“What always attracted me to the work is that there’s something impossible about it,” says Jay Van Hoy, cofounder of Parts & Labor, the New York–based independent film production company that helped develop a wave of new auteurs over the past 15 years, from Kelly Reichardt to David Lowery to Robert Eggers. While Parts & Labor no longer exists as it once did as a partnership between Van Hoy and producer Lars Knudsen (the two split in 2016, with Van Hoy retaining the brand), its legacy lives on, as one of the most prolific independent film companies of its time, […]
by Anthony Kaufman on Sep 4, 2019Longtime Filmmaker readers will instantly recognize writer/director Matt Ross as our former Managing Editor, whose intelligent and probing interviews with directors like Robert Altman, Steven Soderbergh and George Clooney — to say nothing of his sit-down with critic Armond White — were staples in this publication in the early to mid-aughts. In 2006, Ross, who had made two short films and written a pair of scripts left the magazine to go make his debut feature, the darkly compelling Frank & Lola. A Vegas-set psychosexual love story, Frank & Lola stars Michael Shannon as an ambitious, tightly-wound star chef working in […]
by Scott Macaulay on Dec 12, 2016When legendary producer and studio executive Robert Evans penned his autobiography — later adapted into a documentary — he picked a telling title: The Kid Stays in the Picture. You would think that after producing films like Chinatown and Urban Cowboy, Evans could happily rest on his laurels, but his book’s title, with its defiant use of the present tense, speaks to the ambitions and anxieties affecting every filmmaker with producer DNA. These, of course, are issues of continuing relevance and professional durability — or, to use the independent film parlance of the moment, sustainability. Contrary to the imagination of […]
by Scott Macaulay on Oct 20, 2016There are many good reasons to see David Lowery’s Ain’t Them Bodies Saints, opening today. Many of those are articulated in David Barker’s interview with Lowery and Anthony Kaufman’s interview with its D.P., Bradford Young, but here’s another: this single film displays the work of more of our 25 New Faces than any other picture. Here’s that list: Jay Van Hoy & Lars Knudson. Now mainstays of the independent scene, New York-based Jay Van Hoy and Lars Knudsen were, in 2006, the first producers to appear on the “25 New Faces” list. At the time the Parts and Labor team […]
by Scott Macaulay on Aug 16, 2013Black films don’t travel. It’s one of the oldest clichés in the movie business. And it may be as true today as it was 20 years ago when producer Andrew Vajna famously declared, “There are no black actors today [who] mean anything to the foreign marketplace.” Hollywood may have made some headway in overcoming the racial road-blocks that exist in overseas markets; the foreign box-office for Quentin Tarantino’s Jamie Foxx-starring Django Unchained, for example, has well surpassed domestic sales, as did, surprisingly, Martin Lawrence’s 2011 comedy Big Mommas: Like Father, Like Son. But those films remain the exception, not the […]
by Anthony Kaufman on Apr 23, 2013Last year on the Filmmaker website, we ran a series of pieces in which we profiled a group of finalists for the San Francisco Film Society’s Kenneth Rainin Foundation Filmmaking grant, run through the organization’s Filmmaker360 program. Now there’s a new set of finalists, and we are once again putting the spotlight on all those shortlisted for the grant. You can read Part 1 of this current series here and Part 2 of the series here. JONAS CARPIGNANO (WRITER/DIRECTOR), A CHJÀNA Synopsis: After leaving his native Burkina Faso, Ayiva makes the perilous journey across the Sahara and Mediterranean in search of a better life in Europe. Once in Italy, he […]
by Filmmaker Staff on Apr 9, 2013The following blog post originally appeared at the IFP’s site and is cross-posted with permission. — Editor. I’m very fortunate to be friends with many accomplished independent film producers–people whose films have screened at the best festivals, won significant awards, gotten picked up by major distributors, earned healthy gross receipts, and received accolades in the mainstream press. We hang out sometimes, one-on-one or in groups, to catch each other up on our projects, share recent experiences, exchange opinions on companies and people we’ve worked with, etc. But essentially, we get together for emotional support against an industry and an economy […]
by Mynette Louie on Jun 18, 2012David Lowery, one of Filmmaker’s 2011 “25 New Faces,” is set to direct a new, “contemporary western” that teams him with three others from our annual talent survey. As announced by Deadline, Ain’t Them Bodies Saints is set to star Rooney Mara (picked for our 2009 list) and will be produced by a team including Jay Van Hoy and Lars Knudsen (from our 2006 list). Ben Foster and Casey Affleck are also attached; James Johnston, Toby Halbrooks, Amy Kaufman also produce; and the pic is repped by WME Global. Evolution Independent’s Cassian Elwes is putting together the financing. Lowery’s Pioneer […]
by Scott Macaulay on Apr 28, 2012Lars Knudsen and Jay Van Hoy, the producing duo behind Gotham Award Best Picture winner and Oscar nominee Beginners, have signed an output and development deal with sales, finance, and production company K5 Media Group. The deal marks an alliance between two rising indie powerhouses. Knudsen and Van Hoy have been building their reputation for the past ten years. In 2004, they founded production company Parts & Labor and steadily accumulated a body of festival circuit sleeper hits including Kelly Reichardt’s Old Joy, Cam Archer’s Wild Tigers I Have Known, and Nik Fackler’s Lovely, Still. More recently, the duo produced […]
by Jane Schoenbrun on Feb 1, 2012A number of former “25 New Faces” are involved with the production of Sarah Daggar-Nickson’s short film, In the Forest One Night. They include the cinematographer Sean Kirby and executive producers Lars Knudsen and Jay Van Hoy. Also involved are producers Tory Lenosky and Andrea Roa, and production designer Amanda Ford. Rewards include the director’s own DVDs and books of poetry, and a pitch-meeting with the two exec producers. According to her Kickstarter bio, Daggar-Nickson “specializes in stories from the darker side of life, where hope shines a little brighter.” I like that. Check out the video and consider supporting.
by Scott Macaulay on Apr 25, 2011