Cannes Film Festival 2013
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Cannes 2013: Prizes for Directors’ Fortnight and Critics’ Week Announced
As Cannes is coming to a close, the accolades are being handed out. We still have to wait for the Competition award ceremony,which will be on Sunday, but the Directors’ Fortnight and Critics Week have already both bestowed honors on their films. Though Directors’ Fortnight does technically have a competition, nevertheless prizes are handed out, with this year Guillaume Gallienne’s flamboyant comedy Les Garçons Et Guillaume, A Table! (an autobiographical piece about his difficult relationship with his mother) taking two prizes, and The Selfish Giant — Clio Barnard’s follow-up to The Arbor, a Cannes favorite in 2010 — also winning an award. […]
by Nick Dawson on May 24, 2013 -
Cannes 2013: Gray’s The Immigrant and Sorrentino’s The Great Beauty
James Gray’s The Immigrant is Classic Hollywood melodrama, done incredibly well, a film that powerfully portrays the emotional journey of a Polish immigrant, Ewa (Marion Cotillard), and her pimp, Bruno (Joaquin Phoenix). It offers a powerful historical account of the connections between the mass immigration to the United States and the often desperate desire to achieve the American Dream, while also serving as a brutal reminder of the ways in which that dream was exploited by people who were willing to take advantage of new arrivals, many of whom were overwhelmed by their new home. Gray’s film borrows from classical […]
by Chuck Tryon on May 24, 2013 -
Cannes 2013: Payne’s Nebraska and Puenzo’s Wakolda
Alexander Payne’s Nebraska is an impressive achievement, a fresh and innovative take on that most familiar of genres, the road movie, one that takes conventions about the American heartland and turns them on their head. It’s also a story about a father and son learning to see and understand each other for the first time. The film opens with a shot of Woody Grant (Bruce Dern in what should be a performance that collects numerous awards) shuffling purposefully down a Billings, Montana, highway, his scraggly beard, limping gait and weathered face suggesting a man who has struggled for the little […]
by Chuck Tryon on May 23, 2013 -
Cannes 2013: Soderbergh’s Behind the Candelabra and Refn’s Only God Forgives
If Behind the Candelabra is Steven Soderbergh’s last film before he retires to pursue other interests, it serves as a fitting tribute to his fascination with celebrity and to his ability to depict complex emotional relationships in an accessible and engaging fashion. The film depicts the tumultuous relationship between Liberace (Michael Douglas) and his lover, Scott Thorson (Matt Damon), during the last few years of the pianist’s life, relating the story primarily from Scott’s perspective as he is welcomed to see behind Liberace’s widely recognized stage persona and to gain access to the person behind the image. When the film […]
by Chuck Tryon on May 22, 2013 -
Cannes 2013: Portraits of Purgatory
Portraits of purgatory dot this year’s Cannes Film Festival, with movies that run the gamut in terms of styles and techniques: epic drama, cheeky comedy, documentary, animation, and surrealism. No matter what the setting, the plight is the same, with characters stuck in a cycle of emotional limbo where hope for happiness floats tantalizingly but incessantly out of reach. The most accomplished of the group is The Great Beauty, Paolo Sorrentino’s voluptuously crafted riff on La Dolce Vita and a masterful study of 65-year-old Jep Gambardella (Toni Servillo), a dilettante journalist still coasting on the acclaim of a single early-career […]
by Stephen Garrett on May 22, 2013 -
Cannes 2013: Franco’s As I Lay Dying and Robichaud’s Sarah Prefers to Run
While I was in graduate school, many years ago, I wrote a master’s thesis on William Faulkner’s As I Lay Dying and have always loved the novel’s rich layering of the multiple, fragmentary points-of-view. Faulkner used to this technique — which he once described as “thirteen ways of looking at a blackbird” — to depict the Bundren family’s mock epic journey from their little hamlet to the county seat of Jefferson, where they have promised to bury the family’s matriarch, Addie. Because of my knowledge of the novel, I approached James Franco’s adaptation with a great deal of trepidation. Add […]
by Chuck Tryon on May 21, 2013 -
Cannes 2013: Kore-eda’s Like Father, Like Son and Miike’s Shield of Straw
Hirakazu Kore-eda’s Like Father, Like Son engages with questions of family and identity, exploring what it means to be a father, using a plot device in which children from two different families are switched at birth, a detail that is only discovered when the sons are about to enroll in school. The film’s primary point of identification is Ryota, a young father and ambitious businessman who strives to provide for his family and also to ensure that his son will have every opportunity for success. This desire for success is conveyed from the very opening shot, in which Ryota’s son, […]
by Chuck Tryon on May 21, 2013 -
Trailer Watch: Alejandro Jodorowsky’s The Dance of Reality
Earlier today Scott wrote about Jodorowsky’s Dune, the Cannes doc about the legendary mystical auteur’s famous failed attempt to adapt Frank Herbert’s sci-fi novel for the big screen, so now is a perfect time to post the trailer for the director’s new film, which is also having its world premiere on the French Riviera. The Dance of Reality is Jodorowsky’s first film since 1990, but the 23-year layoff does not seem to have dulled the director’s visual flair, sense of the bizarre or, well, general weirdness. This trailer has French rather than English subtitles, but the images more than speak for […]
by Nick Dawson on May 20, 2013 -
Premiere Day at the Cannes Critics’ Week
Well, the big day has arrived. We woke up early to heavy rain and made a quick run for our morning pastries before putting on our Sunday finest for the screening. After trying to find a cab for the better part of an hour, we called and last-minute audible and decided to walk, torrential downpour be damned! We arrived mostly intact and a little worse for the wear, but were warmly greeted by the Semaine staff who whisked us back to the green room where we got to meet the other Critics’ Week filmmakers. At the theater, which was almost […]
by David Lassiter on May 20, 2013 -
Cannes 2013: Jodorowsky’s Dune and Inside Llewyn Davis
“I wanted to make something sacred and free,” says Alejandro Jorodowsky about his planned adapation of Frank Herbert’s science-fiction classic, Dune. Indeed, Dune will be more than just a movie, argue the director and his collaborators in Frank Pavich’s Jodorowsky’s Dune, a documentary that premiered Saturday in the Directors Fortnight section of the Cannes Film Festival. Says Jodorowsky in the film, “Dune will be the coming of a god.” There are several documentaries about nightmare shoots and even unmade films — Lost in La Mancha comes to mind — but Jodorowsky’s Dune is the only documentary I can think of […]
by Scott Macaulay on May 20, 2013
