Documentary
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Watch: Robert Greene on “The Art of Nonfiction”
Last week, Sight & Sound released their poll of the top 50 documentaries of all time, sourced from 340 critics, programmers and filmmakers. The list includes seminal films such as Nanook of the North, Sans Soleil, Man With a Movie Camera, and Salesman, as well as recent, form-pushing works in The Act of Killing and Leviathan. Robert Greene took time out of his impressively hectic schedule to craft a video essay that is a send up to said titles and more, examining documentary for its inimitable, observational approach, and noting that “the art of nonfiction lies in the tension between chaos and structure.” Head over to Sight&Sound to view it.
by Sarah Salovaara on Aug 7, 2014 -
Lily Henderson
“There’s a mood board above my desk that has a map of Las Vegas and then various notes, articles of inspiration, photographs from over the years,” says filmmaker Lily Henderson. “Dead center is a quote from the author John D’Agata that states: ‘I think the reason we’ve never pinpointed the real beginning to this genre is because we’ve never agreed on what the genre even is. Do we read nonfiction in order to receive information, or do we read it to experience art? It’s not very clear sometimes…I am here in search of art.’ And I am very much in […]
by Vadim Rizov on Jul 17, 2014 -
Trailer Watch: Hal Hartley’s My America
“What is my America?” That was the question asked 50 playwrights by Centerstage, which celebrated its 50th anniversary last year. Their answers were filmed by Hal Hartley, who is exclusively debuting the resulting feature documentary, My America, on Fandor for its SVOD premiere beginning July 4. From Centerstage: Filmed by Possible Films, led by award-winning director Hal Hartley, these 50 monologues by writers including Anna Deavere Smith, Neil LaBute, Christopher Durang, and Lynn Nottage explore our particular American moment—the ideas and people that make the country what it is today. The responses, ranging from the political to the personal, form […]
by Scott Macaulay on Jun 19, 2014 -
Director Amy Scott on Her Upcoming Doc, Once I Was: The Hal Ashby Story
You know the films — Harold and Maude, Coming Home, Shampoo, The Last Detail, and Being There – but little about the man behind them. A quarter century after his death, director Hal Ashby remains one of the more mysterious figures to emerge from the New Hollywood movement. His rise as a director coincided with the brief but glorious period in American cinema when difficult, complex films were actually supported and encouraged by studios. That era came to an end with populist hits like Jaws and Star Wars, shifting the zeitgeist towards blockbusters and making it tough for uncompromising directors […]
by Sara Kaye Larson on May 26, 2014 -
Distributing the Cause of Dam Removal: Patagonia’s Push for DamNation
Arriving in theaters this weekend following its SXSW premiere is DamNation, Ben Knight and Travis Rummel’s ecological advocacy documentary supporting the removal of obsolete dams. Funded and distributed by Patagonia — and the winner of SXSW’s Documentary Spotlight Audience Award — DamNation and its release are a study, says Sub-Genre’s Brian Newman, in “how a brand can use film to create impact.” Newman is the film’s marketing and distribution consultant, and along with the company and other partners he’s implementing an innovative campaign employing Patagonia’s customer base, collapsed release windows, partnerships with affinity groups and the old-fashioned hustling of DVDs. […]
by Scott Macaulay on May 10, 2014 -
Manakamana and Nonfiction’s Power of Contextualization
Yesterday, the upstanding people at Cinema Guild decided to release their catalogue of DVD supplemental essays online. It’s an embarrassment of riches: Amy Taubin on Beaches of Agnès, J. Hoberman on The Turin Horse, Haden Guest on Cousin Jules, to name a few. At my first, tepid perusal, however, it is Robert Koehler’s essay “Sweetgrass and The Future of Nonfiction Cinema,” that merits the most attention. Koehler begins by addressing the myth of the “death” of cinema in the new digital environs, countering that we are in a peculiar renaissance of the documentary. He considers the newfound multiplex popularity of the form, with films like Fahrenheit 9/11 and Super Size […]
by Sarah Salovaara on May 8, 2014 -
Hot Docs: Growing Crowds Amid Shrinking Funds
“There are more people here this year, but less money.” That’s how one veteran Canadian documentarian summed up the market at Hot Docs, North America’s largest documentary festival, which just wrapped in Toronto. At workshops and cocktail receptions, the chatter was as dark as the skies outside. Broadcasters here and abroad continue to slash their development and production budgets, and that’s forced doc directors to crowdfund on Indiegogo and Kickstarter to make up (part of) the shortfall, while others just leave the business. Sure, there were great films unveiled over the past 10 days at Hot Docs. Thomas Wallner’s Before The Last […]
by Allan Tong on May 5, 2014 -
A Conversation with Mentor Director Alix Lambert
“It’s Better in Mentor.” A shot of that roadside sign offers an early irony in director Alix Lambert’s new documentary, named after the Ohio town — and high school — where five students committed suicide between 2005 and 2010. Focusing on two families who brought lawsuits against Mentor High, alleging that its administration ignored a clear pattern of student bullying that led to the deaths of their children, Mentor is both heartbreaking and soberly resolute in its inquiry into the institutional forces and “culture of conformity” that fail young members of our communities. As she has done in her previous […]
by Scott Macaulay on May 1, 2014 -
Director Phillip Rodriguez and Producer Jennifer Craig-Kobzik on Life, Death and Legend in Ruben Salazar: Man in the Middle
For the generations who have come of age knowing the legend of slain journalist Ruben Salazar, there is as much they don’t know about him. A new documentary, Ruben Salazar: Man in the Middle, takes advantage of police records and decades of hindsight to take Salazar out of myth and give him back his humanity. The film premieres as a Special Presentation of PBS’ VOCES on Tuesday, April 29 at 9:00 PM ET. Salazar’s contribution to journalism began in the ’50s with his work as a reporter with the border daily El Paso Herald-Post in the city where he had […]
by Lisa Y. Garibay on Apr 29, 2014 -
The Book of Lone Peak: Distributing and Marketing the Short Film
For ten days in January a documentary called The Book of Lone Peak ranked as the top-selling short film on iTunes. The film, which profiles a high school basketball team from the town of Highland, Utah, was made by New York City-based filmmaker Ben Altarescu and a fifteen-year-old journalism student named Zack Samberg. The pair moved quickly to push the project through to completion before the basketball players left for post-high school pursuits. The filmmakers talked with me about how a professional filmmaker and teenager collaborated and how they helped push the film on iTunes and other platforms. Filmmaker: You both came to this project […]
by Randy Astle on Mar 26, 2014
