Documentary

Dorothy Fadiman, Stealing America: Vote By Vote

A true independent, documentarian Dorothy Fadiman has resolutely worked outside the system for more than 30 years. Pittsburgh native Fadiman was a Stanford speech pathology graduate with a husband and two kids when, in 1976, an LSD trip inspired her to become a filmmaker. The resulting short, Radiance, took a religious, poetic and academic look at light in the universe, and motivated Fadiman to continue to make films driven by her passions and interests. A grassroots activist since the early 60s, Fadiman has predominantly focused on social and political issues in her documentaries, and she had tremendous success with the […]
by Nick Dawson on Aug 1, 2008
25 NEW FACES UPDATE #2

Here’s the second of our catch-ups with previous “25 New Faces” filmmakers. If you’ve been on the list and haven’t sent us an update, you can still email one to editor.filmmakermagazine AT gmail.com. Rachel Grady and Heidi Ewing, directors, 2005: Since we were included in Filmmaker Magazine’s “25 New Faces of Independent Film” we co-directed a film called Jesus Camp that was nominated for an Oscar, and have completed television projects for CBS and VH1. We are currently making a documentary in Saudi Arabia, and producing a segment of the Freakonomics movie. In addition, we just signed on to make […]
by Scott Macaulay on Jul 30, 2008
Wire Framed

Over at The House Next Door, Godfrey Cheshire explains his decision to walk out on a press screening of James Marsh’s documentary Man on Wire: The reason for my discomfort was simple: The movie’s soundtrack contains frequent borrowings from the Michael Nyman scores of well-known Peter Greenaway films (as well as couple of other Nyman tracks, including one from Jane Campion’s The Piano). This, for me, totally destroyed the experience of watching Marsh’s film. I would be trying to follow the story when, every three or four minutes, that familiar music would blare out and my mind would be whipsawed […]
by Scott Macaulay on Jul 25, 2008
Margaret Brown, The Order Of Myths

MARDI GRAS QUEEN HELEN MEAHER IN DIRECTOR MARGARET BROWN’S THE ORDER OF MYTHS. COURTESY CINEMA GUILD. Though she may appear to casual observers as simply a gifted young chronicler of Southern culture, Margaret Brown’s talents extend beyond that. The daughter of Milton Brown, the songwriter who penned the catchy title song for the Clint Eastwood vehicle Every Which Way But Loose, Brown was raised in Mobile, Alabama, and since graduating from university has been highly active behind the camera. In the past decade, Brown’s filmmaking career has been impressively diverse: she first produced the Student Academy Award-winning short Six Miles […]
by Nick Dawson on Jul 25, 2008
FROM HERE TO AWESOME ANNOUNCES LINE UP

Along with their DIY DAYS, FHTA will also use the event in L.A. this week to unveil the films that will be showcased in their traveling distribution film festival around the country in the next six months. They are… FEATURES Abel Raises Cain – directed by Jenny Able and Jeff Hockett An unprecedented glimpse into the life and bizarre career of infamous media prankster, Alan Abel, told from the viewpoint of his daughter, Jenny. An offbeat portrait of an eccentric father, the film takes the audience on an unusual ride through the myriad of outlandish stunts and satirical campaigns that […]
by Jason Guerrasio on Jul 21, 2008
Migrating Talents: Inside the Flaherty Seminar

The 54th edition of the notorious Flaherty Film Seminar (June 21-27) kicked off with some steamy words from president Patti Bruck. “We’re not here to discuss film,” she insinuated; “we’re here to argue about film.” Begun in 1955 when Robert Flaherty’s widow Frances gathered filmmakers, critics, and musicians to discuss the potential of the moving image, the Seminar has evolved into one of the more idiosyncratic and invigorating stops in the film world, with an almost Nietzschean will for conflict. No titles or filmmakers are announced beforehand; all screenings, meals, and discussions are mandatory; filmmaker/audience hierarchies are abandoned in favor […]
by Jason Guerrasio on Jul 16, 2008
Tony Gerber & Jesse Moss, Full Battle Rattle

AN IRAQI ROLE PLAYER IN TONY GERBER AND JESSE MOSS’ FULL BATTLE RATTLE. COURTESY MILE END FILMS. A strong partnership always relies on both individuals bringing different things to the table, and documentary filmmakers Tony Gerber and Jesse Moss certainly draw on diverse backgrounds for their creative collaboration. New York City native Gerber began his career directing alternative theater and making films for theatrical productions, and went on to work with conceptual artist Matthew Barney on Cremaster III (2002) and Drawing Restraint 9 (2005). He directed the short film, Small Taste of Heaven in 1997, and his debut fiction feature, […]
by Nick Dawson on Jul 9, 2008
A Step Into the Mainstream

Canada’s Patricia Rozema has had an eclectic career, spanning films as diverse as her 1987 debut Cannes feature, I’ve Heard the Mermaids Singing to her Yo Yo Ma feature, Six Gestures: Suite No. 6 for Unaccompanied Cello to her 1999 Jane Austen adaptation, Mansfield Park. The themes and approaches of these films — Rozema’s concentration on adult eroticism, feminism, religious skepticism, and social revolution — would not seem to be the kind of interests which would speak to the upright members of the American Girl enterprise, protectorate of the indomitable Kit Kittredge and her wholesome doll sisters. Yet, the sweetly […]
by Jason Guerrasio on Jul 7, 2008
MORE FROM THE SUNDANCE DOC LAB

Here’s part two of Diann Borshay Liem’s report from the Sundance Documentary Edit Lab. (For those who missed Part One, you can read it here.) It’s Day 5 at the Sundance Doc Edit/Story Lab. For me, the lab started where our film ends. During our first work day, editor/advisor Mary Lampson shared a personal story about duality and living a false life. We laughed, I cried. Scott (our assistant editor) cued up “Getting to Know You” and Vivien and I danced around our edit trailer. Amazingly, through this odd process we uncovered what I think will be the ending to […]
by Scott Macaulay on Jul 4, 2008
BLOGGING THE SUNDANCE DOC LAB

Filmmaker is hosting blogs from several of the participants of the various Sundance Labs this summer. Here’s part one of producer/director Deann Borshay Liem’s (Precious Objects of Desire) from the Sundance Documentary Edit and Storytelling Lab, which runs June 21 – 28. Sometimes I refer to myself as “she.” This is because I’m a character in my own film and I have to separate who I am in real life with who I am on screen. Fortunately I’m a Gemini so this splitting into two (or more) doesn’t seem that odd. Any other editor might think this was nuts, but […]
by Scott Macaulay on Jun 20, 2008

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