Jennifer Reeder
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Trailer Watch: Jennifer Reeder’s Perpetrator
Jennifer Reeder’s follow-up as a writer-director to her 2019 feature debut Knives and Skin, the first trailer arrives today for Perpetrator. The film had its world premiere at this year’s Berlinale before having its North American premiere at Tribeca Festival earlier this summer. In my interview with Reeder ahead of Berlinale ’23, I briefly elaborate on the film’s premise: Precocious 17-year-old Jonny (Kiah McKirnan) has a no-frills home life with her deadbeat father, supported by her after school hustle as a petty thief. Her mother has long been out of the picture, only exacerbating her feeling of isolation when she […]
by Natalia Keogan on Jul 19, 2023 -
“Coming of Age Is a Lifelong Process”: Jennifer Reeder on Perpetrator
“I have no shame saying that on some level, I’ve kind of been making the same film over and over,” writer-director Jennifer Reeder tells me on a recent Zoom call. We’re speaking ahead of the Berlinale premiere of Perpetrator, the anticipated follow-up to her 2019 feature debut Knives and Skin, a horror-tinged teen noir that centers on the disappearance of a high school-aged girl and the reckoning that it brings to a Midwestern town’s inhabitants, particularly the girl’s mother and her teenage friend group. Perpetrator iterates a similar narrative trajectory, this time with a distinct genre sensibility. Precocious 17-year-old Jonny […]
by Natalia Keogan on Feb 23, 2023 -
Can You Finance an Independent Film During a Pandemic?
In the middle of the global pandemic and one of the worst economic downturns in a century, Maven Pictures’ Celine Rattray, a producer of Driveways, The Kindergarten Teacher and American Honey, had several projects interrupted. But in early April, a timely new project—in which the crew and cast could work remotely from their own homes—was suddenly greenlit. She spoke to a private equity investor who she believed would be a good fit for the film, budgeted at six figures, and the financier agreed to fully fund it during their phone call. “The deal closed in a couple days,” says Rattray. […]
by Anthony Kaufman on Jul 7, 2020 -
“We Have a Relationship with Fear from an Early Age… We Understand What It Means to be Prey”: Jennifer Reeder on Her Female Teen Horror Film, Knives and Skin
Genre filmmaking is arguably one of the most exciting and provocative sectors of cinema right now, with fresh perspectives and elevated messaging challenging the screen and its audiences. Case in point: Jennifer Reeder’s new feature, Knives and Skin. The filmmaker, who has crafted a number of successful short films over the past few years, has a bold aesthetic and isn’t afraid to put complex characters — especially young women — in bizarre and provoking situations. “I love seeing so many women not just like reclaiming, but claiming,” says Reeder about women in horror. Women have often been the subject of so many […]
by Meredith Alloway on Dec 11, 2019 -
Tribeca 2019 Critic’s Notebook: Coming(s) of Age
Blood and guts in high school is a theme that never loses its appeal to filmmakers, even as its universality—from Zero for Conduct to Heathers—demands greater risk and originality from filmmakers who, arguably more often than not, are recasting episodes from their own diaristic memory banks. This year’s Tribeca Film Festival, which wrapped up last week, served up a predictable share of films that fit into the coming-of-age category, yet the most notable of those efforts proved to be anything but cookie-cutter. The best film I saw at the festival, Jennifer Reeder’s Knives and Skin, even felt like something brand […]
by Steve Dollar on May 13, 2019 -
“I Went to Art School, Not Film School”: Jennifer Reeder at IFP Film Week
[Editor’s note: this is Jennifer Reeder’s second guest post from IFP Independent Film Week. Her first can be found here.] Coming to you live from the end of Independent Film Week. My script As With Knives and Skin was part of the Emerging Storytellers section of the Project Forum. I not only survived, I thrived! I pitched my a$$ off and had a really successful week – if success is measured in great connections, meaningful conversations, advice received, notes taken and a general mutual love of Indie filmmaking. I went into this week with a script that recently won a Creative […]
by Jennifer Reeder on Sep 28, 2015 -
Anticipate Questions and Be Prepared with Answers: Jennifer Reeder at IFP Independent Film Week
[Jennifer Reeder files a guest post from IFP Independent Film Week; above, a still from her short film A Million Miles Away.] Coming to you live from the morning of day 3 of the Project Forum. I spent all day yesterday in meetings with my feature length narrative project called As With Knives and Skin, a feminist teen noir set in rural Kentucky. Sunday, which was day one, was relatively light. All the projects had a pitch rehearsal in the morning, which was really helpful, and l loved getting a sense of all the other invited projects. The wide range is inspiring […]
by Jennifer Reeder on Sep 22, 2015 -
Creative Capital Announces 2015 Moving Image and Visual Arts Awardees
Creative Capital, the granting and artist support organization, announced today its 2015 awardees in the categories of Moving Image and Visual Arts. Out of 3,700 submitted proposals, 46 projects were funded with the 50 supported artists ranging in age from 28 to 80. More than half our women, and and more than half identify as non-European American. Among the grantees are a number of artists who will be recognized by the Filmmaker readership. Here are just a few of them. Veteran director Michael Almereyda receives his first Creative Capital grant for a series of short films based on Italian folktales. […]
by Scott Macaulay on Jan 7, 2015 -
Old and New: The 60th Oberhausen International Short Film Festival
Nestled in the industrial Ruhr region and dubbed “Germany’s Detroit” due to its distinction as the most debt-ridden city in the country, Oberhausen may not immediately sound like a great place to host an international film festival. Nevertheless, believe it or not, the 2014 Internationale Kurzfilmtage Oberhausen marked the festival’s 60th iteration. This year, Oberhausen featured 61 films from 35 countries in the International Competition, 21 films in the German competition, 12 video production in the North-Rhine-Westphalia (NRW) competition, a themed program curated by Mika Taanila (discussed at length later), four profiled filmmakers receiving one to three individual programs each, […]
by James Hansen on Jun 5, 2014
