Having watched episodes 1-4 in one marathon session, what I expected is true: the new Twin Peaks is considerably less satisfying taken in one distanced hour at a time. This needs sustained duration to really breathe. I’m not fool enough to try to parse What It All Means at this time, but five stray notes: I seriously doubt David Lynch has spent more than, at most, five seconds in his life wondering if he’s doing something too “difficult” or inaccessible for a hypothetical viewer. It’s been both unsurprising and mildly annoying to read umpteen TV recappers who — unable to go about their […]
by Vadim Rizov on Jun 15, 2017Andreas Halskov — whose useful overview of David Lynch’s visual references we posted a while ago — has also gone deep on the director’s much-discussed use of noise and interference, examining it as a stylistic device, recurring motif and general theme.
by Filmmaker Staff on Jun 13, 2017With his new Twin Peaks: The Return scrambling our minds every Sunday, we at Filmmaker are experiencing a collective case of the feels for David Lynch these days. Giving us our fix until Episode Six streams this weekend is this video of Lynch’s television commercials compiled by Jeff Keeling. As with many directors, Lynch directed many of his best short TV spots for overseas brands, so look for work here like a Twin Peaks tie-in spot for Japan’s Georgia coffee that I, at least, have never seen before. A complete list of commercials included is below. (I venture to say […]
by Scott Macaulay on Jun 9, 2017Warning: If you haven’t seen both seasons of Twin Peaks, Fire Walk With Me and the first five episodes of Twin Peaks: The Return – turn around. David Lynch warned us. Weeks before the revival of his surrealist soap opera, Variety reported that Fire Walk With Me would be “very important” to understanding Twin Peaks: The Return. Five episodes in, it’s clear Lynch wasn’t kidding. Even fans of the original series who plowed through the maligned second season – overcoming Confederate flags and pine weasels – have found themselves baffled by references to Phillip Jeffries, the Blue Rose, or the Owl Cave Ring. Fire Walk With Me, we’ve […]
by Soheil Rezayazdi on Jun 5, 2017Director, screenwriter and boatbuilder (!) Sam Kuhn is in Cannes premiering his short film, Möbius — described as “a moth-eaten tale of magic and mutation half remembered by a teen poet who’s beloved lies lifeless in a stream” — in Critic’s Week. Filmmaker asked Kuhn, who hails from the Pacific Northwest, to keep a diary of his experiences, which rapidly went from jet-lagged to deeply strange. Here is his final entry; click here for them all. CODA Full night sleep. First in what feels like forever. Hit the 4:00 PM day-after-screening of Twin Peaks in a Toronto Raptors jacket gifted […]
by Sam Kuhn on May 28, 2017(Spoilers follow.) It’s not surprising that David Lynch has a lot to get out of his artistic system after, effectively, 11 years of dormancy on the moving-image front. In interviews, Lynch has said that he thinks of this new “season” as an 18-hour movie “shown not in a big theater, but it’s shown as cinema on television.” Having slammed through four episodes in one night, I’d take him at his word: the tonal transition he accomplishes in that time is amplified when absorbed as one unit, and I suspect the final unveiled product will benefit from being viewed in as close to one […]
by Vadim Rizov on May 24, 2017While David Lynch fans eagerly await the premiere of the new Twin Peaks on Sunday, a documentary that peers deep into the iconic director’s life is currently making its way around theaters across the U.S. After premiering last year in Venice to rave reviews, we caught David Lynch: The Art Life at the American Film Festival in Wroclaw, Poland toward the end of its festival circuit. The film will play local dates this summer before being sent out to the film’s thousand-plus Kickstarter backers who have been waiting on the documentary since its 2012 campaign. The film’s young director, Jon Nguyen, […]
by Ariston Anderson on May 17, 2017Whereas previous Twin Peaks trailers have featured pretty much nothing in the way of images from the cult show’s return, this teaser actually drops us into the look of the new season. It’s creepily tantalizing.
by Filmmaker Staff on May 12, 2017What makes Mulholland Drive the quintessential David Lynch film? In the run up to the return of Twin Peaks, Leigh Singer digs into Lynch’s 2001 masterwork, split-screen comparing and contrasting it with the entirety of his career to demonstrate how it enfolds his many preoccupations and characteristic images.
by Filmmaker Staff on Apr 25, 2017Andreas Halskov’s video essay analyzes David Lynch’s visual references, finding nods to Edward Hopper, Suspiria and Laura, among others, across his work. Warning: contains full-frontal nudity and, via Dario Argento, some graphic violence.
by Filmmaker Staff on Apr 4, 2017