Alicia Van Couvering on the mysteries of VOD reporting.
by Alicia Van Couvering on Jan 29, 2013San Sebastian is celebrating six decades in the film festival business with the insistence that “60 years is nothing.” In their welcome guide this year, the organizers say: “As far as a film festival is concerned, 60 years shouldn’t be concealed with facelifts, but should be flaunted proudly.” There’s little doubt that the ever-increasing leviathan that is the Toronto International Film Festival is having an effect on any festival close to its dates — and San Sebastian follows hot on its heels. But José Luis Rebordinos’s second edition as director shows this Basque country old lady has plenty of life […]
by Amber Wilkinson on Sep 24, 2012This Friday, Roadside Attractions releases Nicholas Jarecki’s debut feature, Arbitrage. The following interview was originally published on the eve of the film’s Sundance Film Festival premiere. Currently best known for his documentary The Outsider, Nicholas Jarecki is poised for reevaluation with Arbitrage, his narrative directorial debut. Jarecki spent a long time ruminating over what kind of story he wanted to tell, ultimately deciding on a thriller set within a world he knew quite a bit about. Set amidst today’s tumultuous economic terrain, Arbitrage considers the ethics of a hedge-fund mogul. The film has already garnered attention thanks to its A-list ensemble, […]
by Alexandra Byer on Sep 11, 2012Stephen and Patrick from the National Film Society are back with one last Sundance interview. And they’re going in style, sitting down with Nicholas Jarecki, director of the hedge-fund thriller Arbitrage, for what Jarecki refers to as “without a doubt the weirdest interview I’ve ever done.” One of the big hits of this year’s festival, Arbitrage sold to Lionsgate and Roadside Attractions for a deal reportedly in the $2.5 million range. Video Highlight: Jarecki hilariously describing some unexpected sexual tension during his first meeting with actor Richard Gere. Watch that, and more, below:
by Jane Schoenbrun on Jan 31, 2012Celeste and Jesse Forever‘s Question & Answer Portion: Andy Samberg joked that it was finally nice to be acting in something where he “wasn’t rapping or wearing a bird suit.” Director Lee Toland Krieger. Elijah Wood’s co-stars cleared the stage, leaving him alone to answer a question regarding his influences for his gay character. Wood answered that most of the inspiration came from costume designer Julia Caston’s impeccable wardrobe choices. The End of Love‘s Question & Answer Portion: Director Mark Webber spoke about the process of making a film with his own son as the protagonist. The End of Love‘s […]
by Alexandra Byer on Jan 25, 2012Those of us not in Park City this weeked will have to make due with the slow-trickle of “Exclusive Clips” that have begun floating around the internet. First up, Wired shares a sequence from Lisanne Pajot and James Swirsky’s Indie Game: The Movie, a documentary about video-game programmers. In the above clip, Tommy Refenes, one of the film’s main subjects, nervously shares an unfinished version of his new game at a convention in Boston. Next, Deadline.com shares this tense clip from writer-director Nicholas Jarecki’s hedge-fund psychological thriller, Arbitrage. Featuring Richard Gere and Nate Parker, the clip hints at the film’s […]
by Jane Schoenbrun on Jan 22, 2012Currently best known for his documentary The Outsider, Nicholas Jarecki is poised for reevaluation with Arbitrage, his narrative directorial debut. Jarecki spent a long time ruminating over what kind of story he wanted to tell, ultimately deciding on a thriller set within a world he knew quite a bit about. The film has already garnered attention thanks to its A-List ensemble, but Jarecki hopes his script will force audiences to continue thinking even after the credits finish rolling. Arbitrage, which is set amidst today’s tumultuous economic terrain and considers the ethics of a hedge-fund mogul, screens today in Park City. — Filmmaker: […]
by Alexandra Byer on Jan 21, 2012[PREMIERE SCREENING: Saturday, January 21 6:30 pm –Eccles Theatre, Park City] I have no talent for painting or sculpting, really anything that requires dexterity or grace; I leave that to my actors and my crew. I’m constantly surprised at how precisely they can play an action, move a camera, or make a picture edit, all while bringing life to it so that it’s fresh on every take. That’s what’s great about being a film director: you get to play with brilliant others, then steal the credit for all their work. To me that sounded easier than figuring out how to […]
by Filmmaker Staff on Jan 21, 2012