As most of us receive our early morning Sundance rejection email (which literally makes us the 99 percenters…again.) we should all take a moment and reflect: what drove us to this? What brought us to this moment where a single email is either enormously heartbreaking, or just another bump on the dirt road of DIY/micro filmmaking? I’ve asked fellow columnist, and bi-coastal filmmaker, Gregory Bayne to shed a bit of light on his practice of treating each project as the first uphill battle of many, and how that journey is essential for the career independent filmmaker. We have an almost […]
by John Yost on Dec 2, 2011As we wind down “Season One” of the conversation we take a look back and discuss what might have been overlooked. When I first started this column my hope was that filmmakers and tastemakers would use this forum as a way to debate, raise questions, and challenge one another. For the most part I’ve been happy with the subjects raised by this column and the subsequent conversation that has started in the comments section of some of the posts. However, as we push forward in the new year I would like if we didn’t just talk at you, but with […]
by John Yost on Nov 29, 2011This week I give you a bonus post and contest. In keeping with what seems to be our “Do Your Homework” theme, we have Grant Edmonds from MixMyFilm.com with some quick sound tips from a sound mixer’s perspective. Sound is always the microbudget killer, often transforming a wonderfully acted and shot film into something no one wants to see or hear. We’ve talked about its importance and ways to get good sound in the field, but we have yet to discuss the value of a great sound mix and how to prepare for it. In keeping with the Microbudget spirit, […]
by John Yost on Oct 25, 2011In sticking with our “Do Your Homework” theme, this week on the conversation we dissect one aspect of the micro-budget equation – crowdfunding. As someone who is about to use Kickstarter for the first time, I felt it was best to leave you in the capable hands of someone who had not only successfully met his goal, but who doubled it. Zak Forsman is no stranger to the world of microbudget filmmaking and I love his advice on crafting a great campaign. At IFP week I heard tons of questions from filmmakers on how to wrestle the task of a […]
by John Yost on Oct 19, 2011When I was in second grade, I was the kid who brought the boa-constrictor home over Christmas break. I had a chicken leg in a jar of phemaldehyde in my room. I excitedly cleaned out the very deep cut my sister got stepping on glass in the ocean. My Netflix cue has on it every BBC show on how the brain works. My mother was a science teacher. My sister is a pilot for NOAA. I always wanted to be a surgeon — if it didn’t involve so many years of school; Creative Improvised Surgery! I think I’d be good […]
by Alix Lambert on Oct 19, 2011It’s been a few weeks longer than usual, and the list of reasons is a mile long. The first, and important few are: I’m moving, there are big things being planned for this column’s future, and I was at Independent Film Week. If you ever get a chance to go to IFW… Go. Especially if you are planning a film. I won’t get too far into it, (as many wonderful folks already have) but it was thrilling, inspiring, and sobering. Our industry is changing almost faster than we can keep up. There are a ton of creative folks out there […]
by John Yost on Oct 4, 2011I first met Jesse Borkowski back at RIT in 2002, and we became fast friends. His interest in experimental filmmaking mirrored my own, and soon we were the dynamic duo of cinematographer and assistant on over ten short films. Our verbal short hand and similar visual language made it easy for us to work together, but it wasn’t until now that we’ve collaborated on a project as co-directors; It was bound to happen. The film I’m referring to is Engram. This “epic” micro budget is an experiment in many things, one of those things being crowdsourcing. My last few attempts […]
by John Yost on Jun 28, 2011So last week we presented one type of manifesto knowing full well it’s almost impossible to define what this all is. The feedback was wonderful and I want to take a moment before I present the next two manifesto perspectives to comment. I think some people are completely right about the fact that sometimes the point of micro-budget is to NOT be part of a group. However, as humans, we group ourselves, and others, together so that we can quickly categorize and compartmentalize the world around us. Which is the very reason I started thinking about a rule book. Groups […]
by John Yost on Jun 22, 2011After our last post the response was overwhelming in regards to what micro is, if it’s important, and where it’s headed. In the spirit of conversation I worked with Todd Looby (pictured below) on a post almost exactly the opposite of Scott’s. Todd sees micro-budget filmmaking as a skill, a tool, and somewhat of a stepping-stone. Our conversation wouldn’t be a conversation without this point of view. To me, microfilmmaking is not an end that anyone in his or her right mind should be pursuing. Of course, as people interested in filmmaking, we are not necessarily right in the […]
by John Yost on Jun 7, 2011