Honk for Jesus. Save Your Soul, Adamma Ebo’s feature-length adaptation of their short film of the same name about a couple attempting to rebuild the congregation of their once-thriving megachurch after a scandal. Partially shot in the faux-documentary style of the film’s own documentarians, the film required the hand of a diligent editor to make every shift between the film’s different styles meaningful; editor Stacy Moon discusses how she made these shifts purposeful and more below. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes that led to your […]
by Filmmaker Staff on Jan 23, 2022The last two years have prompted much contemplation and reconsideration of the reasons why we make our films as well as the ways in which we make them. What aspect of your filmmaking—whether in your creative process, the way you finance your films, your production methodology or the way you relate to your audience—did you have to reinvent in order to make and complete the film you are bringing to the festival this year? The aspect of my filmmaking/creative process that I’ve had to reinvent during these last two years is how I reinvigorate my creative mind. I used to […]
by Filmmaker Staff on Jan 23, 2022In Honk For Jesus. Save Your Soul combines faux-documentary and straightforward cinematic narrative styles to tell the story of a couple attempting to rebuild the congregation at their once-thriving megachurch in the aftermath of a scandal. Cinematographer Alan Gwizdowski discusses how he combined the two styles in a way that was intuitive for the audience while emphasizing the ambiguities of the narrative and the film’s critique of documentary filmmaking. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being hired for this job? Gwizdowski: Another cinematographer, Adam Bricker, […]
by Filmmaker Staff on Jan 23, 2022