As the editor of this column it is my job to choose the contributors, shape the voice, and move the column in a forward direction. The last post really struck up a good conversation, and it is now clear that my decision to move the blog in a new direction would be a welcome change. This does not mean, however, that we will stop talking with micro-budget filmmakers on timely topics and take the time to check in on their latest projects. Despite what some people feel, one of the functions of this column is to help contributing filmmakers get […]
by John Yost on Dec 20, 2011A recurring topic all last week at IFP’s Marketing and Distribution Labs was how indie filmmakers can get the most out of their film’s release, both monetarily and in terms of marketing. Friday morning the conversation turned granular (but no less interesting) with lab leaders Jon Reiss, Amy Dotson, and Milton Tabbot discussing the pros and cons of various forms of merchandising. Stressed repeatedly – the key thing to remember is that each film requires a distinct merchandising campaign. Think about your film’s core audience, and what kinds of products they would most likely be interested in. Then plan accordingly. […]
by Jane Schoenbrun on Dec 12, 2011“In 1972, Ricky put a Super 8 synch-sound camera in my hand and said, ‘If you want to become a filmmaker, you have to shoot,’” writes filmmaker Jane Weiner on the Kickstarter page for her project, Ricky on Leacock. “Turning my lens on him, I was suddenly transported into another universe: What began as a filmic conversation developed into a filmic adventure that traces the roots of Leacock’s cinematic quest and his role in documentary-making over the last century.” Four decades later, and less than a year after Leacock passed away, Weiner is finishing her documentary on the legendary filmmaker […]
by Scott Macaulay on Dec 11, 2011Boundary-busting filmmaker Cam Archer — one of Filmmaker‘s 25 New Faces and director of, most recently, Shit Year — is making his first doc, Criminal Thoughts. He talks about it and his career in an unguarded video for Kickstarter. In the video, Archer is up-front about the exploratory nature of his project, which appeals to me. As more and more Kickstarter campaigns seem like pre-buys for existing products/projects, Cam’s appeal to us to assist him during his creative process is striking. From the page: CRIMINAL THOUGHTS, my first feature length documentary, will be an exciting, creative departure for me. in […]
by Scott Macaulay on Dec 9, 2011Gregory Bayne, who has contributed some of the best, most rabble-rousing recent posts to this site — including the analytics-busting “When Should You Call Bulls@&T” — is in the final hours of a Kickstarter campaign for his documentary Bloodsworth, An Innocent Man. With less than 72 hours to go, he’s about 15K shy of his 25K goal. Tough numbers, but I’ve seen other campaigns pull it out. Bayne is a tough and passionate filmmaker who has the goods, as you’ll see from this demo video. Please check it out and if it interests you, consider helping by supporting his campaign. […]
by Scott Macaulay on Dec 2, 2011As most of us receive our early morning Sundance rejection email (which literally makes us the 99 percenters…again.) we should all take a moment and reflect: what drove us to this? What brought us to this moment where a single email is either enormously heartbreaking, or just another bump on the dirt road of DIY/micro filmmaking? I’ve asked fellow columnist, and bi-coastal filmmaker, Gregory Bayne to shed a bit of light on his practice of treating each project as the first uphill battle of many, and how that journey is essential for the career independent filmmaker. We have an almost […]
by John Yost on Dec 2, 2011As the practice of ‘crowd-funding’ has come of age over the past couple years, so has the wide array of opinion about it. Some have called it a ‘game-changer’, especially when it comes to funding films, others seem to think of it as a magical place where free money simply appears from thin air, and yet others are wholly unconvinced, if not fully disdainful, of this practice of ‘organized-begging’. I can sympathize with the latter, seeing how crowd-funding has contributed to the advent of incessant self-promotion via social media sites, and the fact that you feel like everywhere you turn […]
by Gregorybayne on Nov 14, 2011I’ve been meaning to post notice of the other big camera announcement this past week — RED’S unveiling of the SCARLET-X. Over at his No Film School, Koo has been all over this camera, writing that instead of the Scarlet being what we once thought the Scarlet would be (“a 3K for $3K camera), “It is very, very close to being the same camera as the $28,000 EPIC-X — it’s the same size and weight, has the same large sensor, takes the same accessories, and maxes out at the same 5K resolution — except the SCARLET-X starts at under $10K.” […]
by Scott Macaulay on Nov 6, 2011In columns like “Platforms, PMDs and Perpetuating Obscurity” and “When Should You Call Bullsh#*t,” filmmaker Gregory Bayne has been one of our most provocative columnists on the site, incorporating the experience of making and distributing his own films into a larger commentary on the independent film business. Now it is time to help him out in the form of donating to the Kickstarter campaign for his new project, Bloodsworth: An Innocent Man.” It’s about the first man on death row to be released by DNA evidence. Bayne writes: Weaving together archival footage, Kirk Bloodsworth’s own compelling re-telling of his ordeal, […]
by Scott Macaulay on Nov 5, 2011Okay, first the exciting news: Hal Hartley has made a new film! What’s the “but”? Well, it’s not ready quite yet. It’s in post, though, so it’s close. To help it get to the finish line, Hartley has launched a Kickstarter campaign for its final post-production. He’s also appealingly pitched his campaign as a “DVD Collector’s Edition Pre-Buy.” For $25 you’ll receive this limited edition when the film is finished. And there are other rewards too. For example, for $1,000 you can be a co-producer. That’s right, a grand gets you a very nice IMDb credit. Here’s what Hartley writes […]
by Scott Macaulay on Nov 2, 2011