SUNDANCE FILM FESTIVAL By Ashley Clark At this year’s ceaselessly snow-pummelled Sundance Film Festival (Jan. 19-29), I hardly expected to experience my first slice of knockout formal invention while languishing at my laptop in my hotel room. But these are strange times and, having landed in Park City on Jan. 20, hours after the surreal presidential inauguration of a bit player from Home Alone 2: Lost in New York, I found immediate succor in scrolling through my Twitter feed. It had been colonized by a panoply of speedily crafted user videos depicting white supremacist goon and Trump supporter Richard Spencer […]
by Filmmaker Staff on Apr 13, 2017I missed my 6am flight on the last day of the Borscht Film Festival. I blame Moonlight. And Miami. It had been an insanely inspiring weekend of art, film and new friendships at the festival’s 10th year down in Miami. Borscht ran February 22-26, encompassing live performances, film screenings, art installations, parties on islands and even a viking funeral — which I, regretfully, missed. I’d been hearing about Borscht for years through a number of my friends in the film community and via co-founders Jillian Mayer and Lucas Levya’s visionary films/art. Over and over, I was told the fest was […]
by Meredith Alloway on Mar 21, 2017International Copenhagen Documentary Film Festival – CPH:DOX 2014 by Pamela Cohn There is no way by which the events of the world can be directly transmitted or recorded in our brains. They are experienced and constructed in a highly subjective way. Our only truth is narrative truth, the stories we tell each other, and ourselves, the stories we continually re-categorize and refine. This sort of sharing — this communion — would not be possible if all our knowledge, our memories, were tagged and identified and seen as private, exclusively ours. —from Martin Scorsese and David Tedeschi’s film The 50 Year […]
by Filmmaker Staff on Jan 21, 2015Winning the prize for the best entry in the Borscht Film Festival’s Scarface Redux contest was Florida International University student Martell Harding, whose “Shootout” is 11 intense seconds of action-figure mayhem. Borscht’s crowdsourced remake of Brian DePalma’s modern neo-classic, Scarface Redux consists of, in the vein of Star Wars Uncut, homemade clips reinterpreting the film in a variety of styles and genres. And while Borscht 9 is over, the project is continuing, with some clips yet to be covered. Meanwhile, though, the competition aspect of the project is over, with Harding’s the winning clip. The filmmaker, who is studying Communication […]
by Scott Macaulay on Jan 6, 2015As Borscht 9 — Miami’s delirious cinematic fete comprising afternoons spent in the middle of the ocean, machete fencing and bike rides to the multiverse — hits its midpoint, Borscht Corporation releases to Filmmaker one of its recent short films, Sea Devil. Sea Devil, directed by by Dean C. Marcial and Brett Potter of Calavera Films, was screened in work-in-progress form at Borscht 8 and now it’s having its online premiere here on the site. Winner of the Bronze Audience Award at Fantasia 2014, Sea Devil is the story of a fisherman smuggling Cuban immigrants into Miami, a mysterious stranger […]
by Scott Macaulay on Dec 19, 2014December 17 – 21 I should be concentrated on Christmas shopping, but I’ll be at Borscht 9 in Miami. (Sorry, friends and family.) Borscht 8 was my favorite film event of 2012, and I can’t wait for this year’s edition. What’s Borscht? (Aside from a soup?) Here, from the site: The Borscht Film Festival (est. 2004 by New World School of the Arts high school students) is a quasi-yearly event held at iconic Miami venues that commissions, produces, and showcases movies created by emerging regional filmmakers telling Miami stories that go beyond the city’s insipid exterior. Borscht Corp is an […]
by Scott Macaulay on Dec 10, 2014“Say hello to my little friend!” If you’ve ever fantasized unleashing your inner Tony Montana — or, more accurately, your inner ’80s-era Brian DePalma — then the latest crowdsourced art project from the Miami-based Borscht Corporation is for you. Borscht has announced Scarface Redux, a fan remake of the 1983 drug lord epic, with filmmakers from all over the world invited to direct and submit their own 15-second segment. The clip can be “live action, animation, puppets, legos, Chihuahuas, it doesn’t matter!”, the site says. The finished film will be screened at the Borscht Film Festival in December at a […]
by Scott Macaulay on Jul 9, 2014The Borscht Film Festival does great work, not only playing films already on the circuit but also specially commissioning shorts by Miami-based filmmakers for the event. Amy Seimetz’s When We Lived in Miami was the most notable of these from last year’s fest, and from the previous year that distinction arguably went to Barry Jenkins’ Chlorophyl. The short by the Medicine for Melancholy dirctor is, finally, online. And for a little background, check out Borscht collective member Andrew Hevia’s post for Filmmaker‘s own The Microbudget Conversation about how the film came about.
by Nick Dawson on Nov 12, 2013I’ve not been posting as regularly recently as much of my focus has been on the redesigned Filmmaker website, which will be launching in the very near future. But, on this quiet Friday afternoon, I thought I’d take the opportunity to provide a few quick updates on the current class of filmmakers in our “25 New Faces,” who are a very productive bunch. Firstly, New Yorkers should head to MoMA this Sunday, October 28, for The White House Home Movies: Richard Nixon on Super-8, a screening which is part of the 10th MoMA International Festival of Film Preservation. There will be clips […]
by Nick Dawson on Oct 26, 2012