Criterion Collection
-
“Apple Changed the Whole Landscape of How You Market a Product”: Sebastian Pardo on Crafting Graphic Design for The Brutalist
In late October, A24 dropped a teaser for their highly anticipated The Brutalist, where glimpses of Brady Corbet’s epic flash by as credits and review pullquotes horizontally crawl across the screen like the VistaVision-format celluloid that ran through the camera to capture the picture. It’s a sharp piece of trailer design that formally evokes the experience of the film as much as it serves as a piece of marketing. The design of the scroll also summons the Bauhaus stylings that inspire the architecture of The Brutalist’s subject, László Tóth (Adrien Brody), highlighting the words on screen around evocations of the […]
by Alex Lei on Dec 17, 2024 -
“Seeds for the Revolution”: Robert Townsend on Hollywood Shuffle
I first became introduced to the work of Robert Townsend unceremoniously when his family sitcom, The Parent ‘Hood, premiered on The WB network in 1995. A professorial father figure with a wife and four children, Townsend’s character seemed, at least to my adolescent eyes, the ideal American dad. A noble role that fit him like a glove, Townsend must have enjoyed following up his caped-crusader directorial effort, The Meteor Man, with a sitcom that afforded him a more domesticated form of heroism. Those types of roles were not often offered to Townsend. Released in 1987, his directorial debut, Hollywood Shuffle, […]
by Erik Luers on Mar 3, 2023 -
Defending Your Life, The Producers and Spaceballs: Jim Hemphill’s Home Video Recommendations
The best film by America’s greatest comic filmmaker arrives on Blu-ray this week in the form of Criterion’s release of Albert Brooks’ Defending Your Life. Some Brooks partisans might argue on behalf of the more acidic and self-flagellating Modern Romance or the more influential Real Life (and if you caught me on certain days I could probably be convinced that Mother is as great a movie as anyone has ever made), but Defending Your Life is the director’s most philosophically dense, emotionally satisfying, and conceptually ambitious comedy, an inquiry into the meaning of existence as serious as Tree of Life […]
by Jim Hemphill on Apr 2, 2021 -
World of Wong Kar Wai, The Ten Commandments, Southland Tales and More: Jim Hemphill’s Home Video Recommendations
The Criterion Collection adds another indispensable boxed set to its library with this month’s release of World of Wong Kar Wai, a package of seven essential features, all restored and remastered and accompanied by an abundance of interviews, deleted scenes, and alternate endings. Chungking Express and In the Mood for Love have been released by Criterion before, but the remaining five films – As Tears Go By, Days of Being Wild, Fallen Angels, Happy Together, and 2046 – are new to the label and presented here in vastly superior presentations to prior U.S. home video releases. The early films are […]
by Jim Hemphill on Mar 26, 2021 -
Wings of the Hawk, The Parallax View, Smooth Talk: Jim Hemphill’s Home Video Recommendations
Director Budd Boetticher made dozens of movies ranging from romantic comedies and noirs to science fiction and prison pictures, but he’s long been known primarily for the seven Westerns he made with Randolph Scott between 1956 and 1960. While those films are all terrific and worthy of the praise bestowed upon them by the likes of Paul Schrader, Martin Scorsese, and Quentin Tarantino, their canonization has kept many other worthwhile Boetticher works from discovery. I’ve always been partial to the movies he made as a contract director at Universal in 1952 and 1953, a period during which he made a […]
by Jim Hemphill on Feb 5, 2021 -
Braking and Entering: Director David Cronenberg on His Austere and Unnerving J.G. Ballard Adaptation, Crash
The following interview with David Cronenberg about his film Crash originally appeared as the cover story of Filmmaker‘s Winter, 1997 edition. With Crash having just been rereleased in a new restoration by Criterion, it is being republished online for the first time. Also regarding Crash: Joanne McNeil’s essay on the relation of the work to the source material, J.G. Ballard’s novel. Blood, semen and gasoline are the liquids that course through David Cronenberg’s compelling study of sexual fetishism, Crash. But far from being a, well, messy affair, Crash is startling for its cool precision and astute manner of intellectual provocation. […]
by Scott Macaulay on Jan 5, 2021 -
Ulysses, La Strada and Popeye: Jim Hemphill’s Home Video Recommendations, Holiday Edition
One of the more interesting periods in the history of Italian cinema is the era of international co-productions that followed neorealism; kicked off by the massive success of MGM’s 1951 extravaganza Quo Vadis, the Italian film industry entered a boom age in which the location shooting, social consciousness, and limited resources of neorealism gave way to spectacular sets, glamorous Hollywood stars, and lavish budgets thanks to the country’s abundance of breathtaking scenery and attractive production incentives. One of the most expensive and entertaining of the 1950s historical epics was Ulysses (1954), a gorgeously photographed and cleverly written adaptation of Homer’s […]
by Jim Hemphill on Nov 25, 2020 -
“The Violence in the Film is Simply a Reflection of the History of Human Beings”: Writer/Director Jim Jarmusch and Actor Forest Whitaker on Ghost Dog: The Way of the Samurai
With Jim Jarmusch’s Ghost Dog: The Way of the Samurai newly released by Criterion Collection today, Filmmaker is publishing online for the first time Peter Bowen’s interview with Jarmusch and actor Forest Whitaker from our Winter, 2000 print issue. In Jim Jarmusch’s latest adventure, Ghost Dog: The Way of the Samurai, the title character, played by Forest Whitaker, is set on a collision course with the mob after a local boss’s daughter (Tricia Vessey) witnesses him making a hit. Soon, Ghost Dog is declared a “liability,” and a hit is ordered on him as well. Naturally, this mysterious urban samurai easily eludes […]
by Peter Bowen on Nov 17, 2020 -
Christ Stopped at Eboli, Lucio Fulci in 4K and Abel Ferrara’s Tommaso: Jim Hemphill’s Home Video Recommendations
When Francesco Rosi adapted artist and activist Carlo Levi’s 1945 memoir Christ Stopped at Eboli for Italian television in 1979, contemporary observers of the director probably saw it as a strange choice. Rosi had made his name with searing, forcefully immediate studies of Italian society and politics like Salvatore Giuliano and Hands Over the City; Levi’s book about his banishment to an isolated rural town during the reign of Mussolini was as modest and personal as Rosi’s earlier films were sweeping and elaborate. Yet the memoir had in fact been a dream project of Rosi’s for decades, and the four-part, […]
by Jim Hemphill on Sep 11, 2020 -
The Complete Films of Agnes Varda, Batwoman, Star Trek: Discovery: Jim Hemphill’s Home Video Recommendations
Earlier this year I wrote about Criterion’s Bruce Lee: His Greatest Hits boxed set and declared it one of the best Blu-ray releases of all time. Less than two months later, the producers at Criterion have already topped themselves with the 15-disc The Complete Films of Agnes Varda collection, a comprehensive look at the work of one of the French New Wave’s grand masters. The set contains 39 features and shorts, arranged not in chronological order but in a series of intelligently curated programs, as though the movies were being shown in a public retrospective; there are discs devoted to […]
by Jim Hemphill on Aug 14, 2020
