The post-production process is an often underestimated one, both in the amount of work it necessitates and in its shaping of the final product. From an outside perspective, viewers may assume that a film’s visuals are simply captured on-set, in camera, and transferred to screen without much alteration. In reality, color grading the camera’s images is an art form unto itself. Over at Hammer to Nail, Chad Hartigan, director of last year’s Sundance NEXT inclusion This is Martin Bonner, interviews his colorist Alex Bickel, whose fingerprints were on a whopping six titles in Park City earlier this month: Blue Ruin; Camp X-Ray; Kumiko, The […]
by Sarah Salovaara on Jan 30, 2014Do we really need another award show? Michael Tully, filmmaker (Ping Pong Summer, Septien) and editor of Hammer to Nail, and Eric Lavallée, founder of Ioncinema, can assure you we do. Tully and Lavallée have partnered to announce the creation of the American Independent Film Awards (AIFAs), a soon-to-be annual celebration of “a distinctive category of micro-budget films.” Says Tully, “There are way too many awards shows as it is, and yet Eric and I have become frustrated with the way truly excellent work is marginalized every year simply because it doesn’t have the money to play with the big boys. We feel […]
by Sarah Salovaara on Jan 16, 2014Originally posted during the Toronto Film Festival, here is a short video with the now former Maldives President Mohamed Nasheed and filmmaker Jon Shenk on their collaboration making the climate change doc, The Island President. The film opened today at Film Forum in New York. Over at Hammer to Nail, Daniel James Scott interviews Shenk. An excerpt: H2N: So for you, filmmaking starts with story. Yet all of your films coincide with social or political issues that can be affected by the emotional power you described. I’m sure that few filmmakers know more than you the delicate relationship between entertainment […]
by Scott Macaulay on Mar 31, 2012(Jean-Pierre and Luc Dardenne’s The Kid with a Bike premiered at the 2011 Cannes Film Festival, where it shared the Grand Prix with Once Upon a Time in Anatolia. It is being released theatrically by Sundance Selects on 03.16.12.) The Kid with a Bike is propelled by eruptive moments nestled between long stretches of calm. That it is seen through the eyes of a child too young and confused to understand as much about himself as the viewer does would appear to make the eponymous bicycle rider’s case an ironic one, but it mostly just makes it sad. Every time […]
by Michael Nordine on Mar 15, 2012Over at Hammer to Nail, Michael Tully has announced the winner for the inaugural edition of his monthly Short Film Contest. This month’s winner, Kelly Sears’ Once It Started It Could Not End Otherwise, is available to watch online, and it’s unforgettable; a nightmare-ish collage of refracted high school memories, manipulated yearbook photos, and an escalating sense of dread. You can stream Once It Started It Could Not End Otherwise over at Vimeo. My advice – don’t watch it at work unless you want your coworkers to see your terrified face. Previously supported by Rooftop’s Filmmakers’ Fund, Sears’ short was […]
by Jane Schoenbrun on Feb 22, 2012(Tomas Alfredson’s Tinker, Tailor, Soldier, Spy premiered at the Venice Film Festival. It is being released theatrically by Focus Features on 12.09.11.) Tinker, Tailor, Soldier, Spy plays out like a long game of chess whose pieces are constantly being moved across the board without ever reaching checkmate. Each of the many players thinks himself a king, but one by one they’re shown to be little more than glorified pawns. The narrative they collectively form is at once dense but fluttering, broken into tiny fragments whose value as clues and signifiers is constantly being called into question and, once thoroughly vetted, reassembled into something […]
by Michael Nordine on Dec 8, 2011On its simplest level Cindy Meehl’s documentary Buck tells the story of the cowboy Buck Brannaman, a horseman who travels the United States conducting clinics for “horses with people problems.” First-time director Cindy Meehl met Buck at one of his clinics, and wanted to share his wisdom with a wider circle than the ardent fans he’s built among “horse people.” A wise cowboy, eh? It doesn’t help that the film opens with iconographic Western shots: a cattle herd, a yellow sun, and galloping cowboys, all underlined by David Robbins’ thrumming score. I admit I was a bit skeptical. The census […]
by Susanna Locascio on Nov 9, 2011(In The Family opens at the Quad Cinema on Friday, November 4, 2011, after recently screening at the Hawaii International Film Festival and winning two richly deserved awards at the San Diego Asian Film Festival. Visit the film’s official website to learn more. *Full disclosure: I am not a film critic. I saw the film at the San Diego Asian Film Festival, where my film Surrogate Valentine was also in competition. I did not, however, have a chance to meet Patrick Wang.) Every once in a while, a movie comes out of nowhere and hits you like a ton of […]
by Dave Boyle on Nov 3, 2011(Martha Marcy May Marlene earned Sean Durkin a Best Director award at the 2011 Sundance Film Festival, where it was picked up for distribution by Fox Searchlight. It opened theatrically on Friday, October 21, 2011. Visit the film’s official website to learn more. EDITOR’S NOTE: HTN co-founder Ted Hope is an executive producer on the film.) Looking at Elizabeth Olsen, you know exactly who she’s related to. It’s a trait that lends the actress both familiarity and strangeness—as though you know her but you don’t. It also makes her perfect for the title role in Sean Durkin’s Martha Marcy May […]
by Michael Nordine on Oct 27, 2011(Distributed by IFC Midnight, The Catechism Cataclysm opens theatrically at the IFC Center on Wednesday, October 19, 2011. It becomes available on VOD beginning October 26th.) At the heart of Todd Rohal’s work is a very basic concept lost on today’s major theatrical audience who are hypnotized by the tired routine of familiar narrative structure. It’s so simple that it could be lost in the ether of the week’s releases comprised of cults and the continued ascension of the Catfish crew, but I’ll lay it out: Anything Goes. It’s a mindset that will definitely help you take on The Catechism […]
by John Lichman on Oct 20, 2011