There’s a tradition of young directors looking for inspiration in the bygone eras of their adolescence. For George Lucas in American Graffiti, it was the California car culture of the early ’60s. For Richard Linklater in Dazed and Confused, it was the Texas high school rituals of the ’70s. And for Greta Gerwig in Lady Bird, it’s Catholic school and the suburban doldrums of early-aughts Sacramento. Written and directed by Gerwig, Lady Bird follows the titular character (Saoirse Ronan) through her senior year of high school as she fights with her mom (Laurie Metcalf), pines for a philosophical dilettante from the […]

Until filmmaker, novelist, and funnywoman Rebecca Miller weighed in with the invigorating Maggie’s Plan, the history of films addressing the impasse between order and randomness — in theological terms, the conflict between free will and determinism — has rested on the mature products of profound Western European minds. Bresson’s Au Hasard, Balthasar and Dreyer’s Gertrud, for example, are stark, minimalist, and melancholic, with a divine presence at the very least implied. In Miller’s movie, intellectual musings are negligible in the fate debate. Destiny, whether embraced or resisted, is built into something more palpable: the actions of her quirky characters. Her earlier […]

Modern media has a perverse fascination with pinpointing the motivations of the millennial. When not publishing extensive reports on “hookup culture,” many publications are transfixed by the generation’s ostensible desire to simultaneously better themselves and the world, while still being unable to get it together and move out of their mom’s basement. With Mistress America, Noah Baumbach and Greta Gerwig have created a precise portrait of a woman who embodies the ephemeral essence of a do-it-all, self-entitled millennial without dispensing any blanket, generational theses. This character, however, is not the film’s purported protagonist — that would be 18-year-old aspiring writer Tracy, played by a nicely understated […]

Fox Searchlight has struck early, acquiring Noah Baumbach’s highly anticipated Mistress America two weeks before its premiere at the 2015 Sundance Film Festival. As described in the press release, “In Mistress America, Tracy (Lola Kirke) is a lonely college freshman in New York, having neither the exciting university experience nor the glamorous metropolitan lifestyle she envisioned. But when she is taken in by her soon-to-be stepsister, Brooke (Greta Gerwig) – a resident of Times Square and adventurous gal about town – she is rescued from her disappointment and seduced by Brooke’s alluringly mad schemes.” The film is written by Baumbach […]

Kudos to Vice for commandeering a handful of Criterion extras and uploading them to their YouTube channel, Conversations Inside the Criterion Collection. Their most recent addition, from the Frances Ha boxset, is a conversation between Sarah Polley and Greta Gerwig on the process of creating both the titular character and her written foundations. Polley approaches the interview as both a filmmaker and (former) actor, posing astute observations on the registry of Gerwig’s interior monologues, as well as the nuts and bolts behind the film’s climactic dance sequence. The other videos in the series — Wexler on Medium Cool, Polanski on Rosemary’s Baby and Scorsese on Rossellini — […]

In an effort to assure traditionalists that anything television can do the Internet can do better, YouTube got their first slice of the awards show pie last night with their inaugural YouTube Music Awards. In Saturday’s Times, Chris Milk — under the watchful eye of creative director Spike Jonze — revealed that each performance would be structured around a live music video, utilizing the platform to generate viral content in house. For the opener, Jonze enlisted one Greta Gerwig, replete with twinkle toes and jazz hands, to accompany Arcade Fire’s “Afterlife,” through forests, apartments, and a bearded man’s embrace.  It […]

Frances Ha world premiered at the 2012 Toronto International Film Festival. It is being distributed by IFC Films and opens theatrically on Friday, May 17, 2013. Visit the film’s official website to learn more. Just when it seems oh so skull-poundingly clear that the world really, really, really does not need yet another portrait of confused Caucasian 20-somethings who are fumbling and bumbling their way through the posh shopping mall that is 21st century New York City, along comes a cinematic delight like Frances Ha to soothe ones agitated nerves like a tingly pill of Vicodin. And though the fact […]