribe Gilles Paris’s novel, for which Girlhood director Céline Sciamma […]
by Carlos Aguilar on Feb 23, 2017The documentary Tower recounts the day in 1966 that a sniper on the University of Texas Tower killed 14 people and wounded dozens more. The film includes archival footage, interviews with those who were present and animated recreations of the event. In this interview, director/producer Keith Maitland and DP Sarah Wilson talk about the making of the film which receives its broadcast premiere on PBS on Tuesday, February 14th. Filmmaker: How did you become filmmakers? Maitland: I started off in narrative filmmaking, working on other people’s movies, and right around the time I met Sarah — we’ve been together 13 years […]
by Michael Murie on Feb 13, 2017When you think of indie film, animation may not be the first medium that comes to mind, and with so much else going on this year — both cinematically and in the world in general — it would be easy to miss that 2016 was a fantastic year for animation. The art form continues to present exciting opportunities for enterprising filmmakers, and this year it’s also given a plethora of great titles to those of us who simply want to watch quality animated cinema. So as the “Best of 2016” lists keep rolling in this December, here’s my take on […]
by Randy Astle on Dec 27, 2016